Читать книгу The Bird Boys - Lisa Sandlin - Страница 14

VI

HOW’D SHE KNOW how to talk like that? Zulma Barker. Zulma was serving the last weeks of a forty-one month stretch—she’d driven getaway for a toy boyfriend who’d robbed a pharmacy at gunpoint. Maybe because the young man, a would-be model, scurried out with a gym bag of dexedrine, the judge didn’t buy Zulma’s story, that she’d just been idling in her own car while her lover filled a weight-loss prescription for his mother. The prosecution also noted, in her act of aiding and abetting, the use of an alias as a cover up.

Previous to her bad-decision day, Zulma Barker’d been the popular and respectable receptionist for the Beatrice Adcock Agency in Dallas. She got the job once she agreed to use the pseudonym Cynthia, Beatrice nixing “Zulma” as glamorless. The Agency handled a lot of high-strung people. Zulma learned to supply blandishments to pretty and not-pretty-enough girls panting to be models and to fend off their bitchy mothers. She developed the tone and patter to charm pricey designers and the proper worshipful timbre for photographers. This skill had never been any ambition of Zulma’s. She’d just discovered that her day went easier if she turned her voice into Karo syrup. In time, she discovered a disconcerting side-effect: the secret of feeling like she sounded.

Delpha was working a stint in the kitchen then, winter, around the time President Eisenhower left and John Kennedy moved in. Sometimes she had a cut or a burn to nurse, not to mention the blaze in her heart and belly. She lay on the top bunk after the count and lights-out, tolerating Zulma’s farewell tutorial, which, more or less, went like this: You start with a base of welcome. Use their name if they give it to you, but not a lot because that’s phony. They want to explain, you listen. Listen, listen, listen. Agree, like mmm, uh-huhm, I’ll be. Save your breath, don’t over-talk. Apologize when you’re turning them down. Remember, they’re feeling sorry for themselves—so have your sympathy ready to spool out like scotch tape.

“This is phone work,” Zulma said. “But in person, you got all kinds of advantage, hear?”

Delpha said nothing. Zulma knew she was hearing her.

“You got eye contact, however you want to use it. You can touch ‘em. Their hand. Their elbow, you know, nothing too friendly. You be careful about that.” Zulma had been. Until the would-be model. Profile like James Dean, only his nose was chunkier. But his ears were better. James Dean’d had ears like an elf. “Hey, wanna hear her?”

“Hear who?”

“Cynthia.”

“Thought I was hearing her.”

“Not full force.”

Delpha hung her head down over the bunk. She held on, her light-brown hair swinging upside down, while Zulma sat up crosslegged, said pleasantly, “Good evening, Beatrice Adcock Agency.” She said, “Well, hello, Delpha” as to a friend, went on from there with a whole make-believe conversation: complimenting Delpha’s photos but putting her off until the right shoot came up, saying Delpha didn’t have to do a thing, they’d call her. It was all polite. But Zulma’s contralto carried a startling current of connection, like maybe the girl-caller on the phone had a sister somewhere she didn’t know about, and this was her. Smiling, making eye contact, Zulma reached toward the upper bunk. She squeezed Delpha’s fingers, briefly, gently, leaving Delpha with the sensation she’d been promised something nice. A goosepimple or two tingled her arms.

Zulma hadn’t looked like her usual, pinched, forty-six year-old self. Must have been Cynthia’s smile that had, for a moment, lit up the bottom bunk like a fugitive moonbeam.

It was three or four years before Delpha really understood why Zulma-Cynthia’s method worked. Wasn’t the pitch of her voice. It was the need of the person she was talking to.