Читать книгу The Wiving of Lance Cleaverage - MacGowan Alice - Страница 10

Table of Contents

THE Derfs occupied a peculiar position among their Turkey Track neighbors. They had a considerable tincture of Cherokee Indian blood, no discredit in the Tennessee mountains, or elsewhere for that matter. One branch of the family had received money compensation for their holdings from the Government. Leola's father had at that time taken possession of an allotment of land in the Indian Territory. The eldest daughter, Iley, married out there, and brought back her Indian husband when Granny Derf, pining for her native mountains, had to be carried home to Big Turkey Track.

It was not the blood of another race that set the Derfs apart; but it may have been traits which came with the wild strain. There was a good deal of money going among the clan. Old man Derf was a general trader; also he engaged in tanbark hauling in the season, and some other contracting enterprises such as required the use of ready cash. In the back room of the main house there was quite a miscellaneous stock of provisions, goods, and oddments for sale. Derf was more than suspected of being a moonshiner or of dealing with moonshiners. He gave 51 dances or frolics of some sort at his house very frequently, and there was always plenty of whisky. At one time or another the family had lived in the Settlement a good deal, and come off rather smudged from their residence in that place. Indeed, your true mountaineer believes that sin is of the valley, and looks for no good thing to come out of the low ground. In a simple society, like that of the mountains, the line is drawn with such savage sharpness that the censors hesitate to draw it at all. Yet a palpable cloud hung over the Derfs. While not completely outcast, they were of so little standing that their house was scarcely a respectable place for a young, unmarried woman to be seen frequently. Ola, Garrett Derf's second daughter, a girl of twenty, and a homely, high-couraged, hard muscled little creature, was permitted in the neighborhood circle of young girls rather on sufferance; but she did not trouble them greatly with her presence, preferring as a rule her own enterprises.

Lance Cleaverage, a free, unfettered spirit, trammeled by no social prejudices, came often to the frolics at Derf's. He seldom danced himself, whisky he never touched; but he loved to play for the others, and he got all the stimulation which his temperament and his mood asked out of the crowd, the lights, the music, and some indefinable element into which these fused for him.

It was nearly two months after the incident at the church and 52 the funeral of Granny Yearwood, that Ola was redding up and putting to rights for a dance. She had hurried through an early supper; the house was cleared, like the deck of a ship for action, of all furniture that could not be sat upon. What remained—a few chairs and boxes, and the long benches on which, between table and wall, the small fry of the family crowded at meal time—were arranged along the sides of the room out of the way. The girl herself was wearing a deep pink calico dress and a string of imitation coral beads. Generally, she gave little thought to her appearance; but everybody believed now that the time was set for the marriage of Lance Cleaverage and Callista Gentry; neither of the young people denied it, Callista only laughing scornfully, and Lance lightly admitting that there was a mighty poor chance for a fellow to get away when a girl like Callista made up her mind to wed him. In the face of these things, the little brown girl clad her carefully, laboring with the conscienceless assiduity of Nature's self to do her utmost to get her chosen man away from the other woman—to get him for herself. She went out past the wood-pile to view the evening sky anxiously, and seeing only a few cloud-roses blooming in the late light over the hills, came back with satisfaction to attempt once more putting her small brothers and sisters out of the way.

A little after dark her guests began to arrive, coming in by 53 ones and twos and threes, some of the boys in mud-splashed working clothes, some in more holiday attire. About moonrise Lance strolled down the road, and by way of defending himself from the importunities of Ola's conversation, if one might guess, kept his banjo twanging persistently. There was a certain solemnity over the early comers, although Derf roared a hearty greeting from his door of the cabin, and occasionally some of the men adjourned to his special room and came out wiping their mouths.

"Ain't nobody never goin' to dance?" inquired Ola impatiently. "Here's Lance a-playin' and a-playin', and nobody makin' any manner of use of the music."

There was nearly ten minutes of hitching and halting, proposals and counter propositions, before a quadrille was started. It was gone through rather perfunctorily, then they all sat down on the boxes and benches and stared into the empty middle of the room.

"Good land!" cried Ola, coming from the other side of the house, "play 'Greenbacks', Lance—let's dance 'Stealing partners'."

The new amusement—half dance, half play—proved, as she had guessed, a leaven to the heaviness of the occasion. People began to laugh a little, and speak above their breath. Two awkward boys, trying to "shoot dominickers" at the same moment, collided 54 under the arch and went sprawling to the floor. The mishap was greeted with a roar of mirth in which all chill and diffidence were drowned.

