Читать книгу Mr. and Mrs. Sen - Louise Jordan Miln - Страница 5

CHAPTER II

Miss Townsend was “At Home”–and so were the roses, the strawberries, all the delicate eggshell china and the old heavy silver. She was giving her annual garden-party. And that she might entertain her guests delicately and amply–as a Southern woman should–it had been shortened commons at Rosehill for many a week. Not the servants–they had fared as they always did, and so had the beggars who had gone to the kitchen door–but the mistress of Rosehill had discontinued the late-dinner meal–which she called “supper,” and which she liked–and had gone to bed each night at dusk, and had refrained from lighting a candle when sleep would not come. That had been a veritable sacrifice on the function-altar of hospitality. Next to drinking buttermilk the thing that Miss Julia most enjoyed was reading novels in bed–by the soft, clear light of four or five wax candles. And she, complete hostess that, true to her blood, she was, had imposed on herself other personal curtailments and economies that cost her less but saved her purse more. She had not gone to a concert or seen a play during her “retreat” of economy. But, as it chanced, there had been no play that she much wished to see at a Washington theater just then. She was an inveterate theater-goer and she rarely denied herself a matinée that called her. She always went alone, but she always sat in the best seats, and Uncle Lysander, his dear black face shining with importance and his great splay hands encased in snow-white gloves, always waited outside to escort his mistress home, whether the matinée ended in the dusk and dark of winter or in the clear light of summer–if so side-by-side a word as “escort” can be used of his attendance close behind Miss Julia. And a “good” concert she missed very rarely indeed. Miss Julia did not care for classical music, but she liked to think that she did, and she and her best bonnet, and her rose-point-lace collar, fastened carefully (not to injure the priceless mesh) by a gold and cameo breast-pin that had belonged to Martha Washington, were as sure to enrich the parquet seats as Brahms or Grieg or Haydn or Liszt were to appear in the program. In winter she wore gray or dun-colored velvet (first made in Paris for a Mrs. Townsend before Robert Edward Lee was born); in summer thin-textured silver or lilac silk. In winter she wore a costly Cashmere shawl, in summer one of heavily embroidered white Canton silk. The Cashmere shawl had a skimp, narrow, parti-colored fringe; the Chinese one had a sumptuous, knotted fringe of its own time-deepened ivory silk. But she always wore the gold and cameo breast-pin and the deep collar of rose-point; she always wore gloves of delicate kid, made by a famous French manufacturer, and exactly matching her gowns; in winter her black velvet bonnet (always the same bonnet) nodded an ostrich feather that matched her gown of the occasion as perfectly as did her gloves; in summer, her bonnet of white chip paid the hue of her dress the same ostrich feather compliment. And winter or summer, she wore uncompromisingly thick, stout leather boots–but they were well cut and with heels as high as a fashionable girl’s. She always took her program home with her. She had volumes and volumes bound in limp morocco. She often spoke of them–and sometimes she sent Lysander to purchase a piano score of some “morceau” that had charmed her, or that she thought had. But, to her credit, she never attempted their execution on her own yellow-keyed harpsichord. She “liked to have them, to think them over.” Her own greatly favorite musical compositions were “The Maiden’s Prayer” and “Her Bright Smile Haunts Me Still.” She played them both tenderly–if not too brilliantly. And “Dixie” was her anthem.

The day was perfect. The Potomac ran a “changeable-silk” glitter of blue and gold. The sky, as blue as the river, was soft and fluffed with billows of snowy clouds. The grass was almost as smooth and green as a well-kept English lawn, and the old red house was a-nod with roses, its very bricks fragrant from the magnolias nailed there. Great beds of mignonette cut great swathes of gray through the green of the grass, and lay like soft, thick rugs at the edge of the house.

