Winter: A Berlin Family, 1899–1945

Winter: A Berlin Family, 1899–1945
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Len Deighton. Winter: A Berlin Family, 1899–1945

Cover designer’s note

Len Deighton. Winter

Copyright

Contents

Introduction

Prologue

1899

‘A whole new century’

1900

A plot of land on the Obersalzberg

1906

‘The sort of thing they’re told at school’

1908

‘Conqueror of the air – hurrah!’

1910

The end of Valhalla

1914

War with Russia

1916

‘What kind of dopes are they to keep coming that way?’

1917

‘Not so loud, voices carry in the night’

1918

‘The war is won, isn’t it?’

1922

‘Berlin is so far away and I miss you so much’

1924

‘Who are those dreadful men?’

1925

‘You don’t have to be a mathematician’

1927

‘That’s all they ask in return’

1929

‘There is nothing safer than a zeppelin’

1930

A family Christmas

1932

‘Was that more shouting in the street?’

1933

‘We think something is definitely brewing over there’

1934

‘Gesundheit!’

1936

‘Rinse and spit out’

1937

‘You know what these old cops are like’

1938

‘Being innocent is no defence’

1939

‘Moscow?’ said Pauli

1940

The sound stage

1941

‘It was on the radio’

1942

‘I knew you’d wait’

1943

‘Happy and victorious’

1944

‘We’re all serious’

1945

‘It’s a labour of love’

If you enjoyed Winter, check out these other great Len Deighton titles

About the Author

Also by the Author

About the Publisher

Отрывок из книги

In attempting to come up with a concept for the cover design for Winter, Len Deighton’s saga of a Berlin family set in the first half of the twentieth century, I sought a striking image that would express the outcome of the Winter family’s story. I recalled a photograph in my wife Isolde’s family album of her father as a child dressed in a sailor suit standing beside his father. This image seemed to fit the time and place precisely. By tearing the photograph apart it implied the outcome of their relationship; and in a metaphorical sense it would also suggest what lay ahead for the city, and indeed the entire country. Sometimes the simplest of images are the most effective.

The related ephemera on the back cover includes a number of objects of the period taken from my personal collection, including a gramophone needle tin (which was featured in my book Phonographics) that has the Berlin dealer’s name on the lid; its contents still containing a few needles, a small button and an unused Adolf Hitler postage stamp. Also appearing is a china Zeppelin ornament, several early postcards including one of Graf Zeppelin and one of the Brandenburg gate, plus a German bank note. The group photograph is of my wife’s mother’s family.

.....

‘Yes, they do.’ She poured more tea for herself. She didn’t want it, but she was nervous.

‘This year you didn’t get to see them in London.’ He sat back in the armchair and crossed his legs. Big bony skull, wide cheekbones, and easy smile – sometimes he looked so like Father, and so like little Paul. She’d not noticed before how much of a Rensselaer her son looked.

.....

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