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Table of Contents

Introduction

Acknowledgements

Chapter 1. Masquerade, or “Maintain your reputation!”

The son of the nomenklatura

An asocial profile in the Moscow underground scene

Fleeing the city

Getting ready to leave

A stopover in Vienna

A North-American nomad

Sasha Sokolov, the lecturer

Soviet Union, toccata and fugue

“An eternal student of the globetrotting department”

Chapter 2. On Early Trains, or Beyond Sasha Sokolov’s Twilight Cosmos

Emotional proximity

Classification difficulty

Close reading attempts

Sasha Sokolov’s baroqueness

Chapter 3. Pictures from an Exhibition

A language to compose texts

A sound architecture

Triptych’s music

Voices on stage

Triptych’s “theatre of pure reason”

Chapter 4. Theory and Play of Proeziia

A long proetic tradition

A choice of awareness

A baroque macro-genre

In Lieu of a Conclusion

References

Sasha Sokolov: The Life and Work of the Russian “Proet”

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