Miss Julia, wearing a befrilled cream organdie delicately printed with pink wild-roses and forget-me-nots more turquoise-tinted than growing forget-me-nots ever are, stood under the giant juniper tree receiving her bidden guests. The frills of her full gown were narrowly edged with lace, and she wore Madame Washington’s brooch, pinning her befrilled organdie fichu; but the collar and heirloom of super rose-point was laid away in its tissue and lavender. To-day she wore brightly beaded bronze slippers, very high-heeled, pointed-toed. At home she never wore boots; beyond her gates she never wore anything else. A pair of shoes she did not own, and never had. She wore many valuable rings and black lace mitts on her fine white hands, and held in her right hand a valuable lace handkerchief, which nothing would have induced her to use for the purpose for which handkerchiefs are supposed to be made and bought. It had been “in the family” for six generations, and it had never been used. In her other hand she carried a tortoise-shell lorgnette which she never used either, for she had no need to–her sight still was perfectly good–and Julia Townsend was about the last woman in the world to affect an infirmity that did not afflict her. She had considerable manner, but no affectations. Her manner, always elegant, sometimes more than a little starched, was not a pose. Her manner was she, and belonged to her as legitimately as did the many good clothes she had inherited, as she had it, with birthright from several generations of Virginia ancestors. She also carried in her left hand an exceptionally fine, long-stemmed, very fragrant rose, which she sniffed frequently. If she shook hands with a guest, the lace handkerchief went for the moment to keep company with the handsome lorgnette and the big red rose. She did not shake hands with every guest that she welcomed, but to all her welcome was gracious, and she did shake hands with each guest that bade her adieu, and contrived to convey with the lingering touch of her old, maidenly fingers how much she regretted the departure.

Every one she had privileged to do so had come. Almost always it was so. Few ever missed an opportunity to visit Miss Julia at Rosehill. There was a perfume and repose both about the woman and her home that were strongly inviting, and that every one found strangely refreshing, and that some also found surprisingly stimulating. And her invitations were too scrupulously limited to be lightly disregarded. Miss Julia was old-fashioned, and every one knew she was poor. (Indeed, she boasted of it indirectly–too highly-bred to boast openly of anything–frankly proud of her poverty, since it was part and piece of General Lee’s defeat.) To be reported in the Star as having been among Miss Julia Townsend’s guests gave a social cachet which nothing in the capital itself could give.

Every one who could be was at Rosehill today. And in several ways the gathering was more catholic than a superficial intelligence might have expected. It was natural enough that a poor public school teacher should rub shoulders here with a California millionaire, and the well-known actress seemed a not inappropriate guest, since her personal character was as unsmirched as her complexion was natural, and the South always has honored all the great arts. But a Jewish banker and his beautiful daughter, a Punjabi prince and the Siamese Minister might have seemed to some a little unaccountable.

Miss Townsend was a stanch Episcopalian, but she had no theological narrowness. She respected Jews–if they were orthodox; she’d little tolerance for any apostasy–“character” was the human quality she most valued, and her love of beauty–especially the beauty of women–was almost inordinate. That accounted for Moses Strauss and his lovely daughter, Esther. The Siamese Minister and the Punjabi prince were not beautiful, and neither had been in Washington long enough yet to have established, or, on the other hand, to have lost, any great reputation for personal or intellectual character. It was the fashion just then to “know” all the Orientals one could–but that was no sesame to the door of Rosehill. Miss Julia drew a very wide distinction between Africa and Asia, and she liked to show that she did.

Four girls sat chatting idly a little way from the small linen-and-lace-covered table they had impoverished of its cakes and ice-creams and bonbons.

Molly Wheeler–her father was an Oregon Senator–Lucille Smith–hers was on the supreme bench–and Mary Withrow, the daughter of the minister of Washington’s most exclusive church–of course, an Episcopalian church–were all dressed expensively in glistening white, as was almost every woman here on this very hot day, and each wore a pretty and costly hat. The fourth girl was hatless and her simpler gown was a soft but vivid green.

“You look as if you’d grown here, Ivy,” Mary Withrow exclaimed not unreasonably. For the English girl’s gown was just the color of the young live-oak leaves that so interlaced above them where they sat, great lush ferns growing thickly against the trees’ silver trunks, that a sort of brilliant green twilight seemed all about them, although it was scarcely a quarter past four yet.

“I wish I had,” the girl in green replied. “At least, I wish I lived here.”

“Don’t you like Washington?” Lucille demanded sharply. The jurist’s daughter was stanchly and sharply loyal to Washington–grateful to it, too, perhaps, for the Smiths had come to it via several less pleasant localities.

“I hate teaching kiddies,” Ivy said with an impatient shrug.

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