Читать книгу Southern Literature From 1579-1895 - Louise Manly - Страница 29

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(From History of North Carolina.)

They have a third sort of feasts and dances, which are always when the harvest of corn is ended, and in the spring. The one to return thanks to the good spirit for the fruits of the earth; the other, to beg the same blessings for the succeeding year. And to encourage the young men to labour stoutly in planting their maiz and pulse, they set up a sort of idol in the field, which is dressed up exactly like an Indian, having all the Indians habit, besides abundance of Wampum and their money, made of shells, that hangs about his neck. The image none of the young men dare approach; for the old ones will not suffer them to come near him, but tell them that he is some famous Indian warrior that died a great while ago, and now is come amongst them to see if they work well, which if they do, he will go to the good spirit and speak to him to send them plenty of corn, and to make the young men all expert hunters and mighty warriors. All this while, the king and old men sit around the image and seemingly pay a profound respect to the same. One great help to these Indians in carrying on these cheats, and inducing youth to do as they please, is, the uninterrupted silence which is ever kept and observed with all the respect and veneration imaginable.

At these feasts which are set out with all the magnificence their fare allows of, the masquerades begin at night and not before. There is commonly a fire made in the middle of the house, which is the largest in the town, and is very often the dwelling of their king or war captain; where sit two men on the ground upon a mat; one with a rattle, made of a gourd, with some beans in it; the other with a drum made of an earthen pot, covered with a dressed deer skin, and one stick in his hand to beat thereon; and so they both begin the song appointed. At the same time one drums and the other rattles, which is all the artificial music of their own making I ever saw amongst them. To these two instruments they sing, which carries no air with it, but is a sort of unsavory jargon; yet their cadences and raising of their voices are formed with that equality and exactness that, to us Europeans, it seems admirable how they should continue these songs without once missing to agree, each with the others note and tune.