Читать книгу The Bandbox - Louis Joseph Vance - Страница 6

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In the playhouses of France, a hammering on the stage alone heralds the rising of the curtain to disclose illusory realms of romance. Precisely so with Mr. Staff, upon the door of whose lodging, at nine o’clock the next morning, a knocking announced the first overt move against his peace of mind.

At that time, Staff, all unconscious of his honourable peril, was standing in the middle of the floor of the inner room (his lodgings comprised two) and likewise in the approximate geographical centre of a chaotic assemblage of assorted wearing apparel and other personal impedimenta.

He was wondering, confusedly, how in thunderation he was to manage to cram all that confounded truck into the limited amount of trunk space at his command. He was also wondering, resentfully in the names of a dozen familiar spirits, where he had put his pipe: it’s simply maddening, the way a fellow’s pipe will persist in getting lost at such critical times as when he’s packing up to catch a train with not a minute to spare.... In short, so preoccupied was Staff that the knocking had to be repeated before he became objectively alive to it.

Then, confidentially, he said: “What the devil now?”

In louder tones calculated to convey an impression of intense impatience, he cried: “Come in!”

He heard the outer door open, and immediately, upon an impulse esoteric even in his own understanding, he chose to pretend to be extravagantly busy—as busy as by rights he should have been. For a minute or longer he acted most vividly the part of a man madly bent on catching his train though he were to perish of the attempt. And this despite a suspicion that he played to a limited audience of one, and that one unappreciative of the finer phases of everyday histrionic impersonation: an audience answering to the name of Milly, whose lowly station of life was that of housemaid-in-lodgings and whose imagination was as ill-nourished and sluggish as might be expected of one whose wages were two-and-six a week.

Remembering this in time, the novelty of make-believe palled on Staff. Not that alone, but he could hear Milly insisting in accents not in the least apologetic: “Beg pardon, sir ...”

He paused in well-feigned surprise and looked enquiringly over his shoulder, as though to verify a surmise that somebody had spoken. Such proving to be the case, he turned round to confront Milly—Milly true to type, wearing a grimy matutinal apron, an expression half sleepy, half sullen, and a horrid soot smudge on her ripe, red, right cheek.

In this guise (so sedulously does life itself ape the conventions of its literature and drama) Milly looked as lifelike as though viewed through the illusion of footlights. Otherwise, as Staff never failed to be gratified to observe, she differed radically from the stock article of our stage. For one thing, she refrained from dropping her aitches and stumbling over them on her first entrance in order merely to win a laugh and so lift her little rôle from the common rut of “lines” to the dignity of “a bit.” For another, she seldom if ever brandished that age-honoured wand of her office, a bedraggled feather-duster. Nor was she by any means in love with the tenant of the fust-floor-front.

But though Staff was grateful for Milly because of this strong and unconventional individuality of hers, he wasn’t at all pleased to be interrupted, and he made nothing whatever of the ostensible excuse for the interruption; the latter being a very large and brilliantly illuminated bandbox, which Milly was offering him in pantomime.

“It have just come,” said Milly calmly, in response to his enquiring stare. “Where would you wish me to put it, sir?”

“Put what?”

Milly gesticulated eloquently with the bandbox.

“That thing?” said Staff with scorn.

“Yessir.”

“I don’t want you to put it anywhere. Take it away.”

“But it’s for you, sir.”

“Impossible. Some mistake. Please don’t bother—just take it away. There’s a good girl.”

Milly’s disdain of this blandishment was plainly visible in the added elevation of her already sufficiently tucked-up nose.

“Beg pardon, sir,” she persisted coldly, “but it’s got your nime on it, and the boy as left it just now asked if you lived here.”

Staff’s frown portrayed indignation, incredulity and impatience.

“Mistake, I tell you. I haven’t been buying any millinery. Absurd!”

“Beg pardon, sir, but you can see as it’s addressed to you.”

It was: the box being held out for examination, Staff saw plainly that it was tagged with a card inscribed in fashionably slapdash feminine handwriting with what was unquestionably the name and local address of Benjamin Staff, Esq.

