Читать книгу Spy Sinker - Len Deighton - Страница 12

London. August 1978.

Fiona Samson, a thirty-one-year-old careerist, was a woman of many secrets and always had been. At first that had made her relish her demanding job in London Central – the most secret of all the government’s secret departments – but as her role as a double agent developed and became more complex she found there were times when it all became too much for her. It had always been said that double agents eventually lose their own sense of direction and fail to distinguish which side they really work for, but for Fiona it was different. Fiona could not envisage ever becoming a supporter of communist regimes: her patriotism was a deeply rooted aspect of her upper middle-class upbringing. Fiona’s torment came not from political doubts: she worried that she would not be able to cope with the overwhelming task that she’d been given. Bernard would have been perfect for such a double agent role; like most men he could compartmentalize his brain and keep his family concerns quite separate from his work. Fiona could not. She knew that her task would become so demanding that she would have to neglect her husband and children more and more and finally – with no possible warning – leave them to fend for themselves. She would be branded a traitor and they would be spattered with the dirt. The thought of that distressed her.

Had she been able to discuss it with Bernard it might have been different, but authority had decreed that her husband should not know the plan. In any case she was not good at talking with Bernard. No less spirited than her extrovert sister Tessa, Fiona’s fires were damped down and seldom showed a flicker. Sometimes, or even often, Fiona would have enjoyed being like Tessa. She would have got great and immediate relief and satisfaction from the sort of public performance – displays of anger or exhilarated madness – for which her sister was famous, but there was no choice for her.

Fiona was beautiful in a way that had sometimes separated her from other women. Fiona’s beauty was a cold perfect radiance of the sort that is to be seen in the unapproachable models posing with such assurance in glossy magazines. Her brain was cold and perfect too; her mind had been bent by pedantic university teachers to think in terms of male priorities and had sacrificed many of the unbridled joys of femininity in order to become a successful surrogate male. Fiona’s miseries, her tensions and her times of great happiness were shared only reluctantly – grudgingly sometimes – with those around her. Emotion of any sort was always to be hidden, her father had taught her that. Her father was an insensitive and opinionated man who had wanted sons, something he explained to his two children – both daughters – at every opportunity, and told them that boys didn’t cry.

Fiona’s marriage to Bernard Samson had changed her life forever. It was love at first sight. She’d never met anyone like Bernard before. A big bear-like man, Bernard was the most masculine person she’d ever met. At least he had the qualities that she thought of as being masculine. Bernard was practical. He could fix any sort of machine and deal with any sort of people. He was of course a male chauvinist: categorical and opinionated. He never thought of helping in the house and couldn’t even boil an egg successfully. On the other hand he was constantly cheerful, almost never moody and quite without malevolence. Inclined to be untidy he gave no thought to his clothes or his appearance, never put on airs or graces and while enjoying art and music he was in no way ‘intellectual’ or ‘artistic’ in the way that so many of her male acquaintances were determined to be.

Fiona’s husband was the only person she’d ever met who completely disregarded other people’s evaluation of him. Bernard was a devoted father, more devoted to the children than Fiona was if the truth was faced. And yet he was not the unmotivated drifter that her father had warned her about. Bernard was driven by some force or thought or belief in the way that great artists are said to be, and woe betide anyone who got in his way. Bernard was not an easy man to live with. He’d been brought up in post-war Berlin – his father a senior intelligence officer – in an atmosphere of violence and betrayal. He was by nature tough and undemonstrative. Bernard had killed men in the course of duty and done it without qualms. He was well adjusted and enjoyed a self-confidence that Fiona could only wonder at and envy.

The burden of their marriage came from the fact that Bernard was far too much like Fiona: neither of them found it easy to say the things that wives and husbands have to say to keep a marriage going. Even ‘I love you’ did not come easily from Bernard’s lips. Bernard really needed as a wife some noisy extrovert like Fiona’s sister Tessa. She might have found a way of getting him out of his shell. If only Bernard could be foolish and trivial now and again. If only he could express doubts or fears and come to her for comfort. Fiona didn’t need a strong silent man: she was strong and silent herself. It was difficult for a man like Bernard to be really sympathetic to a woman’s point of view and Bernard would never understand the way that women would cry for ‘nothing’.

Lately, there had been many occasions when the complex tangle of Fiona’s working life became too much for her. She was using tranquillizers and sleeping tablets with a regularity that she’d never needed before. Bernard had found her crying several times when he’d come into the house unexpectedly. She had told him she was under treatment from her gynaecologist; embarrassed dear old Bernard had not pursued it further.

When she found herself weighed down by her thoughts, and the worries would not go away, Fiona found an excuse to leave the office and walked to the Waterloo mainline railway station. She’d come to like it. Its size suggested permanence while its austere design and girder construction gave it anonymity: a vast waiting room made from a construction kit. Coming through the dirty glass of its roof the daylight was grey, dusty and mysterious. Today – despite the rain – she had benefited from the walk from the office. Now she sat on a bench near number one platform and quietly cried her heart out. No one seemed to notice these emotional outbursts, except once when a lady from the Salvation Army offered her a chance for prayer at an address in Lambeth. Sobbing was not so unusual on Waterloo Station. Separations were common here and nowadays it was a place where the homeless and hungry were apt to congregate. London Airport was probably just as good a place to go for the purpose of weeping, but that provided too great a chance of seeing someone she knew. Or, more exactly, of someone she knew seeing her. And Waterloo Station was near the office, and there were tea and newspapers, taxicabs and metered parking available. So she went to number one platform and cried.

It was the prospect of leaving Bernard and the children, of course. They would end up hating her. Even if she did everything that was expected of her, and returned a heroine, they would hate her for leaving them. Her father would hate her too. And her sister Tessa. And what would happen to the children? She had asked Bret that, but he had dismissed her fears. The children would be cared for in the manner that her sacrifice and heroism deserved, he’d said in that theatrical style that Bret could get away with because he was so damn certain. But how sincere was he? That worried her sometimes. Sincere or not she couldn’t help thinking that her children would be forgotten once she was working in the East. Billy would survive boarding school – and perhaps even flourish there – but Sally would find such an environment unendurable. Fiona had resolved not to put her children through the sort of childhood that she had hated so much.