Читать книгу Cave Regions of the Ozarks and Black Hills - Luella Agnes Owen - Страница 9

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Marble Cave, which is the finest yet explored in Missouri, is southeast of the center of Stone County, a short distance north of the picturesque White River. The nearest station is Marionville on the St. Louis and San Francisco railroad, and the drive of forty miles is delightful, but can be divided, into two of twenty each by a stop at Galena. The road, for the most part, is naturally macadamized and is through a most charming country whose roughness and beauty increase together as the journey advances. At first it winds along fertile valleys between wooded hills, crossing many times a shallow stream of water so clear as to afford no concealment for an occasional water-moccasin, whose bite is said to be not poisonous if inflicted under water, and which must be true because the horses showed not the least uneasiness.

The second week in May found the vegetation in its summer beauty; strawberries were ripe, and the weather without a fault.

Galena is pleasantly situated on the hills overlooking the James River, and is entirely invisible from the road by which it is approached until a slight curve in the line of ascent ends the first half of the journey with surprising suddenness. In the immediate vicinity there are several small caves which are worthy of attention and will be described later on.

To properly picture the twenty miles of changing and charming views between Galena and Marble Cave would require the light and skillful touch of a special artist gifted with a tangible perception of atmospheric values. Gradually the road forsakes the pretty valleys with their fields and streams, to take the summit of the hills and then be known as the "Ridge Road," which affords a wide range of vision not previously enjoyed, presenting scenes not to be found reproduced elsewhere with any degree of exactness. Looking into the depth of the forest as it slopes away on either side, the impression is of a magnificent park, undefaced by what are called improvements. This effect is produced by the scarcity, or entire absence of underbrush, and a beautiful surface covering of grasses or flowering plants of all kinds and colors, varied here and there with masses of ferns of unusual size and delicate beauty. The most unexpected and lavish feature of the rich display is the many miles of fragrant honeysuckle that grows only eighteen inches high in the forest shade, but if transplanted to a sunny spot develops into the familiar vine. The most beautiful portion of all this is called The Wilderness, and seems designed for a National Park. Such a park reserve, even if very small, could not fail to be a lasting pleasure, since it would be more accessible to large centers of population than other reserves, and its most delightful seasons are spring and autumn when the Yellowstone is under snow.

A Mill-Site Near Marble Cave.

The distant view obtained through open spaces is an undulating forest in all directions, being apparently both trackless and endless. The great variety of greens observed in the foliage blends in the distance into one dark shade, then changes to dark blue, which gradually fades out to a hazy uncertainty where it is lost at the sky-line.

As long ago as 1853, the variety and abundance of the natural growth of fruits throughout the Ozarks was observed by Professor Swallow, who then advised the planting of vines.

Beyond the Wilderness is the Marble Cave property and the entrance to the Cave is through a large sink-hole in the top of Roark Mountain. This hole is said to be about two hundred feet long, one hundred feet wide and thirty-five feet deep. It is shaped like a great oblong bowl with sloping sides, divided irregularly near the middle, and having the bottom broken out in a jagged way that is very handsome and gives an ample support to the growth of ferns, wild roses, and other vegetation with which it is abundantly decorated. About half of the descent into the basin is accomplished by scrambling down the roughly broken rocks, and the balance by a broad wooden stairway ending at a narrow platform that supports the locked gate.

For kind and valuable assistance rendered to insure the success and pleasure of the visit to the wonderful cave, which they regard with affection and pride, very cordial thanks are due to Capt. T. S. Powell, former manager, his son, Mr. Will Powell, the first guide, and Mr. Fred Prince, who has made the only official survey and map. It may be stated here that the survey and map are far from complete, and many known passages have never yet been entered.

Being the first visiting party of the season, certain disadvantages were encountered in a great accumulation of wet clay and rubbish, washed in by the rains since the previous summer; but the gate was opened with considerable effort, and slowly and cautiously we descended the slippery, clay-banked stairs to the immense mound of debris forty-five feet below the gate, to behold, at last, the grandeur of the Auditorium.

