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Acknowledgements

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My warmest thanks to Stefano Coletta, the director of Rai 3, for having believed in the power of the word and having challenged the stifling stereotypes of commercial television with a decidedly anti-televisual programme, reiterating the social and civil role of public television. Thanks also to Gianluca Foglia, who since The Telemachus Complex has been a valued interlocutor of mine. And last but not least, to Arianna Bayre, who unwittingly provided me with the right words.

The Enduring Kiss

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