Читать книгу The Plot Thickens - Lisa Surridge - Страница 7
ОглавлениеIllustrations
Fig. 0.1. Godfrey Sykes, wrapper for the Cornhill Magazine, August 1862
Fig. 0.2. Hablôt K. Browne wrapper for David Copperfield (Dickens), part 1
Fig. 0.3. Browne wrapper for A Tale of Two Cities (Dickens), part 1
Fig. 0.5. Paterson, illustration and chapter initial for Far from the Madding Crowd (Hardy), part 11
Fig. 0.6. William Makepeace Thackeray, illustration for his Vanity Fair, part 4
Fig. 0.7. Paterson, chapter initial for Far from the Madding Crowd (Hardy), part 1
Fig. 0.8. Sidney Paget, illustration for “A Case of Identity” (Doyle)
Fig. 0.9. George Du Maurier, illustration for Wives and Daughters (Gaskell), part 11
Fig. 0.10. Du Maurier, illustration for Wives and Daughters (Gaskell), part 16
Fig. 0.11. Warwick Goble, illustration for The War of the Worlds (Wells), part 3
Fig. 0.12. Goble, illustration for The War of the Worlds (Wells), part 7
Fig. 0.13. Browne, illustration for Bleak House (Dickens), part 16
Fig. 0.14. Thackeray, illustration for his Vanity Fair, parts 19 and 20
Fig. 0.15. George Cruikshank, illustration for Jack Sheppard (Ainsworth), part 11
Fig. 0.16. John Everett Millais, illustration for Parables (Guthrie), part 3
Fig. 0.17. Albrecht Dürer, The Descent from the Cross
Fig. 0.18. George Cattermole, illustration for The Old Curiosity Shop (Dickens), part 40
Fig. 0.19. Millais, illustration for Orley Farm (Trollope), part 2
Fig. 0.20. Charles Collins, wrapper for The Mystery of Edwin Drood (Dickens), part 1
Fig. 0.21. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2
Fig. 0.22. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 2
Fig. 1.1. Browne, illustration for David Copperfield (Dickens), part 1
Fig. 1.2. Browne, illustration for David Copperfield (Dickens), part 1
Fig. 1.3. Browne, illustration for David Copperfield (Dickens), part 7
Fig. 1.4. Browne, title page for David Copperfield (Dickens), parts 19 and 20
Fig. 1.5. Browne, illustration for David Copperfield (Dickens), part 3
Fig. 1.6. Browne, illustration for David Copperfield (Dickens), part 16
Fig. 1.7. Du Maurier, illustration for Cousin Phillis (Gaskell), part 2
Fig. 2.1. Millais, illustration for The Anglers of the Dove (Martineau), part 1
Fig. 2.2. Millais, illustration for The Anglers of the Dove (Martineau), part 4
Fig. 2.3. Millais, illustration for The Anglers of the Dove (Martineau), part 2
Fig. 2.4. Millais, illustration for Son Christopher (Martineau), part 2
Fig. 2.5. Cruikshank, wrapper for The Tower of London (Ainsworth), part 1
Fig. 2.6. Cruikshank, headpiece, signature, and chapter initial for The Tower of London (Ainsworth), part 1
Fig. 2.7. Cruikshank, illustration for The Tower of London (Ainsworth), part 1
Fig. 2.8. Cruikshank, illustration for The Tower of London (Ainsworth), part 1
Fig. 2.9. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.10. Cruikshank, illustration for The Tower of London (Ainsworth), part 8
Fig. 2.11. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 13
Fig. 2.12. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.13. Cruikshank, illustration for The Tower of London (Ainsworth), parts 12 and 13
Fig. 2.14. Cruikshank, illustration for The Tower of London (Ainsworth), part 5