The magnificence of that one chamber should give to Marble Cave a world-wide fame even if there were nothing more beyond. The blue-gray limestone walls have a greater charm than those of an open cañon, owing to the fact that they sweep away from any given point in long, true curves to form an elliptical chamber three hundred and fifty feet long by one hundred and twenty-five feet wide, with the vault above showing absolute perfection of arch, and measuring, by the survey, from its lowest to its highest point, one hundred and ninety-five feet. These measurements are said to be indisputably correct, and if so, the Auditorium of Marble Cave is the largest unsupported, perfect arch in the world; it being one hundred feet longer than the famous Mormon Tabernacle at Salt Lake City. In addition to the artistic superiority of architectural form, its acoustic properties having been tested, it is found to be truly an auditorium. The curving walls and pure atmosphere combine to aid the voice, and carry its softest tones with marvelous distinctness to every portion of the immense inclosed space. As a concert hall its capacity has been tested by musicians who are said to have been enthusiastic over the success of their experiments. Several years ago a piano was lowered into the cave for use on a special occasion, and still occupies a position on the dancing platform, where it will probably remain indefinitely under the scant protection of a small canvas tent.

The chief ornament of the Auditorium is the White Throne, a stalagmitic mass that when viewed from the stairway appears to rest solidly against the most distant wall, and looks so small an object in that vast space as to render a realization of its actual measurement impossible. The height of the Throne is sixty-five feet and the girth two hundred. It is a mass of dripstone resting on a limestone base reserved from the ancient excavation to receive it, and on careful inspection the perpendicular lines, observed on the front, are found to be a set of rather large organ pipes. A fresh fracture shows the Throne to be a most beautiful white and gold onyx. The outer surface has now received a thin coating of yellow clay which was, of course, regretted, but later observations on onyx building reveals the pleasing fact that if the crystal-bearing waters continue to drip, the yellow clay will supply the coloring matter for a golden band of crystal.

The Throne is hollow and has a natural opening in one side by which it may be entered, but the space within is too limited to invite a lengthy stay. That portion of the outside which is nearest the wall is formed with sufficient irregularity of outline to admit of an ascent to the top, and the view obtained is well worth the difficult scramble up and the apprehensive slide down. Being raised so high above all objects that divide attention or in some degree obstruct the view, permits a freedom of outlook that sensibly increases the appreciation of the vastness of the enclosed chamber and its enclosing walls. Efforts to establish the age of the deposit by observations on the yearly growth, would afford little satisfaction, for the obvious reason that conditions governing the growth are dependent, in a measure, on each season's vegetation. Deposit began, of course, after the erosion of the chamber ceased, and therefore represents only a fraction of the age of the cave itself. About thirty feet west of the White Throne and against the wall, stands the next onyx attraction in the form of a beautiful fluted column nearly twenty feet high, tapering up from a base three feet in diameter, and known as the Spring Room Sentinel, because the Spring of Youth is just behind it although not directly connected with the Auditorium; it being the first chamber on the left in Total Depravity Passage, a wet and dangerous way of which next to nothing is known, but the entrance to which is a fine arch a few feet west of the Sentinel. The Spring of Youth is reached by climbing through a window-like opening, and is very small, very wet, very cold, and very beautiful. It is not more than ten feet high nor six in its greatest length and breadth, but every inch of its irregular surface is composed of dripstone of a bright yellowish-red and colorless crystal; and down the glittering walls trickles clear and almost ice-cold water, to the onyx floor where it is caught and held in a marvelous fluted bowl of its own manufacture. This is said to be the gem of the whole cave and seems to have been placed where it is for the consolation of those who are unable to enjoy the peculiar grandeur of the Auditorium, and leave it as some actually are said to do, with a sense of disappointment, because it is not the gleaming white hall of marble which some writers for reputable journals have allowed their imaginations to create.

In winter the Spring of Youth Room takes on a complete coating of ice, with icicles of all sizes hanging from the ceiling and projections. The effect is described as being wonderfully beautiful.

Further down Total Depravity Passage we were not urged to go, because at that season of the year it is wet and difficult, without any sufficient promise of a brilliant compensation for the achievement of such a journey. But the Spring of Youth Room, or as it is generally called, the Spring Room, is more than ample justification for the existence of the passage, and would still be if that passage were several miles in length and the attraction located at the most distant limit.