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SECT. III.

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Sympathetic emotion of virtue, and its cause.

ONe feeling there is, that merits a deliberate view, for its singularity, as well as utility. Whether to call it an emotion or a passion, seems uncertain. The former it can scarce be, because it involves desire; and the latter it can scarce be, because it has no object. But this feeling and its nature will be best understood from examples. A signal act of gratitude, produceth in the spectator love or esteem for the author. The spectator hath at the same time a separate feeling; which, being mixed with love or esteem, the capital emotion, hath not been much adverted to. It is a vague feeling of gratitude, which hath no object; but which, however, disposes the spectator to acts of gratitude, more than upon ordinary occasions. Let any man attentively consider his own heart when he thinks warmly of any signal act of gratitude, and he will be conscious of this feeling, as distinct from the esteem or admiration he has for the grateful person. It merits our utmost attention, by unfolding a curious piece of mechanism in the nature of man. The feeling is singular in the following respect, that it involves a desire to perform acts of gratitude, without having any particular object; though in this state the mind, wonderfully disposed toward an object, neglects no object upon which it can vent itself. Any act of kindness or good-will that would not be regarded upon another occasion, is greedily seized; and the vague feeling is converted into a real passion of gratitude. In such a state, favours are returned double.

Again, a courageous action produceth in a spectator the passion of admiration directed upon the author. But beside this well-known passion, a separate feeling is raised in the spectator; which may be called an emotion of courage, because while under its influence he is conscious of a boldness and intrepidity beyond ordinary, and longs for proper objects upon which to exert this emotion.

Spumantemque dari, pecora inter inertia, votis

Optat aprum, aut fulvum descendere monte leonem.

Æneid. iv. 158.

Non altramente ’il tauro, oue l’ irriti

Geloso amor con stimoli pungenti

Horribilmente mugge, e co’ muggiti

Gli spirti in se risueglia, e l’ire ardenti:

E’l corno aguzza a i tronchi, e par ch’inuiti

Con vani colpi a’ la battaglia i venti.

Tasso, canto 7. st. 55.

So full of valour that they smote the air

For breathing in their faces.

Tempest, act. 4. sc. 4.

For another example, let us figure some grand and heroic action, highly agreeable to the spectator. Beside a singular veneration for the author, the spectator feels in himself an unusual dignity of character, which disposeth him to great and noble actions. And herein principally consists the extreme delight every one hath in the histories of conquerors and heroes.

This singular feeling, which may be termed the sympathetic emotion of virtue, resembles, in one respect, the well-known appetites that lead to the propagation and preservation of the species. The appetites of hunger, thirst, and animal love, arise in the mind without being directed upon any particular object; and in no case whatever is the mind more solicitous for a proper object, than when under the influence of any of these appetites.

The feeling I have endeavoured to evolve, may well be termed the sympathetic emotion of virtue; for it is raised in a spectator by virtuous actions of every kind, and by no other sort. When we contemplate a virtuous action, which never fails to delight us and to prompt our love for the author, the mind is warmed and put into a tone similar to what inspired the virtuous action. The propensity we have to such actions is so much enlivened, as to become for a time an actual emotion. But no man hath a propensity to vice as such. On the contrary, a wicked deed disgusts him, and makes him abhor the author. This abhorrence is a strong antidote so long as any impression remains of the wicked action.

In a rough road, a halt to view a fine country is refreshing; and here a delightful prospect opens upon us. It is indeed wonderful to see what incitements there are to virtue in the human frame. Justice is perceived to be our duty, and it is guarded by natural punishments, from which the guilty never escape. To perform noble and generous actions, a warm sense of dignity and superior excellence is a most efficacious incitement[18]. And to leave virtue in no quarter unsupported, here is unfolded an admirable contrivance, by which good example commands the heart and adds to virtue the force of habit. Did our moral feelings extend no farther than to approve the action and to bestow our affection on the author, good example would not have great influence. But to give it the utmost force, nothing can be better contrived than the sympathetic emotion under consideration, which prompts us to imitate what we admire. This singular emotion will readily find an object to exert itself upon; and at any rate, it never exists without producing some effect. Virtuous emotions of this sort, are in some degree an exercise of virtue. They are a mental exercise at least, if they show not externally. And every exercise of virtue, internal and external, leads to habit; for a disposition or propensity of the mind, like a limb of the body, becomes stronger by exercise. Proper means, at the same time, being ever at hand to raise this sympathetic emotion, its frequent reiteration may, in a good measure, supply the want of a more complete exercise. Thus, by proper discipline, every person may acquire a settled habit of virtue. Intercourse with men of worth, histories of generous and disinterested actions, and frequent meditation upon them, keep the sympathetic emotion in constant exercise, which by degrees introduceth a habit, and confirms the authority of virtue. With respect to education in particular, what a spacious and commodious avenue to the heart of a young person, is here opened?

Elements of Criticism

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