And now the arrivals from the far cabins were on hand. Small children who had been allowed to sit up and look on nodded in corners, or stretched themselves across their fathers' knees and were tumbled just as they were upon a pallet in the loft. The usual contingent of bad little boys collected outside the door and began to shout at the dancers by name, calling out comments on personal peculiarities, or throwing small chips and stones under foot to trip up the unwary. These were finally put down by the strong hand.

Clapping and stamping increased as the dancers moved more rapidly; calls were shouted; the laughter was continuous. Lance Cleaverage leaned forward in his place, striking the humming strings with sure, tense fingers, his eyes aglow, and on his mouth a half smile. The fun waxed furious; the figures whirled faster and faster, gathering, disparting, interweaving, swinging and eddying before his eyes. Coats were thrown off, the feet thudded out the measure heavily. This was his dissipation, the draught that the mirth of others brewed for him. Its fumes were beginning to mount to his brain, when Ola's hard brown little hand came down across his strings and stopped the music. There 55 was an instant and indignant outcry and protest.

"Consarn yo' time, Ola! What did you want to do that for?" demanded a tall young fellow who had broken down in the midst of a pigeon wing, as though he drew his inspiration from the banjo and could not move without its sound.

"I want to hear Buck play on his accordion—and I want Lance to dance with me," Ola said petulantly. "What's the use of him settin' here all the time playin' for you-all to have fun, and him never gettin' any? Come on, Lance."

Ola Derf was not used to the consideration generally accorded young women. When she made a request, she deemed it well to see that her requirements were complied with. Deftly she lifted the banjo from Lance's lap and passed it to someone behind her, who put it on the fireboard. Then laying hold of the young man himself, she pulled him out into the middle of the room.

"Play, Buck, play," she admonished Fuson, who had his accordion. "You made yo' brags about what fine music you could get out of that thar box,—now give us a sample."

Buck played. When a dance has swung so far as this one had, nothing can check its rhythmic movement. The notes dragged wheezily from the old accordion answered as well to the gathering's warm, free, fluent mood as the truer harmonies of 56 Lance's banjo. Hand clasping hand, Ola and Lance whirled among the others, essaying a simple sort of polka. She was a tireless dancer, and he as light footed as a panther. The two of them began to feel that intoxication of swift movement timed to music which nothing else in life can quite furnish, intensified in the girl by a gripping conviction that this was her hour, and she must make the most of it. She was aflame with it. When Buck broke down she instantly proposed a game of Thimble. Boldly, almost openly, she let herself forfeit a kiss to Lance.

There was a babble of tongues and laughter, a hubbub of mirth, a crossfiring and confusion of sound and movement which wrought upon the nerves like broken chords, subtle dissonances, in music. Buck was trying to play again, some of the boys were patting and stamping, others remonstrating, jeering, making ironic suggestions, when Lance, a bit flushed and bright of eye, dropped his arm around the brown girl's waist to take his forfeit. As in duty bound she pulled away from him. He sprang after, caught her by the shoulders, turned her broad little face up to his and kissed her full on the laughing, red mouth.

Then a miracle! Kissing Ola Derf was not a serious matter; indeed common gossip hinted that it was a thing all too easily accomplished. But tonight the girl was wrought beyond herself—57 a magnet. And Lance's sleeping spirit felt the shock of that kiss. But alas for Ola, it was for her rival's behoof the miracle was worked; it was in her rival's cause she had labored, enlisting all her primitive arts, all her ingenuity and resolution! The lights, the music, the movement, the gayety of others, these had, so far, pleased and stimulated Lance as they always did. But the unaccustomed warmth and contact of the dance; the daring and abandon of the kissing game afterward; finally the sudden ravisher's clasp and snatched kiss—these set free in him an impulse which had slumbered till now. To this bold, aggressive, wilful nature it was always the high mountain, the long dubious road, the deep waters—never the easy way, the thing at hand; it was ever his own trail—not the path suggested to his feet. And so, in this sudden awakening, he took no account of Ola Derf, and his whole soul turned toward Callista—Callista the scornful, whose profile, or the side of whose cheek, he was always seeing; Callista who refused to lift her lashes to look at him, and who was ever saying coolly exasperating things in a tone of gentle weariness. If Callista would look at him as Ola Derf had done—if he might catch her thus in his arms—if those lips of hers were offered to his kiss—!

