Читать книгу When the King Loses His Head, and Other Stories - Leonid Andreyev - Страница 4
WHEN THE KING LOSES HIS HEAD. PART I.
ОглавлениеThere stood once in a public place a black tower with massive fortress-like walls and a few grim bastioned windows. It had been built by robber barons, but time swept them into the beyond, and the tower became partly a prison for dangerous criminals and grave offenders, and partly a residence. In the course of centuries new structures were added to it, and were buttressed against the massive walls of the tower and against one another; little by little it assumed the dimensions of a fair sized town set on a rock, with a broken skyline of chimneys, turrets and pointed roofs. When the sky gleamed green in the west there appeared, here and there, lights in the various parts of the tower. The gloomy pile assumed quaint and fanciful contours, and it somehow seemed that at its foot there stretched not an ordinary pavement, but the waves of the sea, the salty and shoreless ocean. And the picture brought to one's mind the shapes of the past, long since dead and forgotten.
An immense ancient clock, which could be seen from afar, was set in the tower. Its complicated mechanism occupied an entire story of the structure, and it was under the care of a one-eyed man who could use a magnifying glass with expert skill. This was the reason why he had become a clockmaker and had tinkered for years with small timepieces before he was given charge of the large clock. Here he felt at home and happy. Often, at odd hours, without apparent need he would enter the room where the wheels, the gears and the levers moved deliberately, and where the immense pendulum cleft the air with wide and even sweep. Having reached the limit of its travel the pendulum said:
"'Twas ever thus."
Then it sank and rose again to a new elevation and added:
"'Twill ever be, 'twas ever thus, 'twill ever be, 'twas ever thus, 'twill ever be."
These were the words with which the one-eyed clockmaker was wont to interpret the monotonous and mysterious language of the pendulum: the close contact with the large clock had made him a philosopher, as they used to say in those days.
Over the ancient city where the tower stood, and over the entire land there ruled one man, the mystic lord of the city and of the land, and his mysterious sway, the rule of one man over the millions was as ancient as the city itself. He was called the King and dubbed the "Twentieth," according to the number of his predecessors of the same name, but this fact explained nothing. Just as no one knew of the early beginnings of the city, no one knew the origin of this strange dominion, and no matter how far back human memory reached the records of the hoary past presented the same mysterious picture of one man who lorded over millions. There was a silent antiquity over which the memory of man had no power, but it, too, at rare intervals, opened its lips; it dropped from its jaws a stone, a little slab marked with some characters, the fragment of a column, a brick from a wall that had crumbled into ruin—and again the mysterious characters revealed the same tale of one who had been lord over millions. Titles, names and soubriquets changed, but the image remained unchanged, as if it were immortal. The King was born and died like all men, and judging from appearance, which was that common to all men, he was a man; but when one took into account the unlimited extent of his power and might, it was easier to imagine that he was God. Especially as God had been always imagined to be like a man, and yet suffered no loss of his peculiar and incomprehensible essence. The Twentieth was the King. This meant that he had power to make a man happy or unhappy; that he could take away his fortune, his health, his liberty and his very life; at his command tens of thousands of men went forth to war, to kill and to die; in his name were wrought acts just and unjust, cruel and merciful. And his laws were no less stringent than those of God; this too enhanced his greatness in that God's laws are immutable, but he could change his at will. Distant or near, he always was higher than life; at his birth man found along with nature, cities and books—his King; dying—he left with nature, cities and books—the King.
The history of the land, oral and written, showed examples of magnanimous, just and good Kings, and though there lived people better than they, still one could understand why they might have ruled. But more frequently it happened that the King was the worst man on earth, bare of all virtues, cruel, unjust, even a madman—yet even then he remained the mysterious one who ruled over millions, and his power increased with his misdeeds. All the world hated and cursed him, but he, the one, ruled over those who hated and cursed, and this savage dominion became an enigma, and the dread of man before man was increased by the mystic terror of the unfathomable. And because of this wisdom, virtue and kindness served to weaken Kingcraft and made it a subject of strife, while tyranny, madness and malice strengthened it. And because of this the practice of beneficence and goodness was beyond the ability of even the most powerful of these mysterious lords though even the weakest of them in destructiveness and evil deeds could surpass the devil and the fiends of hell. He could not give life, but he imposed death, that mysterious Anointed one of madness, death and evil; and his throne rose to greater heights, the more bones had been laid down for its foundations.
In other neighboring lands there sat also lords upon their thrones, and the origin of their dominion was lost in hoary antiquity. There were years and centuries when the mysterious lord disappeared from one of the Kingdoms, though there never was a time when the whole earth was wholly without them. Centuries passed and again, no one knows whence, there appeared in that land a throne, and again there sat thereon some mysterious one, incomprehensibly combining in himself frailty and undying power. And this mystery fascinated the people; at all times there had been among them such as loved him more than themselves, more than their wives and children, and humbly, as if from the hand of God, without murmur or pity, they received from him and in his name, death in most cruel and shameful form.
The Twentieth and his predecessors rarely showed themselves to the people, and only a few ever saw them; but they loved to scatter abroad their image, leaving it on coins, hewing it out of stone, impressing it on myriads of canvases, and adorning and perfecting it through the skill of artists. One could not take a step without seeing the face, the same simple and mysterious face, forcing itself on the mind by sheer ubiquity, conquering the imagination, and acquiring a seeming omnipresence, just as it had attained immortality. And therefore people who but faintly remembered the face of their grandfathers and could not have recognized the features of their great grandfathers, knew well the faces of their lords of a hundred, two hundred or a thousand years back. And therefore, too, no matter how plain the face of the one man who was master of millions may have been, it bore always the imprint of enigmatic and awe-inspiring mystery. So the face of the dead always seems mysterious and significant, for through the familiar and well known features one gazes upon death, the mysterious and powerful.
Thus high above life stood the King. People died, and whole generations passed from the face of the earth, but he only changed his soubriquet like a serpent shedding his skin: The Eleventh was followed by the twelfth, the fifteenth, then again came the first, the fifth, the second, and in these cold figures sounded an inevitableness like that of a swinging pendulum which marks the passing of time:
"'Twas ever thus, 'twill ever be."