Читать книгу What Not - Macaulay Rose - Страница 6

Ivy Delmer (who was not the traveller alluded to above, and did not consciously think or feel any of these things) stood holding to a strap, with the novel which she was going to change in the lunch hour in one hand. Ivy Delmer, a shorthand typist at the Ministry of Brains, was young, ingenuous, soft-faced, naïve, and the daughter of a Buckinghamshire vicar. The two things she loved best in the world were marzipan and the drama. Her wide grey eyes travelled, with innocent interest, along the faces in the compartment; she was seeing if she liked them or not. Immaturely and unconsciously sexual, she looked with more hope of satisfaction at male faces than at female. Not but that she was susceptible to strong admirations for her own sex; she had a "pash" for Miss Doris Keane and Miss Teddie Gerrard, and, in private life, a great esteem for Miss Grammont, at the Ministry, whose letters she sometimes took down in shorthand. But everyone knows there is a greater number of interesting faces in trains belonging to another sex than to one's own, and it is no use pretending.

Having subjected the faces within her range to her half-unconscious judgment, and passed them with varying degrees of credit, Miss Delmer, for lack of anything better to do, read the advertisements and exhortations over the windows. With satisfaction she noted that she had seen all the advertised plays. She absorbed such temporal maxims and eternal truths as "Let Mr. Mustard mix your bath," "God is not mocked," and the terrifying utterances of the Safety-if-Possible Council, "Is it safe? That is the question. No. That is the answer." "If you hope to achieve safety in a street aero (1) Do not alight before the aero does. (2) Do not attempt to jump up into an aero in motion." Then a picture: "A will be killed because he is standing immediately beneath a descending aero bus. B will be killed because he and others like him have shaken the nerve of the aviator." A series of warnings which left one certain that, wherever one might achieve safety, it would not be in, or anywhere at all near, a street aero. That, probably, is the object. In the old days it was the motor bus that was thus made a thing of terror by the princes of the nether world. Now, even as then, their efforts met with success, and the tubes were filled with a panic-stricken mob.

Ivy Delmer, taking an empty seat, saw Miss Grammont at the other side of the carriage. Miss Grammont had the New Statesman and the Tatler and was reading one of them. She was partial to both, which was characteristic of her attitude towards life. She was one of those who see no reason why an intelligent interest in the affairs of the world should be incompatible with a taste for Eve. She enjoyed both classical concerts and new revues. She might be called a learned worldling. Ivy Delmer was rather shy of her, because of her manner, which could be supercilious, because of her reputed cleverness, and because of her position at the Ministry, which was a long way above Ivy's. On the other hand, her clothes made one feel at home; they showed skill and interest; she had not that air of the dowd which some people who have been to college have, and which is so estranging to normal people.

Kitty Grammont, something of the elegant rake, something of the gamin, something of the adventuress, something of the scholar, with innocent amber-brown eyes gazing ingenuously from under long black lashes, a slightly cynical mouth, a small, smooth, rounded, child's face, a travelled manner, and an excellent brain, was adequately, as people go, equipped for the business of living. She had seen some life, in a past which, if chequered, had not lacked its gaiety, meant to see much more, in a future which she did not foresee clearly but which she intended should be worthy of her, and was seeing enough to go on with in a present which, though at moments it blackly bored her (she was very susceptible to boredom), was on the whole decidedly entertaining.

Ivy Delmer, looking at her across the compartment, with some surprise because she was so nearly punctual this morning, this not being one of her habits, admired her greatly, thinking how clever she was, how clearly, how unhesitatingly, how incisively her sentences came out when she was dictating, cutting their way, in that cool, light, dragging voice of hers, through her subject, however intricate, as a sharp blade cuts ice; quite different from some people's dictation, which trails to and fro, emending, cancelling, hesitating, indistinct, with no edge to it, so that one's shorthand has constantly to be altered, making a mess on the page, and bits of it read aloud to see how it goes now, which was a nuisance, because one can't rely always on being able to read off even one's own shorthand quite fluently straight away like that. Further—and this was nearer Ivy's heart—Miss Grammont wore, as a rule, charming shoes. She also smoked extraordinarily nice cigarettes, and often had delicious chocolates, and was generous with both.

All this made it a grief to Ivy Delmer that Miss Grammont's brother and his family, who lived in her father's parish, and with whom Miss Grammont often stayed, were not Approved Of. Into the reasons for this it will be more appropriate to enter later in this narrative.