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CHAPTER TWO: The Family at Supper

The Darkes had just finished supper, the event of the day. The red woollen bell-rope still swung from Peter’s onslaught; for when, at Mrs. Darke’s morose order, “Ring for Sarah,’ he kicked his chair aside and strode across the room, he always seemed to wreak a suppressed fury on the bell-rope, and more than once the tarnished rose to which it hung had been torn from the wall.

“The room. Drat it!’ said Sarah in the kitchen, like a person proposing a toast.

Armed with a large tin tray, she burst into the dining-room. Clearing was, in her hands, a belligerent enterprise in which her usual sulky manner in the presence of her mistress gave place to more open hostility. She wrested the plates from their owners, and had been known to leave Ruby, who liked two helpings, stranded, with no plate for her last fruit stones. To-night it was Mr. Darke who cried, “Howd yer, Sarah!’ and clung to his plate.

“Don’t say “Howd yer!” like any old waggoner, Solomon!’ Mrs. Darke spoke with exasperation.

“Waggoner, Solomon!’ echoed a less irritated, thinner, more tiresome voice, that of Mrs. Darke’s mother, Mrs. Velindre.

Solomon Darke, a man of sixty, sat with his shoulders bent; his jaw, of the kind sometimes called “jowl,’ rested on his Gladstone collar and large “made’ tie. The expressionless heaviness of his face was redeemed by something of the patience of oxen, and rendered intimidating by a hint of the bull-dog in the mouth’s ferocious tenacity. It was obvious that his one idea in any crisis would be to resort to physical force. Between him and Peter sat Catherine Velindre, a distant relation who lived at Dormer as a paying guest, calling Solomon and his wife “uncle’ and “aunt’ as terms of respect. Her pointed face, her chestnut hair, demurely parted and pinned round her head in a large plait, her small and thin-lipped mouth, might have belonged to a Chaucerian nun. But her eyes were not those of a nun; they were too restless. They were peculiarly long, of the type called almond-shaped, with very little curve in them; the lids, being large and heavily-lashed, added to the air of secrecy and awareness that was Catherine Velindre’s chief expression.

In extreme contrast with Catherine were Ruby Darke, a tall, plump, pretty girl of eighteen who was sprawling across the table, and her elder sister, Amber, who was in no way a success according to Dormer standards. Her manner, when she was at ease, had charm, but it was spoilt by shyness. Her hair was of an indeterminate brown, and her complexion was ruined by ill-health, due to the perpetual chafing of the wistful mind longing for things not in Dormer.

Peter, black-eyed, silent in the presence of his parents, and–for all his twenty years–full of the sullenness of early adolescence, had the look of a creature gathered for a spring, but he was without sufficient concentration to know in what direction he wished to go or what he wanted to grasp. The air of repression which brooded over the family, putting a constraint on emotion and impulse, seemed to act as an irritant to Peter. He was vaguely aware of something inimical, as animals are, but he knew nothing about atmosphere and would have flushed scarlet if anyone had spoken to him of emotion.

Peter, Ruby, Amber and Jasper–who was not here to-night–came by their names in a curious way. Mrs. Darke had been so bored by the advent of each child (for she had married Solomon not because she loved him, but because she hated the Velindre household) that she had refused to think of any names for them. There had been many long silent conflicts when her husband sat, moody and obstinate, staring at the mute bundle in the majestic cradle which was a Darke heirloom, and saying at long intervals “Give it a name, Rachel!’

Mrs. Darke, equally obstinate, on her large sofa with its uncomfortable ornaments of carved mahogany leaves, silently tore calico. The argument, wordless on one side, always ended without a name having been found; and, though Solomon’s nerves were those of a ploughman, they at last became irritated by the harsh, regular tearing, and by that in his wife’s character which lay behind the tearing and caused it.

“What are you making, tearing so?’ he would ask angrily. And she would reply, like scissors snapping, “Binders!’

Afterwards Solomon generally took his gun and strolled towards the Rectory, which was at some distance from the church and the House of Dormer. The Rectory, a few cottages and an immense, overbearing rookery made up the village. Entering the Rector’s study with a couple of rabbits pendent in his hand, Solomon would say sheepishly:

“Give it a name, Rector!’

Now the Rector was an authority on seals and gems. Nobody knew why he had given his life to this study, but it was generally felt at Dormer that he was an honour to the village and must be known all over the world. As Mr. Mallow, the constable and chief member of the choir, said with unintentional irony, “The Rector’s got a powerful burden of learning, and he’s first in that line, no danger, for who else ever wanted to know about a stone?’

After these visits of Solomon the Rector would spend a happy morning, poring over his list of jewels, and–having dined frugally on the rabbits–would write a long, allusive letter to Solomon in beautiful pointed script. Solomon, having extracted the name from it, would light his pipe with it and say to his wife in an off-hand tone:

“What d’you think of Amber, Ruby, or Jasper?’

Whereupon Mrs. Darke said:

“That’s the Rector!’ and Solomon was very crestfallen.