Without a word of excuse or explanation he dropped the girl's hand as he stood in the ring of players, caught his banjo down 58 from the shelf, and leaving open mouths and staring eyes behind him, strode through the door. A moment later he was footing it out in the moonlight road, walking straight and fast toward the church where protracted meeting was going on, and where he guessed Callista would be with her family. A javelin, flame-tipped, had touched him. Something new and fiery danced in his veins. He would see her home. They would walk together, far behind the family group, in this wonderful white moonlight.

When he reached Brush Arbor church he avoided the young fellows lounging about the entrance waiting to beau the girls. He moved lightly to a window at the back of the building and looked in. There sat Octavia Gentry on the women's side, and old Ajax, her father-in-law, on the men's. Callista he could not find from his coign of vantage. An itinerant exhorter was on his feet, preaching loud, pounding the pulpit, addressing himself now and again to the mourners who knelt about the front bench. Lance cautiously put his head in and looked further. Somehow he knew, all in a moment, that this was what he had expected—what he had hoped for; Callista was at home waiting for him. Yet none the less he carefully examined the middle seats where might be found the courting couples. He would not put it beyond his Callista to 59 go to church with some other swain and sit there publicly advertising her favor to the interloper.

When he was at last satisfied that she was not in the building, he turned as he had turned from Ola Derf, and made a straight path for himself from Brush Arbor to the Gentry place. Scorning the beaten highway of other men's feet, he struck directly into the forest, and through a little grove of second-growth chestnut, with its bunches of silver-gray stems rising slim and white in the light of the moon. Moonshine sifting through the leaves changed his work-a-day clothing to the garb of a troubadour. The banjo hung within easy reach of his fingers; he took off his old hat and tucked it under his arm, striking now and again as he went a twanging chord.

It was an old story to him, this walking the moonlit wild with his banjo for company. Many a time in the year's release, the cool, fragrant, summer-deep forest had called him by its delicate silver nocturnes, its caverns of shadow and milky pools of light, bidden him to a wild spring-running. On such nights his heart could not sleep for song. Sometimes, intoxicated with the rhythm, he had swung on and on, crashing through the dew-drenched huckleberry tangles, rocking a little, with eyes half closed, and interspersing the barbaric jangle of his banjo with quaint jodeling and long, falsetto-broken whoops, the heritage that the Cherokee left behind him in this land. But now it was 60 no mere physical elation of youth and summer and moonlight. It was the supreme urge of his nature that sent his feet forward steadily, swiftly, as toward a purpose that might not be let or stayed. Speed—to Callista—that was all. He fell into silence, even the banjo's thrumming hushed to an intense quivering call of broken chords, hardly to be distinguished from the insect cries of love that filled the summer wood about him.

All the fathomless gulf of the sky was poured full of the blue-green splendors that flooded the night world of the mountains. Drops of dew spilled from leaf to leaf; down in the spring hollow he was spattered to the knees by the thousand soft, reaching fronds of cinnamon fern. Wild fragrances splashed him with great waves of sweetness. So the lords of the wild, under pelt and antler, have ever been wont to rove to their wooing; so restless are the wings that flutter among summer branches and under summer moons.

Between the banjo's murmuring chords, as he neared the Gentry clearing, once more a melody began to stray, like smoke which smoulders fitfully and must presently burst into flame.—Thrum-dum, thrum-dum, and then the tune's low call. It was a gypsy music, that lured with vistas of unknown road, the glint of water, and the sparkle of the hunter's fire; a wildly sweet note that asked, "How many miles?"—and again, out of colorless 61 drumming, "How many years? . . . how many miles?" . . . a song shadow-like in its come-and-go, rising at intervals to the cry of a passion no mortality has power to tame, and then, ere the ear had fairly caught its message, falling again into dim harmonies as of rain blown through the dark;—a question, and the wordless, haunting refrain for all answer. Just above his breath Lance voiced the words:

"How many years, how many miles,

Far from the door where my darling smiles?

How many miles, how many years.

Divide our hearts by pain and fears?"

The melody sank and trailed, drowned in a cadence of minors that sobbed like the rush of storm. Out of this, wild, as the wind's pleading, it rose again;

"It may be far, it may be near,

The water's wide and the forest drear,

But somewhere awaiting, surely I

Shall find my true love by and bye."

