Читать книгу A History of Ancient Egypt - Marc Van De Mieroop - Страница 13

Rather make my country’s high pyramides my gibbet and hang me up in chains.

(Shakespeare, Antony and Cleopatra Act 5, scene 2)

The tourist to Egypt who sails up the Nile from Cairo to Aswan gazes upon an abundance of grandiose monuments, often remarkably well preserved despite their enormous antiquity. Many of them are icons of ancient Egypt and have been so for centuries. Shakespeare’s audience recognized the image Cleopatra conjured up when she called the pyramids her gallows. Modern guided tours always include these same pyramids, as well as the great Amun temple at Luxor with the royal tombs across the river, and the much smaller temple of Isis at Philae between the Low and the High Aswan dams. These monuments, spread over hundreds of miles, are all different from what surrounds the traveler at home, alien in their function, their form, and their use of images and writing. They share so many characteristics that it is easy to forget that their builders lived countless years apart. More time passed between the construction of the pyramids at Giza and the building of the Philae temple we now see, than between the latter temple’s inauguration and us.