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CONTENTS

Acknowledgements

1 Introduction

2 From the subject of evil to the evil subject: Cultural difference in postapartheid South African crime fiction

3 Freedom on a frontier? The double bind of (white) postapartheid South African literature

4 The transitional calm before the postapartheid storm

5 Biopsies on the body of the ‘new’ South Africa

6 Referred pain, wound culture and pathology in postapartheid writing

7 Fiction’s response

Notes

Works cited

Index