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V. In Pursuit of the Stranger

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I shall speak now of those little games in the form of pantomime in which, in the sprightly infancy of my folly, I began to indulge in front of all the mirrors in the house, being careful to look to right and left to make sure that I was not observed by my wife, waiting eagerly until she went out to make a call or for some purchase or other, leaving me alone at last for some little time.

The thing that I strove to do was not, like a comedian, to study my movements, to compose my face for the expression of various emotions and mental impulses; on the contrary, what I wanted to do was to take myself by surprise, in my own natural actions, in those sudden alterations of countenance which accompany the mind's every movement; by way of capturing, for example, an expression of unforeseen astonishment (over every trifle, I would fling up my eyebrows to the roots of my hair and would open my eyes and mouth as widely as I could, stretching out my face as if it had been drawn by an internal wire); or a profound sorrow (and I would screw up my forehead, as I pictured the death of my wife, half-closing my eyelids, sombrely, as if brooding over my grief); or a fierce rage (and I would gnash my teeth, imagining that someone had slapped my face, and would curl up my nose, stick out my lower jaw, and flash a lightning-look).

But, first of all, that astonishment, that sorrow, that rage were feigned; they could not have been real, for the reason that had they been so, I should not have been able to view them; they would at once have ceased, owing to the very fact that I was viewing them. In the second place, the fits of astonishment that might take possession of me were exceedingly diverse in character, and the accompanying expressions were similarly and endlessly variable according to the moment and the state of mind that I was in; and the same went for all my griefs and rages. And lastly, even granting that for one single and definite feeling of astonishment, for one single and definite grief, one single and definite fit of rage, I might really have been able to assume the appropriate expressions, those expressions would have been as I saw them and not as others would have seen them. My expression of rage, for instance, would not have been the same to one who feared it, to another disposed to excuse it, to a third inclined to smile at it, and so on.

Ah! what good sense I still had, to be able to grasp all this; and yet, I was unable to make use of it, by way of drawing from the obvious impracticality of my crazy purpose the natural deduction that the best thing to do would be to renounce the hopeless undertaking and be content with living for myself, without seeing myself, and without concerning myself with any thought of others. The idea that others saw in me one that was not the I whom I knew, one whom they alone could know, as they looked at me from without, with eyes that were not my own, eyes that conferred upon me an aspect destined to remain always foreign to me, although it was one that was in me, one that was my own to them (a "mine," that is to say, that was not for me!)—a life into which, although it was my own, I had no power to penetrate—this idea gave me no rest. How could I endure this stranger within me? This stranger who was I myself to me? How go on not seeing him? Not knowing him? How remain condemned forever to bear him about with me, in me, in the sight of all others, and all the while outside my own?

One, None and a Hundred-thousand

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