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ОглавлениеPoets’ Corner
Nicholson stands sentry, head and shoulders
above us as we enter, overlooking those
who do not glance up to spot him in recess,
as hacked black, out of coal; cold stare and muttonchops.
Lower, his companion’s laid out in briefer words
than those he gathered in dialect: Robert Anderson,
the Cumbrian Bard, profiled in white marble.
Three footsteps in, floor flutters as the door opens,
a fan of light illuminates the slab
honouring Susanna Blamire, a ‘poet of humour …
who caught the authentic voice of Cumberland’.
Together these compose Poets’ Corner, a thin anthology,
more like theology where absence signals presence.
No Wordsworth, tidied away in Cockermouth,
Grasmere, Rydal. No Coleridge – missing, as usual.
No Southey, with his withered laurel of laureateship;
Tennyson and Ruskin dismissed among rejection slips.
Perhaps poets and too much certainty don’t get on?
Or perhaps, like Duffy, their language is ‘secular prayer’,
echoes and side-glances; tentative, wary of entrance?