Читать книгу The Book of Susan - Lee Wilson Dodd - Страница 6

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There was one thing about Bob Blake's four-room house—it exactly fitted his family. The floor plan was simple and economically efficient. Between the monolithic door slab—relic of a time when Bob's house had been frankly "in the country"—and the public street lay a walk formed of a single plank supported on chance-set bricks. From the door slab one stepped through the front doorway directly into the parlor. Beyond the parlor lay the kitchen, from which one could pass out through a narrow door to a patch of weed-grown back yard. A ladderlike stair led up from one side of the kitchen, opposite to the single window and the small coal range. At the top of the stair was a slit of unlighted hallway with a door near either end of it. The door toward Birch Street gave upon the bedroom occupied by Bob and Pearl; the rearward door led to Susan's sternly ascetic cubiculum. No one of these four rooms could be described as spacious, but the parlor and Bob's bedroom may have been twelve by fifteen or thereabouts. Susan's quarters were a scant ten by ten.

The solider and more useful pieces of furniture in the house belonged to the régime of Susan's mother—the great black-walnut bed which almost filled the front bedroom; Susan's single iron cot frame; the parlor table with its marble top; the melodeon; the kitchen range; and the deal table in the kitchen, upon which, impartially, food was prepared and meals were served. To these respectable properties Pearl had added from time to time certain other objects of interest or art.

Thus, in the parlor, there was a cane rocking-chair, gilded; and on the wall above the melodeon hung a banjo suspended from a nail by a broad sash of soiled blue ribbon. On the drumhead of the banjo someone had painted a bunch of nondescript flowers, and Pearl always claimed these as her own handiwork, wrought in happier days. This was her one eagerly contested point of pride; for Bob, when in liquor, invariably denied the possibility of her ever having painted "that there bouquet." This flat denial was always the starting point for those more violent Sunday-night quarrels, which had done so much to reduce the furniture of the house to its stouter, more imperishable elements.

During the brief interval between the death of Susan's mother and the arrival of Pearl, Bob had placed his domestic affairs in the hands of an old negro-woman, who came in during the day to clean up, keep an eye on Susan and prepare Bob's dinner. Most of the hours during Bob's absence this poor old creature spent in a rocking-chair, nodding in and out of sleep; and it was rather baby Susan, sprawling about the kitchen floor, who kept an eye on her, than the reverse. Pearl's installation had changed all that. Bob naturally expected any woman he chose to support to work for her board and lodging; and it may be that at first Pearl had been too grateful for any shelter to risk jeopardizing her good luck by shirking. There seems to be no doubt that for a while she did her poor utmost to keep house—but the sloven in her was too deeply rooted not to flower.

By the time Susan was six or seven the interior condition of Bob's house was too crawlingly unpleasant to bear exact description; and even Bob, though callous enough in such matters, began to have serious thoughts of giving Pearl the slip—not to mention his landlord—and of running off with Susan to some other city, where he could make a fresh start and perhaps contrive now and then to get something decent to eat set before him. It never occurred to him to give Susan the slip as well—which would have freed his hands; not because he had a soft spot somewhere for the child, nor because he felt toward her any special sense of moral obligation. Simply, it never occurred to him. Susan was his kid; and if he went she went with him, along with his pipe, his shop tools, and his set of six English razors—his dearest possession, of which he was jealously and irascibly proud.

But, as it happens, Bob never acted upon this slowly forming desire to escape; the desire was quietly checked and insensibly receded; and for this Susan herself was directly responsible.

Very early in life she began to supplement Pearl's feeble housewifery, but it was not until her ninth year that Susan decided to bring about a domestic revolution. Whether or no hatred of dirt be inheritable, I leave to biologists, merely thumbnailing two facts for their consideration: Susan's mother had hated dirt with an unappeasable hatred; her nightly, after-supper, insensate pursuit of imaginary cobwebs had been one of Bob's choicest grievances against her. And little Susan hated dirt, in all its forms, with an almost equal venom, but with a brain at once more active and more unreeling. She had good reason to hate it. She must either have hated it or been subdued to it. For five years, more or less, she had lived in the midst of dirt and suffered. It had seemed to her one of the inexpungable evils of existence, like mosquitoes, or her father's temper, or the smell of Pearl's cheap talcum powder when warmed by the fumes of cooking cabbage. But gradually it came upon her that dirt only accumulated in the absence of a will to removal.

Once her outreaching mind had grasped—without wordily formulating—this physical and moral law, her course was plain. Since the will to removal was dormant or missing in Pearl, she must supply it. Within the scope of her childish strength, she did supply it. Susan insists that it took her two years merely to overcome the handicap of Pearl's neglect. Her self-taught technique was faulty; proper tools were lacking. There was a bucket which, when filled, she could not lift; a broom that tripped her; high corners she could not reach—corners she had to grow up to, even with the aid of a chair. But in the end she triumphed. By the time she was thirteen—she was thirteen when I first saw in the Eureka Garage—Bob's four rooms were spotless six and one-half days out of every seven.

Even Pearl, in her flaccid way, approved the change. "It beats hell," she remarked affably to Bob one night, "how that ugly little monkey likes to scrub things. She's a real help to me, that child is. But no comp'ny. And she's a sight."

"Well," growled Bob, "she comes by that honest. So was the old woman." They were annoyed when Susan, sitting by them, for the first time within their memory burst into flooding, uncontrollable tears.