Читать книгу Fairfax and His Pride - Marie Van Vorst - Страница 8

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He was the seventh son, and his mother was tired of child-bearing when Antony was born. The others, mediocre, fine fellows, left to their father's control, had turned out as well as children are likely to turn out when brought up by a man. One by one, during the interval of years before Antony came, one by one they had died, and when Mr. Fairfax himself passed away, he left his wife alone with Antony a baby in her arms. She then gave herself up to her grief and the contemplation of her beauty. Adored, spoiled, an indifferent house-keeper, Mrs. Fairfax was, nevertheless, what is known as a charming creature, and a sincere artist. She had her studio, her canvases, she wrote plays and songs, and nothing, with the exception perhaps of realities, for she knew nothing of them, nothing made less impression on her than did her only child, until one day she suddenly remembered Antony when it was too late.

He was like his mother, but she was unconscious of the fact. She only knew him as a rowdy boy, fond of sports, an alarmingly rough fighter, the chief in the neighbourhood scuffles, a vigorous, out-of-door boy, at the head of a yelling, wild little band that made her nerves quiver. Coloured servants and his Mammy soothed Antony's ills and washed his bruises. With a feeling of shame he thrust aside his artistic inclinations, lest his comrades should call him a milksop, but he drew copiously in secret, when he was kept in at school or housed with a cold. And from the distance at which she kept him, Antony worshipped his mother. He admired her hauteur, the proud cold loveliness. His sunny nature, incapable of morose or morbid brooding, felt no neglect. Late in spring they too had gone north to a water cure popular with Louisiana people, where a more vigorous growth of trees magnetized Antony, who climbed like a squirrel and tore his clothes to his heart's content. He had come in from a tramp and, scandalized by his rough and tumbled appearance as she caught a glimpse of him swinging along, Mrs. Fairfax summoned her little son. Rocking idly on the verandah she watched him obey her call, and there was so much buoyant life in his running step, such a boy's grace and brightness about him that he charmed her beauty-loving eyes.

"Go, wash your face and hands and bring your school books here. I do hope you have brought your books with you."

When he reappeared with the volumes of dog-eared school books, she fingered them gingerly, fell on his drawing portfolio and opened it.

"Who drew these for you, Tony?"

"Mother, no one. I did them. They are rotten."

Mrs. Fairfax exclaimed with excitement: "Why, they are quite extraordinary! You must study with some one."

Blushing, enraptured, Antony was tongue-tied, although a host of things rushed to his lips that now he might be permitted to speak to her he longed to tell everything that was on his heart.

Neither of them forgot that day. The wistaria was purple in the vines, and his mother, a shawl with trailing fringe over her shoulders, rocked indolent and charming in her chair. She had made her husband and her other sons her slaves, and she remembered now, with a sense of comfort, that she had another servitor.

"My shoe is unbuttoned"—she raised her small foot—"button it, Tony."

The boy fell on his knees, eager to offer his first service to the lovely woman, but his hands were awkward. He bungled and pinched the delicate skin. The mother cried out, leaned over and smartly boxed his ears.

"Stupid boy, go; send me Emmeline."

Poor Antony retired, and as Emmeline took his place he heard his mother murmur—

"Aren't the cherries ripe yet, Emmy? I'm dying to taste some cherries, they're so delicious in the North."

Emmeline had fastened the shoe and lagged away with southern negligence, leaving Antony's books as he had flung them on the porch, and though it was an effort to lean over, Mrs. Fairfax did so, picked up the drawing-book and studied it again.

"Talented little monkey," she mused, "he has my gift, my looks too, I think. How straight he walks! He has 'l'élégance d'un homme du monde.'"

She called herself Creole and prided herself on her French and her languor.

She sat musing thus, the book on her knees, when half an hour later they carried him in to her. He had fallen from a rotten branch on the highest cherry tree in the grounds.

He struck on his hip.

All night she sat by his side. The surgeons had told her that he would be a cripple for life if he ever walked again. Toward morning he regained his senses and saw her sitting there. Mrs. Fairfax remembered Antony that day. She remembered him that day and that night, and his cry of "Oh, mother, I was getting the cherries for you!"