Because of this, he felt called upon to subject the box to more minute inspection.

It was nothing more nor less than the everyday milliners’ hat-box of commerce: a capacious edifice of stout pasteboard neatly plastered with wall-paper in whose design narrow stripes of white alternated with aggressive stripes of brown, the whole effectively setting off an abundance of purple blossoms counterfeiting no flower known to botanists. And one gibbous side was further decorated with bold black script advertising the establishment of its origin.

“Maison Lucille, New Bond Street, West,” Staff read aloud, completely bewildered. “But I never heard of the d—— the place!”

Helplessly he sought Milly’s eyes, and helpfully Milly rose to the occasion.

“Nossir,” said she; and that was all.

“I know nothing whatever about the thing,” Staff declared severely. “It’s all a mistake. Take it away—it’ll be sent for as soon as the error’s discovered.”

A glimmer of intelligence shone luminous in Milly’s eyes. “Mebbe,” she suggested under inspiration of curiosity—“Mebbe if you was to open it, you’d find a note or—or something.”

“Bright girl!” applauded Staff. “You open it. I’m too busy—packing up—no time—”

And realising how swiftly the golden minutes were fleeting beyond recall, he cast desperately about for his pipe.

By some miracle he chanced to find it, and so resumed packing.

Behind him, Milly made noises with tissue-paper.

Presently he heard a smothered “O sir!” and looked round to discover the housemaid in an attitude of unmitigated adoration before what he could not deny was a perfect dream of a hat—the sort of a hat that only a woman or a society reporter could do justice to. In his vision it bore a striking resemblance to a Gainsborough with all modern improvements—as most big hats do to most men. Briefly, it was big and black and trimmed with an atmosphere of costly simplicity, a monstrous white “willow” plume and a huge buckle of brilliants. It impressed him, hazily, as just the very hat to look ripping on an ash-blonde. Aside from this he was aware of no sensation other than one of aggravated annoyance.

Milly, to the reverse extreme, was charmed to distraction, thrilled to the core of her and breathless—though by no means dumb. Women are never dumb with admiration.

“O sir!” she breathed in ecstasy—“it’s a real creashun!”

“Daresay,” Staff conceded sourly. “Did you find a note?”

“And the price-tag, sir—it says twen-ty five pounds!”

“I hope there’s a receipted bill, then.... Do you see anything remotely resembling a note—or something?”

With difficulty subduing her transports—“I’ll see, sir,” said Milly.

Grunting with exasperation, Staff bent over a trunk and stuffed things into it until Milly committed herself to the definite announcement: “I don’t seem to find nothing, sir.”

“Look again, please.”

Again Milly pawed the tissue-paper.

“There ain’t nothing at all, sir,” she declared finally.

Staff stood up, thrust his hands into his pockets and champed the stem of his pipe—scowling.

“It is a bit odd, sir, isn’t it?—having this sent to you like this and you knowing nothing at all about it!”

Staff said something indistinguishable because of the obstructing pipe-stem.

“It’s perfectly beautiful, sir—a won’erful hat, really.”

“The devil fly away with it!”

“Beg pardon, sir?”

“I said, I’m simply crazy about it, myself.”

“Oh, did you, sir?”

“Please put it back and tie it up.”

“Yessir.” Reluctantly Milly restored the creation to its tissue-paper nest. “And what would you wish me to do with it now, sir?” she resumed when at length the ravishing vision was hidden away.

“Do with it?” stormed the vexed gentleman. “I don’t care what the d—ickens you do with it. It isn’t my hat. Take it away. Throw it into the street. Send it back to the place it came from. Give it ... or, wait!”

Pausing for breath and thought, he changed his mind. The hat was too valuable to be treated with disrespect, no matter who was responsible for the mistake. Staff felt morally obligated to secure its return to the Maison Lucille.

“Look here, Milly ...”

“Yessir?”

“I’ll just telephone ... No! Half a minute!”