Fig. 2.15. Cruikshank, illustration for The Tower of London (Ainsworth), part 4
Fig. 2.16. Cruikshank, illustration for The Tower of London (Ainsworth), part 5
Fig. 2.17. Browne, illustration for Charles O’Malley (Lever), parts 21 and 22
Fig. 2.18. Thackeray, wrapper for his Vanity Fair, part 1
Fig. 2.19. Thackeray, chapter initial for his Vanity Fair, parts 19 and 20
Fig. 2.20. Thackeray, illustration for his Vanity Fair, part 1
Fig. 2.21. Thackeray, chapter initial for his Vanity Fair, part 1
Fig. 2.22. Thackeray, tailpiece for his Vanity Fair, part 1
Fig. 2.23. Thackeray, illustration for his Vanity Fair, part 6
Fig. 2.24. Thackeray, illustration for his Vanity Fair, part 2
Fig. 2.25. Thackeray, illustration for his Vanity Fair, parts 19 and 20
Fig. 2.26. Browne, illustration for A Tale of Two Cities (Dickens), part 5
Fig. 2.27. Browne, illustration for A Tale of Two Cities (Dickens), part 5
Fig. 2.28. Browne, frontispiece for A Tale of Two Cities (Dickens), parts and 8
Fig. 2.29. Browne, title page for A Tale of Two Cities (Dickens), parts 7 and 8
Fig. 2.30. John McLenan, headpiece for A Tale of Two Cities (Dickens), part 3
Fig. 2.31. McLenan, illustration for A Tale of Two Cities (Dickens), part 3
Fig. 2.32. McLenan, illustration for A Tale of Two Cities (Dickens), part 9
Fig. 2.33. Browne, illustration for A Tale of Two Cities (Dickens), part 3
Fig. 2.34. McLenan, headpiece for A Tale of Two Cities (Dickens), part 18
Fig. 2.35. McLenan, illustration for A Tale of Two Cities (Dickens), part 9
Fig. 2.36. McLenan, illustration for A Tale of Two Cities (Dickens), part 16
Fig. 2.37. McLenan, illustration for A Tale of Two Cities (Dickens), part 26
Fig. 2.38. Frederick Barnard, frontispiece for Charles Dickens (Archer)
Fig. 2.39. McLenan, illustration for A Tale of Two Cities (Dickens), part 30
Fig. 3.1. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell), part 1
Fig. 3.2. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell), part 6
Fig. 3.3. Du Maurier, chapter initial for Wives and Daughters (Gaskell), part 14
Fig. 3.4. Du Maurier, chapter initial for Wives and Daughters (Gaskell), part 10
Fig. 3.5. Du Maurier, chapter initial for Wives and Daughters (Gaskell), part 15
Fig. 3.6. Du Maurier, illustration for Wives and Daughters (Gaskell), part 3
Fig. 3.7. Du Maurier, chapter initial for Wives and Daughters (Gaskell), part 12
Fig. 3.8. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell), part 17
Fig. 3.9. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell), part 16
Fig. 3.10. Du Maurier, chapter initial for Wives and Daughters (Gaskell), part 7
Fig. 3.11. Du Maurier, illustration and chapter initial for Wives and Daughters (Gaskell), part 13
Fig. 3.12. Millais, illustration for Mistress and Maid (Craik), part 1
Fig. 3.13. Millais, illustration for Mistress and Maid (Craik), part 3
Fig. 3.14. Millais, illustration for Mistress and Maid (Craik), part 10
Fig. 3.15. Millais, illustration for Mistress and Maid (Craik), part 2
Fig. 3.16. Millais, illustration for Mistress and Maid (Craik), part 9
Fig. 3.17. Millais, illustration and chapter initial for Small House (Trollope), part 1
Fig. 3.18. Millais, illustration and chapter initial for Small House (Trollope), part 2
Fig. 3.19. Millais, illustration and chapter initial for Small House (Trollope), part 3