Before they built him his big, awkward boot, when he walked again at all, Antony went about on crutches, debarred from boyish games. In order to forget his fellows and the school-yard and "the street" he modelled in the soft delicious clay, making hosts of creatures, figures, heads and arms and hands, and brought them in damp from the clay of the levee. His own small room was a studio, peopled by his young art. No sooner, however, was he strong again and his big shoe built up, than his boy-self was built up as well, and Antony, lame, limping Antony, was out again with his mates. He never again could run as they did, but he contrived to fence and spar and box, and strangely enough, he grew tall and strong. One day he came into his little room from a ball game, for he was the pitcher of the nine, and found his mother handling his clayey creatures.

"Tony, when did you do these?"

"Oh, they are nothing. Leave them alone, mother. I meant to fire them all out."

"But this is an excellent likeness of the General, Tony."

He threw down his baseball mask and gloves and began to gather up unceremoniously the little objects which had dried crisp and hard.

"Don't destroy them," his mother said; "I want every one of them. And you must stop being a rowdy and a ruffian, Antony—you are an artist."

He was smoothing between his palms one of the small figures.

"Professor Dufaucon could teach you something—not much, poor old gentleman, but something elementary. To-morrow, after school, you must go to take your first lesson."

Mrs. Fairfax took the boy herself, with the bust of the famous General in her hands, and afterwards sent the bust to Washington, to its subject himself, who was pleased to commend the portrait made of him by the little Southern boy from the clay of the New Orleans levee.

Professor Dufaucon taught him all he knew of art and something of what he knew of other things. In the small hall-room of the poor French drawing-master, Antony talked French, learned the elements of the study of beauty and listened to the sweet strains of the Professor's flute when he played, "J'ai perdu ma tourterelle. … "

In everything that he modelled Antony tried to portray his mother's face. As she had been indifferent to him before, so ardently Mrs. Fairfax adored him now. She poured out her tenderness on this crippled boy. He had been known to say to his Mammy that he was glad that he had fallen from the cherry tree because his mother had never kissed him before, and her tears and her love, he thought, were worth the price. She was as selfish with him in her affection as she had been in her indifference. She would not hear of college, and he learned what he could in New Orleans. But the day came when his mistress, art, put in a claim so seductive and so strong that it clouded everything else. Professor Dufaucon died, and in the same year Antony sent a statuette to the New York Academy of Design. It was accepted, and the wine of that praise went to his head.

Mrs. Fairfax, broken as no event in her life had been able to break her, saw Antony leave for the North to seek his fortune and his fame.

She owned her house in Charles Street, and lived on in it, and the little income that she had barely sufficed for her needs. She showed what race and what pride she had when she bade Antony good-bye, standing under the jasmine vine. She never wore any other dress than a loose morning robe of a white or a soft mauve material. Standing there, with a smile of serene beauty, she waved her handkerchief to him as she saw him go limping down the walk from the garden to the street and put of sight. True to her type then, she fainted dead away, and Emmeline and Mammy brought her to.

He thought of things in Miss Whitcomb's front room. There was nothing fairylike about the red-brick dwelling, although at the corner of the New York Avenue these two stories seemed diminutive and out of place. He made with the timid maiden ladies his own timid arrangement. He was so poor and they were so poor that the transaction was timorous—Antony on his part was afraid that they might not take him in, they, on theirs, were terrified lest the lodger would not come in. When at length they left him alone, his first feeling was gratitude for a room of any kind that represented shelter from the Northern cold, but when he had divested himself of his coat, he realized that the little unheated room was as cold as the outside. A meagre bed, a meagre bureau and washstand, two unwelcoming chairs, these few inanimate objects were shut in with Antony, and unattractive as they were, they were appealing in their scant ugliness. Before the window slight white curtains hung, the same colour as the snow without. They hung like little shrouds. Around the windows of his Southern home the vine had laid its beauty, and the furnishings had been comfortable and tasteful. The homelessness of this interior, to the young man who had never passed a night from under his own roof, struck with a chill, and he thought of the sitting-room in the vast house of his kinsmen not a block away. His kinspeople had not even asked him to break bread. Dressed as he was, he lay down exhausted on his bed, and when a knock came and Miss Whitcomb's voice invited him to supper, Fairfax sprang up and answered as out of a dream.