He checked, on the verge of yielding to an insane impulse. Being a native of New York, it had been his instinctive thought to call up the hat-shop and demand the return of its delivery-boy. Fortunately the instinct of a true dramatist moved him to sketch hastily the ground-plot of the suggested tragedy.

In Act I (Time: the Present) he saw himself bearding the telephone in its lair—that is, in the darkest and least accessible recess of the ground-floor hallway. In firm, manful accents, befitting an intrepid soul, he details a number to the central operator—and meekly submits to an acidulated correction of his Amurrikin accent.

Act II (fifteen minutes have elapsed): He is clinging desperately to the receiver, sustained by hope alone while he attends sympathetically to the sufferings of an English lady trying to get in communication with the Army and Navy Stores.

Act III (ten minutes later): He has exhausted himself grinding away at an obsolete rotary bell-call. Abruptly his ears are enchanted by a far, thin, frigid moan. It says: “Are you theah?” Responding savagely “NO!” he dashes the receiver back into its hook and flings away to discover that he has lost both train and steamer. Tag line: For this is London in the Twentieth Century. Curtain: End of the Play....

Disenchanted by consideration of this tentative synopsis, the playwright consulted his watch. Already the incident of the condemnable bandbox had eaten up much invaluable time. He would see himself doomed to unending perdition if he would submit to further hindrance on its behalf.

“Milly,” said he with decision, “take that ... thing down-stairs, and tell Mrs. Gigg to telephone the hat-shop to call for it.”

“Yessir.”

“And after that, call me a taxi. Tell it to wait. I’ll be ready by ten or know—”

Promptly retiring, Milly took with her, in addition to the bandbox, a confused impression of a room whose atmosphere was thick with flying garments, in the wild swirl of which a lanky lunatic danced weirdly, muttering uncouth incantations....

Forty minutes later (on the stroke of ten) Mr. Staff, beautifully groomed after his habit, his manner (superbly nonchalant) denying that he had ever known reason why he should take a single step in haste, followed his trunks down to the sidewalk and, graciously bidding his landlady adieu, presented Milly with a keepsake in the shape of a golden coin of the realm.

A taxicab, heavy-laden with his things, fretted before the door. Staff nodded to the driver.

“Euston,” said he; “and a shilling extra if you drive like sin.”

“Right you are, sir.”

In the act of entering the cab, Staff started back with bitter imprecations.

Mrs. Gigg, who had not quite closed the front door, opened it wide to his remonstrant voice.

“I say, what’s this bandbox doing in my cab? I thought I told Milly—”

“Sorry, sir; I forgot,” Mrs. Gigg interposed—“bein’ that flustered—”

“Well?”

“The woman what keeps the ’at-shop said as ’ow the ’at wasn’t to come back, sir. She said a young lidy bought it yestiddy ahfternoon and awsked to ’ave it sent you this mornin’ before nine o’clock.”

“The deuce she did!” said Staff blankly.

“An’ the young lidy said as ’ow she’d write you a note explynin’. So I tells Milly not to bother you no more abaht it, but put the ’at-box in the keb, sir—wishin’ not to ’inder you.”

“Thoughtful of you, I’m sure. But didn’t the—ah—woman who keeps the hat-shop mention the name of the—ah—person who purchased the hat?”

By the deepening of its corrugations, the forehead of Mrs. Gigg betrayed the intensity of her mental strain. Her eyes wore a far-away look and her lips moved, at first silently. Then—“I ain’t sure, sir, as she did nime the lidy, but if she did, it was somethin’ like Burnside, I fancy—or else Postlethwayt.”

“Nor Jones nor Brown? Perhaps Robinson? Think, Mrs. Gigg! Not Robinson?”

“I’m sure it may ’ave been eyether of them, sir, now you puts it to me pl’in.”

“That makes everything perfectly clear. Thank you so much.”

With this, Staff turned hastily away, nodded to his driver to cut along, and with groans and lamentations squeezed himself into what space the bandbox did not demand of the interior of the vehicle.