Читать книгу Reunited with Her Italian Ex - Lucy Gordon, Lucy Gordon - Страница 9

CHAPTER THREE

THE CHAUFFEUR-DRIVEN CAR was waiting for them, and soon they were on their way around the city.

Natasha already knew a good deal about Verona, having read about it on the plane. It was an old city, much of which went back to Roman times, two thousand years ago. Several places survived from that era, including a huge arena where gladiators had once slain their victims, but now was used for musical performances.

The streets were lined with historic buildings, many hinting at mystery and romance, all seeming to come from a more intriguing and beautiful age. She kept her eyes fixed on them as they drove through the town, trying to absorb its atmosphere.

‘We’re just turning into the Via Capello,’ Mario said. ‘We’ll reach Juliet’s house at any moment.’

A few minutes later the car dropped them at the entrance to a short tunnel. They joined the crowd walking through to the courtyard at the far end, where the balcony loomed overhead. Natasha regarded it with shining eyes.

‘It’s lovely,’ she said. ‘Of course I know it was put up less than a hundred years ago, but it looks right. It fits the house so perfectly that you can almost see Juliet standing there.’

‘She’s actually over there,’ Giorgio said, pointing at a figure standing a little ahead, beneath and to the side of the balcony. It was a bronze statue of a young woman.

‘Juliet,’ she breathed.

As she watched, a woman walked up to the statue and brushed her hand against its breast. She was followed by another woman, and another, then a man.

‘It’s a tradition,’ Mario explained. ‘Everyone does it in the hope that it will bring them good luck. That’s why that part of her is shining, because it’s touched so often. People like to make contact with Juliet because they see her as a woman who knows more about love than anyone in the world.’

‘Perhaps that’s true,’ Natasha murmured. ‘But she knows tragedy as well as love.’

Intrigued, she went to stand before the statue. Juliet’s head was turned slightly to the side, gazing into the distance as though only in another world could she find what she sought.

Natasha watched as a woman touched Juliet, closed her eyes and murmured something. At last her eyes opened and she stepped back with a smile, evidently feeling that she had received an answer.

If only it was that simple, Natasha thought. If Juliet really could give me advice I’d ask her about the way my head is whirling, about how I’m feeling, and how I ought to be feeling. But she can’t help me because she doesn’t exist. She never really did, not the way people believe in her. That kind of love is just an illusion.

She turned away to find Mario waiting. He moved closer, leaving Giorgio at a distance, and speaking quietly.

‘Were you consulting Juliet?’ he asked, raising an eyebrow.

‘No,’ she said. ‘She’s a fantasy. Nothing more.’

‘How very prosaic.’

‘I am prosaic, and I’m glad. It’s useful.’

‘But if you’re going to promote the romantic fantasy, shouldn’t you believe in it?’

She surveyed him with her head on one side and a faint ironic smile on her face.

‘Not at all,’ she said. ‘It isn’t necessary to believe something to persuade other people that it’s true.’

‘I wonder if you’re right.’

A flash of anger made her say quickly, ‘You know I’m right. We all know it at heart.’

‘So—’ he hesitated ‘—you’re telling me that you’ve toughened up?’

‘By a mile. So beware.’

‘No need to tell me that.’

‘So I’ve got you worried already? Good.’

For a wild moment he was tempted to tell her of the confused reactions that had rioted in him when he first saw her on the stairs. There had been an incredible moment of pleasure that the sight of her had always brought him, and which even now remained. But it had collided with a sense of alarm, as though a warning bell had sounded, letting him know that she would bring fear and darkness into his life.

But he suppressed the impulse to speak. How satisfied she would be to know that she could still throw him into confusion.

‘Don’t tell me I’m the only one who’s toughened up,’ she challenged him. ‘Haven’t you?’

‘No doubt of it. It’s called survival.’

She nodded. ‘Right. As long as we both understand that, there’s no problem.’

For them there would always be a problem. But there was no need of words.

‘Now, I have a job to do,’ she said briskly.

‘Yes, let’s look around further.’

Suddenly there was a cry from the far side of the courtyard.

‘Buongiorno, amici!’

‘Amadore!’ Giorgio exclaimed, extending his hand in welcome.

The three men exchanged greetings in Italian, until Giorgio said, ‘Signorina, this is Amadore Finucci, a fellow member of the Comunità. Amadore, this is the Signorina Natasha Bates, who doesn’t speak Italian.’

‘Then it will be my pleasure to speak English,’ Amadore said, seizing her hand.

She gave a polite response and he carried her hand to his mouth.

‘Miss Bates,’ he said.

‘Please, call me Natasha.’

‘Thank you—Natasha. When did you arrive?’

‘Yesterday,’ Giorgio said. ‘Your father has invited us to dine at your hotel tonight.’

‘Yes, he told me. I must leave now, but I look forward to seeing you this evening.’

He departed. Natasha eyed Mario curiously, puzzled to find him frowning.

‘You’re not pleased about this invitation?’

‘That’s because his hotel is one of the most luxurious in town,’ Giorgio said. ‘Mario’s jealous.’

‘I’m not jealous,’ Mario said firmly. ‘I admit I envy him having a bottomless pit of money to spend on the place.’

‘His ballroom has to be seen to be believed,’ Giorgio told her.

‘Ballroom,’ she echoed. ‘Romeo and Juliet met in a ballroom.’ She turned to Mario. ‘Does your hotel have a ballroom?’

‘No. None of the other hotels do.’

‘Then that gives me an idea. Can we return to the hotel now? I need to get to work.’

‘Aren’t we going on to Romeo’s house?’ Giorgio asked.

‘I’ll do that tomorrow. Today, I have urgent things to do.

‘Could you please provide me with a list of every member of the Comunità, and their hotels? Then I can check their locations and assess their requirements.’

‘I’ll see to it as soon as we arrive.’

As they walked back to the car, Giorgio murmured to Mario, ‘A woman who knows her own mind. Perhaps we should beware.’

‘There’s no perhaps about it,’ Mario replied grimly.

On the way back to the hotel Natasha took out her notebook and wrote in it swiftly and fiercely. Ideas were coming to her in cascades and she needed to capture them fast. This was the part of any project that she liked best. So absorbed did she become that she was unaware of the journey, and looked up suddenly when the car stopped.

‘We’re here,’ Mario said. He’d been watching her silently.

‘I need something to eat,’ Giorgio declared. ‘Suppose we meet downstairs in half an hour, for a feast?’

‘Not me, thank you,’ Natasha said. ‘Perhaps you could send something up to my room?’

‘But we could all celebrate together,’ Giorgio protested.

‘We can celebrate when I’ve made a success of this job. Let’s hope that happens.’

‘It’ll happen,’ Giorgio said. ‘You’re going to be just fantastic, isn’t she, Mario?’

‘No doubt of it,’ he said bleakly.

‘You’re very kind, both of you. Now, excuse me, gentlemen.’

Giving them both a polite smile, she headed for the lift.

Upstairs, she plunged into work, making more notes about the morning before things went out of her head. She was so immersed in her work that at first she didn’t hear the knock on the door. It had to be repeated louder to capture her attention.

‘Sorry,’ she said, pulling it open, ‘I got so—’ She checked herself at the sight of Mario standing there with a trolley of food.

‘Your meal, signorina,’ he said.

She stared at the sight of the food. Someone had taken a lot of trouble preparing this meal, which Mario laid out for her with care.

‘Giorgio told the kitchen to produce their best, to make sure you stay with us,’ he said. ‘So you have chicory risotto, followed by tiramisù, with Prosecco.’

Her favourite wine. How many times had he ordered it for her in Venice? And he had remembered.