Читать книгу Flamsted quarries - Mary E. Waller - Страница 14

"Really, I am discouraged about that child," said Sister Agatha just after Easter. She was standing at one of the schoolroom windows that overlooked the yard; she spoke as if thoroughly vexed.

"What is it now—208 again?" Sister Angelica looked up from the copybook she was correcting.

"Oh, yes, of course; it's always 208."

"Oh, she doesn't mean anything; it's only her high spirits; they must have some vent."

"It's been her ruin being on the stage even for those few weeks, and ever since the Van Ostends began to make of her and have her over for that Christmas luncheon and the Sunday nights, the child is neither to have nor to hold. What with her 'make believing' and her 'acting' she upsets the girls generally. She ought to be set to good steady work; the first chance I get I'll put her to it. I only wish some one would adopt her—"

"I heard Father Honoré—"

"Look at her now!" exclaimed Sister Agatha interrupting her.

Sister Angelica joined her at the window. They could not only see but hear all that was going on below. With the garbage house as a stage-setting and background to the performance, Flibbertigibbet was courtesying low to her audience; the skirt of her scant gingham dress was held in her two hands up and out to its full extent. The orphans crouched on the pavement in a triple semi-circle in front of her.

"All this rigmarole comes of the theatre," said Sister Agatha grimly.

"Well, where's the harm? She is only living it all over again and giving the others a little pleasure at the same time. Dear knows, they have little enough, poor things."

Sister Agatha made no reply; she was listening intently to 208's orders. The little girl had risen from her low courtesy and was haranguing the assembled hundreds:

"Now watch out, all of yer, an' when I do the minute yer can clap yer hands if yer like it; an' if yer want some more, yer must clap enough to split yer gloves if yer had any on, an' then I'll give yer the coon dance; an' then if yer like that, yer can play yer gloves are busted with clappin' an' stomp yer feet—"

"But we can't," Freckles entered her prosaic protest, "'cause we're squattin'."

"Well, get up then, yer'll have to; an' then if you stomp awful, an' holler 'On-ko—on-ko!'—that's what they say at the thayertre—I'll give yer somethin' else—"

"Wot?" demanded 206 suspiciously.

"Don't yer wish I'd tell!" said 208, and began the minuet.

It was marvellous how she imitated every graceful movement, every turn and twist and bow, every courtesy to the imaginary partner—Freckles had failed her entirely in this role—whose imaginary hand she held clasped high above her head; her clumsy shoes slid over the flagging as if it had been a waxed floor under dainty slippers. There was an outburst of applause; such an outburst that had the audience really worn gloves, every seam, even if French and handsewed, must have cracked under the healthy pressure.

208 beamed and, throwing back her head, suddenly flung herself into the coon dance which, in its way, was as wild and erratic as the minuet had been stately and methodical. Wilder and wilder grew her gyrations—head, feet, legs, shoulders, hair, hands, arms, were in seemingly perpetual motion. The audience grew wildly excited. They jumped up, shouting "On-ko—on-ko!" and accompanied their shouts with the stamping of feet. A dexterous somersault on the dancer's part ended the performance; her cheeks were flushed with exercise and excitement, her black mane was loosened and tossed about her shoulders. The audience lost their heads and even 206 joined in the prolonged roar:

"On-ko, 208—on-ko-o-o-oor! On-ko, Flibbertigibbet—some more—some more!"

"It's perfectly disgraceful," muttered Sister Agatha, and made a movement to leave the window; but Sister Angelica laid a gently detaining hand on her arm.

"No, Agatha, not that," she said earnestly; "you'll see that they will work all the better for this fun—Hark!"

There was a sudden and deep silence. 208 was evidently ready with her encore, a surprise to all but the performer. She shook back the hair from her face, raised her eyes, crossed her two hands upon her chest, waited a few seconds until a swift passenger train on the track behind the fence had smothered its roar in the tunnel depths, then began to sing "The Holy City." Even Sister Agatha felt the tears spring as she listened. A switch engine letting off steam drowned the last words, and there was no applause. Flibbertigibbet looked about her inquiringly; but the girls were silent. Such singing appeared to them out of the ordinary—and so unlike 208! It took them a moment to recover from their surprise; they gathered in groups to whisper together concerning the performance.

Meanwhile Flibbertigibbet was waiting expectantly. Where was the well earned applause? And she had reserved the best for the last! Ungrateful ones! Her friends in the stone house always praised her when she did her best—but these girls—

She stamped her foot, then dashed through the broken ranks, making faces as she ran, and crying out in disgust and anger:

"Catch me givin' yer any more on-kos, yer stingy things!" and with that she ran into the basement followed by Freckles who was intent upon appeasing her.

The two sisters, pacing the dim corridor together after chapel that evening, spoke again of their little wilding.

"I didn't finish what I was going to tell you about 208," said Sister Angelica. "I heard the Sister Superior tell Father Honoré when he was here the other day that Mr. Van Ostend had been to see her in regard to the child. It seems he has found a place for her in the country with some of his relations, as I understand it. He said his interest in her had been roused when he heard her for the first time on the stage, and that when he found Flibbertigibbet was the little acquaintance his daughter had made, he determined to further the child's interests so far as a home is concerned."

"Then there is a prospect of her going," Sister Agatha drew a breath of relief. "Did you hear what Father Honoré said?"

"Very little; but I noticed he looked pleased, and I heard him say, 'This is working out all right; I'll step across and see Mr. Van Ostend myself.'—I shall miss her so!"

Sister Agatha made no reply. Together the two sisters continued to pace the dim corridor, silent each with her thoughts; and, pacing thus, up and down, up and down, the slender, black-robed figures were soon lost in the increasing darkness and became mere neutral outlines as they passed the high bare windows and entered their respective rooms.

Even so, a few weeks later when Number 208 left the Orphan Asylum on ----nd Street, they passed quietly out of the child's actual life and entered the fitfully lighted chambers of her childish memory wherein, at times, they paced with noiseless footsteps as once in the barren halls of her orphanage home.