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her intention, fight among themselves for the possession of her latest creation. Already her work is causing some stir abroad, a rare occurrence in the history of Australian art and those who have followed closely her development and considered the totality of her achievement at the present time cannot help but foresee that the paintings of Margaret Preston will be as avidly sought in the future as are those of Paul Gauguin in the art market of to-day


Sydney Ure Smith

Leon Gellert

Editors

Recent Paintings 1929

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