The lithe limbs threshed through the dew-drenched, scented undergrowth. The trees grew more openly now; clearing was at hand.

"—My true love—by and bye,"

hummed the light, sweet baritone.

Callista had petulantly refused to go to church with her mother and grandfather. For no reason which she could assign, she 62 wanted to be alone. Then when they were all gone, she wished she had accompanied them. An indefinable disquiet possessed her. She could not stay in the house. Candle in hand she sought an outside cabin where stood the loom. Climbing to the loft room of this she set her light down and began to search out some quilt pieces, which she figured to herself as the object of her present excursion. Though she would have denied it with scorn, the idea of Lance Cleaverage filled her completely; Lance, the man who was preparing to marry her, yet upon whom—of all those who had come near her, in the free, fortuitous commerce of marriageable youth in the mountains—she had, it seemed to her, been able to lay no charm, to exert no influence. He met her; he exchanged cut and thrust with her, and he went his ways after their encounters, neither more nor less than he had been before. He came back seemingly at the dictates of time and chance only, and never hotter nor colder, never hastening to nor avoiding her. A bitterness tinged all her thought... She wondered if she would have seen him had she gone to meeting . . . She reflected jealously that he was much more likely to be at the frolic at Derf's. . . . She wished she knew how to dance.

All at once, on the vague introspection of her mood, she became aware of the recurrent stroke of a soft musical note—the humming of Lance's banjo. Crouching rigidly by the little chest 63 that held her quilt scraps, she listened. It was a trick of the imagination—she had thought so much about him that she fancied him near. Then, with a sudden heavy beating of the heart, she realized that if he had been at the dance and gone home early he might be passing now on the big road. She smiled at her own folly; this tremulous low call could never be heard across two fields and the door-yard.

And it was a banjo . . . it was Lance's banjo . . . he was playing whisperingly, too, as he loved to do.

Then the strings ceased to whisper. Clearer came their voice and louder. Without thinking to extinguish her candle, she ran to the window and knelt hearkening. She looked down on the moonlit yard. All was silent and homely . . . but that was Lance's banjo. Even as she came to this decision. Lance himself broke through the greenery at the edge of the near field, vaulted a low fence, and emerged into the open. He came on in the soft light, singing a little, apparently to himself.

Spellbound she listened, gripping the window ledge hard, holding her breath, choking, wondering what this new thing was that had come to her. Above him she was set like a saint enshrined, with the moonlight to silver her rapt, shining face, and the glow of the candle behind making a nimbus of her fair hair. Yet never at 64 all (or she thought so) did Lance look up. Light footed, careless of mien, he circled the house once, still humming under his breath, and striking those odd, tentative chords on the banjo. Then, abruptly, when she had realized her position and would have hidden herself, or put out the candle which betrayed her, he stopped under her window and with upflung head was smiling straight into her eyes. She rallied her forces and prepared for the duel which always ensued when she and Lance met. She would give him as good as he sent. She would tell him that she had stayed away from church for fear she should see him. If he hinted that she had expected this visit, she would—she would say—

But this was a new Lance Cleaverage looking into her eyes—a man Callista had never seen before. Subtly she knew it, yet scarcely dared trust the knowledge. The young fellow below in the moonlight sent up no challenge to a trial of wits; he offered her no opportunity for sarcastic retort. Tossing aside his hat, making ready his banjo, he lifted his head so that the lean, dark young face with its luminous eyes was raised fully to her in the soft radiance, and struck some chords—strange, thrilling, importunate chords—then began to sing.

The serenade is a cherished courtship custom of primitive societies. Lance Cleaverage, the best banjo player in the Turkey Tracks, with a flexible, vibrant, colorful baritone voice, had 65 often gone serenading with the other boys; but this—tonight—was different. He felt like singing, and singing to Callista; for the moment it was his form of expression. What he sang was his own version of an old-world ballad, with his love's name in place of the Scottish girl's to whom it was addressed three hundred years ago in the highlands of another hemisphere. Unashamed, unafraid—would anything ever make Lance either ashamed or afraid?—he stood in the white moonlight and sent forth his passionate, masterful call of love on the wings of song.