Rachel Darke was grimly amused that her children should be called by the names of precious stones; but to protest would have been to upset her attitude of aloofness. Three gems headed the family, but, when the Rector suggested “Garnet’ for the fourth, Solomon rebelled and said:

“Call him Peter. It was good enough for his grandfather.’

The Rector comforted himself with the reflection that Peter, a rock, was only a jewel in the rough, and Peter had been true to this from his cradle. As Mrs. Cantlop, the Rector’s cousin, said with one of her helpless sighs, “Peter’s such a knobby baby!’ Mrs. Cantlop knew the children’s idiosyncrasies far better than Mrs. Darke did. She knew that Ruby could absorb the crudest paint from her toys and still flourish; that Amber, though an ailing child, was always ready to gurgle into laughter; that Jasper, even at the age of three, required reasons for obeying an order, and that he would, after pondering on them, behave “like a Christian lamb.’ She knew also, though neither Mrs. Darke nor Mrs. Velindre noticed it, that Catherine, from the moment of her first arrival–white-pinafored, reserved–ruled the nursery. Of all the children, Peter was most like his mother. He had the same long obstinate chin and the same smouldering black eyes.

To-night, while Sarah clattered at the sideboard, Mrs. Darke sat staring at the tablecloth, drumming on it with her long, restless fingers. She was just beyond the circle of lamp-light, and the dimness made her seem even taller than she was. Her thin lips, very pale and straight, were closed with almost painful firmness. Her forehead was covered with lines, both vertical and horizontal, and an expression of frigidity combined with exasperation made her face sinister.

Away from the table, in an arm-chair by the fire, sat Mrs. Velindre. She was grotesquely like her daughter. She had the same close-set black eyes, long pale face and lined forehead; but her eyes had no expression. If one penetrated them, there seemed to be something stealthily in wait behind them. It was like walking in a lonely wood and becoming aware of something running in and out among the trees, silent, invisible, and gradually being convinced that it is a ghost. There was a ghost hiding in Mrs. Velindre’s eyes–a cadaverous, grisly thing which had looked at her out of other people’s eyes when she was a child; slowly possessing her in womanhood; finally absorbing her whole personality–eating into it like a worm into a rotten fruit. As she sat, hour after hour, in her high, straight chair, with her white cap and black ringlets, two on each side, this ghost brooded with bat-like wings above her failing mind and endowed her with something of awe, something that proclaimed her kin to the ancient gods of vengeance and slaughter. For in her, more than in any other at Dormer, except her daughter, the herd panic, which drives man to be more cruel to his brother than are the wild beasts, held undisputed dominion. As a young woman she had known generous instincts, but now, at eighty, she could have refused without a qualm the request of a dying man, if he disagreed with her religious views. Yet she could scarcely be blamed. She had lived so long by fear and not by love, that her capacity for cruelty had grown in proportion to her capacity for panic. She had for so many years been trying to be like other people, that she was now like nothing in heaven or earth. For the more a soul conforms to the sanity of others, the more does it become insane. By continually doing violence to its own laws, it finally loses the power of governing itself. Mrs. Velindre, who was the oracle of the family, never used either intellect or intuition in giving her verdicts. She simply echoed her ancestors. If anything occurred without precedent in her tradition, she was flustered and incompetent, until she had found some text which could be made to bear on the question. Then she would give her ultimatum.

Beneath the hanging lamp, which lit the large room vaguely, the six faces, drawn in heavy chiaroscuro against the brown wall-paper, shone out dimly as from an old picture. They might have belonged to a pre-renaissance Italian family or a household newly converted to Calvinism. But though they might have belonged to any country or period, they could only, it was clear, belong to one spiritual atmosphere. Perhaps it was the weight of this atmosphere that gave the room its medieval gloom. For the kernel of medievalism was fear–of God, devils, man, and all the laws, customs and fetishes invented by man. And this antique negation seemed to find in the House of Dormer a congenial dwelling. Thick shadows clung to the ceiling like hovering night-birds, eliminating the corners and all furniture not within the lamp’s radius, obscuring detail and giving the room a measure of gloomy dignity.

“I wish Jasper would come!’ said Amber suddenly. “He’s late.’

“It would be almost better,’ said Mrs. Darke, “if Jasper never came at all.’

“Wicked! A wicked boy! Never came at all,’ muttered grandmother.

“He isn’t, grandmother!’ Amber was all on fire with wrath and love.

“Don’t contradict your elders,’ said Mrs. Darke. “It is very tiresome of Jasper, with Ernest taking the curacy here, to come home an infidel.’

“D’you mean to say we’ve got to have that fool Ernest living here?’ queried Solomon.

“I do. He is to be a paying guest.’

“Lord! The house’ll be like to bust.’

“Burst! Burst!’ corrected Mrs. Darke in exasperation.

“Burst!’ echoed grandmother from the fireside.

“Bust!’ repeated Solomon.

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The House in Dormer Forest

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