Fig. 3.20. Millais, illustration and chapter initial for Small House (Trollope), part 8
Fig. 3.21. Millais, illustration and chapter initial for Small House (Trollope), part 15
Fig. 3.22. Millais, illustration and chapter initial for Small House (Trollope), part 16
Fig. 3.23. Millais, illustration for Small House (Trollope), part 14
Fig. 3.24. Millais, illustration for Small House (Trollope), part 12
Fig. 3.25. Millais, illustration and chapter initial for Small House (Trollope), part 17
Fig. 4.1. McLenan, illustration for The Woman in White (Collins), part 1
Fig. 4.2. McLenan, illustration for The Woman in White (Collins), part 26
Fig. 4.3. McLenan, illustration for Great Expectations (Dickens), part 13
Fig. 4.4. Du Maurier, illustration for Mokeanna (Burnand), part 2
Fig. 4.5. Du Maurier, illustration for The Notting Hill Mystery (Adams), part 1
Fig. 4.6. Du Maurier, illustration for The Notting Hill Mystery (Adams), part 2
Fig. 4.7. Du Maurier, illustration for The Notting Hill Mystery (Adams), part 3
Fig. 4.8. Du Maurier, illustration for The Notting Hill Mystery (Adams), part 5
Fig. 4.9. Du Maurier, illustration for The Notting Hill Mystery (Adams), part 7
Fig. 4.10. Du Maurier, illustration for The Notting Hill Mystery (Adams), part 8
Fig. 4.11. William Small, illustration for Griffith Gaunt (Reade), part 1
Fig. 4.12. Small, illustration for Griffith Gaunt (Reade), part 3
Fig. 4.13. Small, illustration for Griffith Gaunt (Reade), part 8
Fig. 4.14. Small, illustration for Griffith Gaunt (Reade), part 4
Fig. 4.15. Small, illustration for Griffith Gaunt (Reade), part 7
Fig. 4.16. Small, illustration for Griffith Gaunt (Reade), part 5
Fig. 4.17. Small, illustration for Griffith Gaunt (Reade), part 9
Fig. 4.18. Small, illustration for Griffith Gaunt (Reade), part 6
Fig. 4.19. Henry Woods, illustration for The Law and the Lady (Collins), part 1
Fig. 4.20. Small, illustration for The Law and the Lady (Collins), part 2
Fig. 4.21. Sydney Hall, illustration for The Law and the Lady (Collins), part 13
Fig. 4.22. Hall, illustration for The Law and the Lady (Collins), part 12
Fig. 4.23. Hall, illustration for The Law and the Lady (Collins), part 15
Fig. 4.24. Hall, illustration for The Law and the Lady (Collins), part 25
Fig. 5.1. Du Maurier, illustration for his Peter Ibbetson, part 1
Fig. 5.2. Du Maurier, tailpiece for his Peter Ibbetson, part 6
Fig. 5.3. Du Maurier, illustration for his Peter Ibbetson, part 1
Fig. 5.4. Du Maurier, illustration for his Peter Ibbetson, part 2
Fig. 5.5. Du Maurier, illustration for his Peter Ibbetson, part 2
Fig. 5.6. Du Maurier, illustration for his Peter Ibbetson, part 2
Fig. 5.7. Du Maurier, illustration for his Peter Ibbetson, part 5
Fig. 5.8. Du Maurier, illustration for his Peter Ibbetson, part 3
Fig. 5.9. Du Maurier, illustration for his Peter Ibbetson, part 1
Fig. 5.10. Du Maurier, title page for his Peter Ibbetson, vol. 1
Fig. 5.11. Du Maurier, book cover for his Peter Ibbetson, vol. 1
Fig. 5.12. Cruikshank, illustration for Jack Sheppard (Ainsworth), part 1
Fig. 5.13. Cruikshank, illustration for The Tower of London (Ainsworth), part 5
Fig. 5.14. Thackeray, illustration for his Vanity Fair, part 1
Fig. 5.15. Robert Seymour, illustration for Pickwick Papers (Dickens), part 1