Callista's heart beat wildly against her arms where she rested on the window sill. Her lips were apart, and the breath came through them quick and uneven. Despite herself, she leaned forward and looked back into the eyes that gazed up at her. Was this Lance, the indifferent, taunting, insouciant, here under her window alone, looking up so at her—playing, singing, to her? Oh, yes, it was Lance. He wanted her, said the swift importunate notes of the banjo, the pleading tones of his voice, the bold yet loverlike attitude of the man. He wanted her. Well—a flood of tender warmth rose in her—she wanted him! For the first time probably in her life—misshapen, twisted to the expression of the coquette, the high and mighty, scornful miss who finds no lover to her taste—Callista was all a woman. The 66 fires of her nature flamed to answer the kindred fire of his. The last, teasing note of the banjo quavered into silence. Lance pulled the ribbon over his head, laid the instrument by—without ever taking his eyes from her face—and said, hardly above a whisper,

"Callista, honey, come down."

No retort was ready for him.

"I—oh, I can't, Lance," was all Callista could utter.

With a "Well, I'm a-comin' up there, then," he sprang into the muscadine vine whose rope-like trunks ran up around the doorway below her. She only caught her breath and watched in desperate anxiety the reckless venture. And when he reached the level of her window, when, swinging insecurely in a loop of the vine, he stretched his arms to her, ready arms answered him and went round his neck. A face passion pale was raised to him, and eager, tremulous lips met his.

They drew apart an instant, then Callista—overwhelmed, frightened at herself—with a swift movement hid her face on his breast. He bent over her, and laid his dark cheek against hers, that was like a pearl. His arms drew her closer, closer; the two young hearts beat plungingly against each other. The arms that strained Callista so hard to Lance's breast trembled, and her slender body trembled within them. Lance's shining eyes closed.

67 "Callista—honey—darlin'," he whispered brokenly, "you do love me."

"Oh, Lance—Oh, Lance!" she breathed back.

And then his lips went seeking hers once more. She lifted them to him, and the lovers clung long so. The world swung meaninglessly on in space. The two clasped close in each other's arms were so newly, so intensely, blindingly, electrically awake to themselves and to each other, that they were utterly insensible to all else.

Finally Lance raised his head a bit. He drew a long, sobbing breath, and laying his face once more against the girl's murmured with tender fierceness,

"An' we ain't going to wait for no spring, neither. You'll wed me to-morrow—well, next week, anyway"—as he felt her start and struggle feebly.

"Oh, Lance—honey—no," she began. But he cut her short with vehement protestations and demands. He covered her face, her hair, her neck with kisses, and then declared again and again, in a voice broken with feeling, that they would be wedded the next week—they wouldn't wait—they wouldn't wait.

Shaken, amazed by her own emotions, terrified at the rush of his, Callista began to plead with him; and when that availed nothing, save to inflame his ardor, her cry was,

"Yes, Lance. Yes—all right—we will. We will, Lance—whenever 68 you say. But go now, honey, won't you—please? Oh, Lance! They'll be coming home any minute now. If they was to find you here. Lance—Won't you go now, please, honey? Lance, darlin', please. I'll do just like you say—next week—any time, Lance. Only go now."

There was no sense of denying, or drawing herself back, in Callista's utterance. It was only the pleading of maiden terror. When Lance acquiesced, when he crushed her to him in farewell, her arms went round him once more, almost convulsively; with an equal ardor, her lips met the fierce, dominating kiss of his.

He got down from the window, his head whirling. Mechanically he found his banjo, flung the ribbon over his neck and turned the instrument around so that it hung across his shoulders. Thus, and with his hat again tucked under his arm, without ever looking back toward the house, he walked swiftly and unsteadily away, once more through the young chestnut wood, with its dapplings of shadow and moonlight. He dipped into the hollow where the spring branch talked to itself all night long in the silence and the darkness under the twisted laurel and rhododendrons; once more he stood on the little tonsured hill above the church. The lights were out; they had all gone home.

Below him was spread his world; the practised eye of this free 69 night rover could have located every farm and cabin, as it all lay swimming in this wonderful, bewitched half-light. Those were his kindred and his people; but he had always been a lonely soul among them. The outposts of levity which he had set about the citadel of his heart had never been passed by any. Tonight, with an upheaval like birth or death, he had broken down the barriers and swept another soul in beside him; close—close. He would never be alone again—never again. There would always be Callista. In the intoxication, the ravishment of the moment, he made no reckoning with the Callista he had heretofore known, the Lance that had been; they should be always as now on this night of magic.