Читать книгу The Prince Of India; or, Why Constaninople Fell - Lew Wallace - Страница 5

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THE slaves looked dubiously at the dusty aperture, which held out no invitation to them; the master, however, drew his robe closer about him, and stooping went in, lamp in hand. They then followed.

An ascending passage, low but of ample width, received them. It too had been chiselled from the solid rock. The wheel marks of the cars used in the work were still on the floor. The walls were bare but smoothly dressed. Altogether the interest here lay in expectation of what was to come; and possibly it was that which made the countenance of the master look so grave and absorbed. He certainly was not listening to the discordant echoes roused as he advanced.

The ascent was easy. Twenty-five or thirty steps brought them to the end of the passage.

They then entered a spacious chamber circular and domed. The light of the lamps was not enough to redeem the ceiling from obscurity; yet the master led without pause to a sarcophagus standing under the centre of the dome, and when he was come there everything else was forgotten by him.

The receptacle of the dead thus discovered had been hewn from the rock, and was of unusual proportions. Standing broadside to the entrance, it was the height of an ordinary man, and twice as long as high. The exterior had been polished smoothly as the material would allow; otherwise it was of absolute plainness, looking not unlike a dark brown box. The lid was a slab of the finest white marble carven into a perfect model of Solomon's Temple. While the master surveyed the lid he was visibly affected. He passed the lamp over it slowly, letting the light fall into the courts of the famous building; in like manner he illuminated the corridors, and the tabernacle; and, as he did so, his features trembled and his eyes were suffused. He walked around the exquisite representation several times, pausing now and then to blow away the dust that had in places accumulated upon it. He noticed the effect of the transparent whiteness in the chamber; so in its day the original had lit up the surrounding world. Undoubtedly the model had peculiar hold upon his feelings.

But shaking the weakness off he after a while addressed himself to work. He had the negro thrust the edge of the bar under the lid, and raise it gently. Having thoughtfully provided himself in the antechamber with pieces of stone for the purpose, he placed one of them so as to hold the vantage gained. Slowly, then, by working at the ends alternately, the immense slab was turned upon its centre; slowly the hollow of the coffin was flooded with light; slowly, and with seeming reluctance, it gave up its secrets.

In strong contrast to the plainness of the exterior, the interior of the sarcophagus was lined with plates and panels of gold, on which there were cartoons chased and beaten in, representing ships, and tall trees, doubtless cedars of Lebanon, and masons at work, and two men armed and in royal robes greeting each other with clasped hands; and so beautiful were the cartoons that the eccentric medalleur, Cellini, would have studied them long, if not enviously. Yet he who now peered into the receptacle scarcely glanced at them.

On a stone chair seated was the mummy of a man with a crown upon its head, and over its body, for the most part covering the linen wrappings, was a robe of threads of gold in ample arrangement. The hands rested on the lap; in one was a sceptre; the other held an inscribed silver tablet. There were rings plain, and rings with jewels in setting, circling the fingers and thumbs; the ears, ankles, even the great toes, were ornamented in like manner. At the feet a sword of the fashion of a cimeter had been laid. The blade was in its scabbard, but the scabbard was a mass of jewels, and the handle a flaming ruby. The belt was webbed with pearls and glistening brilliants. Under the sword were the instruments sacred then and ever since to Master Masons—a square, a gavel, a plummet, and an inscribing compass.

The man had been a king—so much the first glance proclaimed. With him, as with his royal brethren from the tombs along the Nile, death had asserted itself triumphantly over the embalmer. The cheeks were shrivelled and mouldy; across the forehead the skin was drawn tight; the temples were hollows rimmed abruptly with the frontal bones; the eyes, pits partially filled with dried ointments of a bituminous color. The monarch had yielded his life in its full ripeness, for the white hair and beard still adhered in stiffened plaits to the skull, cheeks, and chin. The nose alone was natural; it stood up thin and hooked, like the beak of an eagle.

At sight of the figure thus caparisoned and maintaining its seat in an attitude of calm composure the slaves drew back startled. The negro dropped his iron bar, making the chamber ring with a dissonant clangor.

Around the mummy in careful arrangement were vessels heaped with coins and pearls and precious stones, cut and ready for the goldsmith. Indeed, the whole inner space of the sarcophagus was set with basins and urns, each in itself a work of high art; and if their contents were to be judged by what appeared overflowing them, they all held precious stones of every variety. The corners had been draped with cloths of gold and cloths embroidered with pearls, some of which were now falling to pieces of their own weight.

We know that kings and queens are but men and women subject to the same passions of common people; that they are generous or sordid according to their natures; that there have been misers amongst them; but this one—did he imagine he could carry his amassments with him out of the world? Had he so loved the gems in his life as to dream he could illumine his tomb with them? If so, O royal idiot!

The master, when an opening had been made sufficiently wide by turning the lid upon the edge of the sarcophagus, took off his sandals, gave a foot to one of his slaves, and swung himself into the interior. The lamp was then given him, and he surveyed the wealth and splendor as the king might never again. And as the king in his day had said with exultation, Lo! it is all mine, the intruder now asserted title.

Unable, had he so wished, to carry the whole collection off, he looked around upon this and upon that, determining where to begin. Conscious he had nothing to fear, and least of all from the owner in the chair, he was slow and deliberate. From his robe he drew a number of bags of coarse hempen cloth, and a broad white napkin. The latter he spread upon the floor, first removing several of the urns to obtain space; then he emptied one of the vessels upon it, and from the sparkling and varicolored heap before him proceeded to make selection.

His judgment was excellent, sure and swift. Not seldom he put the large stones aside, giving preference to color and lustre. Those chosen he dropped into a bag. When the lot was gone through, he returned the rejected to the vessel, placing it back exactly in its place. Then he betook himself to another of the vessels, and then another, until, in course of a couple of hours, he had made choice from the collection, and filled nine bags, and tied them securely.

Greatly relieved, he arose, rubbed the benumbed joints of his limbs awhile, then passed the packages out to the slaves. The occupation had been wearisome and tensive; but it was finished, and he would now retire. He lingered to give a last look at the interior, muttering the sentence again, and leaving it unfinished as before:

"No one has been here since"—

From the face of the king, his eyes fell to the silver tablet in the nerveless hand. Moving closer, and holding the lamp in convenient position, he knelt and read the inscription.