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CHAPTER I.

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"Mon pauvre cœur maladroit, mon cœur plein de révolte et d'espérance. … "

"The past is death's, the future is thine own."

Shelley.

Fifteen years had gone by since the eventful birthday and meeting at St. Germains.

As Barbara Rebell, still Barbara Rebell, though she had been a wife, a most unhappy wife, for six years, stepped from the small dark vestibule into the dimly-lighted hall of Chancton Priory, her foot slipped on the floor; and she would have fallen had not a man's hand, small but curiously bony and fleshless, grasped her right arm, while, at the same moment, a deep voice from out the darkness exclaimed, "A good omen! So stumbled the Conqueror!"

The accent in which the odd words were uttered would have told a tale as to the speaker's hard-bitten nationality to most English-speaking folk: not so to the woman to whom they were addressed. Yet they smote on her ear as though laden with welcome, for they recalled the voice of a certain Andrew Johnstone, the Scotch Governor of the West Indian island of Santa Maria, whose brotherly kindness and unobtrusive sympathy had been more comfortable to her, in a moment of great humiliation and distress, than his English wife's more openly expressed concern and more eagerly offered friendship.

And then, as the stranger advanced, hesitatingly, into the hall, she found herself confronted by an odd, indeed an amazing figure, which yet also brought a quick sense of being at last in a dear familiar place offering both welcome and shelter. For she was at once aware that this must be the notable Jane Turke, Madame Sampiero's housekeeper, one to whom Barbara's own mother had often referred when telling her little daughter of the delights of Chancton Priory—of the Sussex country house to which, when dying, the thoughts of Richard Rebell's wife seemed ever turning with sick longing and regret.

Mrs. Turke wore a travesty of the conventional housekeeper's costume. There, to be sure, were the black apron and lace cap and the bunch of jingling keys, but the watered silk of which the gown was made was of bright yellow, and across its wearer's ample bosom was spread an elaborate parure of topazes set in filigree gold, a barbaric ornament which, however, did not seem out of place on the remarkable-looking old lady. Two earrings, evidently belonging to the same set, had been mounted as pins, and gleamed on the black lace partly covering Mrs. Turke's grey hair, which was cut in a straight fringe above the shrewd, twinkling eyes, Roman nose, and firm, well-shaped mouth and chin.

For a few moments the housekeeper held, as it were, the field to herself: she curtsied twice, but there was nothing servile or menial about the salutation, and each time the yellow gown swept the stone-flagged floor she uttered the words, "Welcome, Ma'am, to Chancton," running her eyes quickly the while over the slender stranger whose coming might bring such amazing changes to the Priory.

Then, as Mrs. Rebell, half smiling, put out her hand, the old woman—for, in spite of her look of massive strength Mrs. Turke was by now an old woman—said more naturally, "You don't remember Jane Turke, Ma'am, but Jane Turke remembers you, when you was little Missy, and your dear Mamma used to bring you here as a babby."

Mrs. Turke's voice was quite amazingly unlike that which had uttered, close to the door, the few words of what Barbara had felt to be a far sincerer welcome. It was essentially a made-up, artificial voice—one to which only the old-fashioned but expressive word "genteel" could possibly apply: an intelligent listener could not but feel certain that Mrs. Turke would be bound to speak, if under stress of emotion, in quite other accents.

A muttered exclamation, a growl from that other presence who still stood apart, hidden in the deep shadows cast by the music gallery which stretched across the hall just above the head of the little group, seemed to nerve the housekeeper to a fresh effort: "This gentleman, Ma'am," she cried, waving a fat be-ringed hand towards the darkness, "is Doctor McKirdy. He also knew your dear Mamma, and is very pleased to see you once more at Chancton Priory."

From behind Barbara Rebell lumbered forth into the light another strange figure, a man this time, clad in evening dress. But he also seemed oddly familiar, and Mrs. Rebell knew him for a certain Alexander McKirdy, of whom, again, she had often heard from her mother. "I'll just thank ye," he said harshly, "to let me utter my own welcome to this lady. My words, no doubt, will be poor things, Mrs. Turke, compared to yours, but they will have the advantage of being my own!"

Alexander McKirdy was singularly ugly—so much had to be conceded to his enemies and critics, and at Chancton there were many who felt themselves at enmity with him, and few who were capable of realising either the Scotchman's intellectual ability or his entire disinterestedness. Of fair height, he yet gave the impression of being short and ungainly, owing to the huge size of his head and the disproportionate breadth of his shoulders. His features were rough-hewn and irregular, only redeemed by a delicate, well-shaped mouth, and penetrating, not unkindly pale blue eyes. His hair, once bright red, now sandy grey streaked with white, was always kept short, bristling round a high intelligent forehead, and he was supposed to gratify Scotch economy by cutting it himself. He was clean-shaven, and his dress was habitually that of a man quite indifferent to his outward appearance; like most ugly and eccentric-looking men, Doctor McKirdy appeared at his best on the rare occasions when he was compelled to wear his ancient dress clothes.

Such was the man who now turned and cast a long searching look at Barbara Rebell. "I shall know if you are welcome—welcome to me, that is—better an hour hence than now, and better still to-morrow than to-day"—but a twinkle in his small bright eyes softened the ungraciousness of his words: "Now," he said, "be off, Mrs. Turke! You've had your innings, and said your say, and now comes my turn."

"You're never going to take Mrs. Rebell up to Madam now—this very minute?—before she has taken off her bonnet?—or seen her room?—or had her dinner?" but the man whom she addressed with such fussy zeal made no reply. Instead, he jerked his right shoulder, that as to which Barbara wondered if it could be higher than the other, towards the shadows from which he had himself emerged, and Mrs. Turke meekly turned away, her yellow silk gown rustling, and her barbaric ornaments jingling, as she passed through the swing door which shut off the hall, where they had all three been standing, from the commons of the Priory.

Doctor McKirdy lifted one of the high lamps, which seemed to make the darkness of the hall more visible, in his strong, steady hands. Then he turned abruptly to Mrs. Rebell. "Now," said he, "just a word with you, in your private ear."

Without waiting for an answer, he started walking down the hall, Barbara following obediently, while yet finding time to gaze, half fearfully, as she went, at the quivering grotesque shadows flung by herself and her companion across the bare spaces of flagged floor, and over the high-backed armchairs, the Chinese screen, and the Indian cabinets which lined the walls on either side of the huge fire-place.

At last they stopped before a closed door—one curiously ornate, and heavy with gilding. Doctor McKirdy motioned to his companion to open it, and as she did so they passed through into what was evidently the rarely-used drawing-room of the Priory.

Then, putting the lamp down on the top of a china cabinet, the Scotchman turned and faced his companion, and with a certain surprise Mrs. Rebell realised that he was much taller than herself, and that as he spoke she had to look up into his face.

"I should tell you," he said, with no preamble, "that it was I who wrote you the letter bidding you come."

Barbara shrank back: of course she had been aware—painfully aware—that the letter which had indeed bidden her, not unkindly, to leave the West Indian island where she had spent her wretched married life, and make Chancton Priory her home, had not been written by her godmother's own hand. The knowledge had troubled her, for it implied that her letter of appeal, that to which this was an answer, had also been read by alien eyes.

"Yes," the doctor repeated, as though unwilling to spare her, "I wrote it—of course at Madam's dictation: but it was my notion that when going through London you should see Goodchild. He's an honest man—that is, honest as lawyers go! I thought may-be he might explain how matters are here—Well, did you see him?"

"Yes, I went there this morning. Mr. Goodchild told me that my godmother was paralysed—but that, of course, I knew already. Perhaps you have forgotten that you yourself long ago wrote and told me of her illness? Mr. Goodchild also explained to me that Madame Sampiero sees very few people. He seemed to doubt"—Barbara's soft, steady voice suddenly trembled—"whether she would consent to see me; but I do hope"—she fixed her dark eyes on his face with a rather piteous expression—"I do hope, Doctor McKirdy, that she will see me?"

"Don't fash yourself! She is going to see you—that is, if I just wish it!"

He looked down at the delicate, sensitive face of the young woman standing before him, with an intent, scrutinising gaze, allowed it to travel slowly downwards till it seemed wholly to envelop her, and yet Barbara felt no offence: she realised that this strange being only so far examined her outward shape, inasmuch as he believed it would help him to probe her character and nature.

In very truth the doctor's mind was filled at the present moment with the thought of one in every way differing from Mrs. Rebell. How would this still young creature—Barbara's look of fragility and youth gave him something of a shock—affect Madame Sampiero? That was the question he had set himself to solve in the next few moments.

"Are you one of those," he said suddenly, and rather hoarsely, "who shrink from the sight of suffering?—who abhor distortion?—who only sympathise with pain when they themselves are in the way to require sympathy?"

Barbara hesitated. His questions, flung at her with quick short words, compelled true answers.

"No," she said, looking at him with steady eyes, "I have not—I have never had—the feelings you describe. I believe many people shrink from seeing suffering, and that it is not to their discredit that they do so shrink——" There was a defiant note in her voice, and quickly her companion registered the challenge, but he knew that this was no time to wage battle.

Mrs. Rebell continued: "I have never felt any horror of the sick and maimed, and I am not given to notice, with any repugnance, physical deformity." Then she stopped, for the strong lined face of her companion had become, as it were, convulsed with some deep feeling, to which she had no clue.

"Perhaps I will just tell you," he said, "why I believe Madame Sampiero may see you, apart from the fact that she desires to do so. Mrs. Turke was quite right," he went on with apparent irrelevancy, "I did know your mother. I had a sincere respect for her, and——" Again his thoughts seemed to take an abrupt turn. "I suppose you realise that I am Madame Sampiero's medical attendant—I have no other standing in this house—oh no, none in the world!"

Barbara divined the feeling which had prompted the last words to be bitter, bitter.

"I know," she said gently, "that you have been here a long time, and that my mother"—a very charming smile lighted up her sad face—"fully returned the feeling you seem to have had for her."

But Doctor McKirdy hardly seemed to hear the words, for he hurried on,

"One day, many years ago—I think before you were born—your mother and I went for a walk. It was about this time of the year—that is the time when keepers and vermin are busy. We were walking, I say, and I—young fool!—was full of pride, for it was the first walk a lady had ever deigned to take with me. I was uglier, yes, and I think even more repulsive-looking than I am now!" he gave Barbara a quick glance from under his shaggy eyebrows, but she made no sign of dissent, and he smiled, wryly.

Barbara Rebell

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