Читать книгу The Double Garden - Maurice Maeterlinck - Страница 12
III
ОглавлениеAround the tables crowd the faithful. Each of them carries within himself hopes, belief, different and invisible tragedies and comedies. This, I think, is the spot in which more nervous force and more human passions are accumulated and absolutely squandered than in any other in the world. This is the ill-omened spot where the peerless and, perhaps, divine substance of substances, which, in every other place, works pregnant miracles, prodigies of strength, of beauty and of love, this is the fatal spot where the flower of the soul, the most precious fluid on the planet, leaks away into nothingness! … No more criminal waste can be conceived. This unprofitable force, which knows neither whither to go nor what work to do, which finds no door nor window, no direct object nor manner of transmission, hovers over the table like a mortal shadow, falls back upon itself and creates a particular atmosphere, a sort of sweating silence which somehow suggests the fever of true silence. In this unwholesome stillness, the voice of Fate's little book-keeper snuffles out the sacred formula:
"Faites vos jeux, messieurs, faites vos jeux!"
That is to say, make to the hidden god the sacrifice which he demands before he shows himself. Then, somewhere from the crowd, a hand bright with certainty places imperiously the fruit of a year's work on numbers that cannot fail. Other adorers, more cunning, more circumspect, less confident, compound with luck, distribute their chances, compute illusive probabilities and, having studied the mood and peculiarities of the genius of the table, lay complex and knowing traps for it. Others, again, hand over a considerable portion of their happiness or their life, at random, to the caprice of numbers.
But now the second formula resounds:
"Rien ne va plus!"
That is to say, the god is about to speak! At this moment, an eye that could pierce the easy veil of appearances would distinctly see scattered on the plain green cloth (if not actually, then at least potentially; for a single stake is rare, and he who plays of his superfluity to-day will risk his all to-morrow) a corn-field ripening in the sun a thousand miles away; or, again, in other squares, a meadow, a wood, a moonlit country-house, a shop in some little market-town, a staff of book-keepers and accountants bending over ledgers in their gloomy offices, peasants labouring in the rain, hundreds of work-girls slaving from morn to night in deadly factories, miners in the mines, sailors on their ship; the jewels of debauchery, love or glory; a prison, a dockyard; joy, misery, injustice, cruelty, avarice; crimes, privations, tears. All this lies there, very peacefully, in those little heaps of smiling gold, in those flimsy scraps of paper which ordain disasters which even a life-time would be powerless ever to efface. The slightest timid and hesitating movements of these yellow counters and blue notes will rebound and swell out in the distance, in the real world, in the streets, in the plains, in the trees, in men's blood and in their hearts. They will demolish the house that saw the parents die, carry off the old man's chair, give a new squire to the astonished village, close a workshop, take away the bread from the children of a hamlet, divert the course of a river, stay or break a life and, through an infinity of time and space, burst the links of an uninterrupted chain of cause and effect. But none of these resounding truths utters an indiscreet whisper here. There are here more sleeping Furies than on the purple steps of the palace of the Atridæ; but their cries of waking and of pain lie hidden at the bottom of men's hearts. Nothing betrays, nothing foretells that there are definite ills hovering over those present and choosing their victims. Only, the eyes stare a little, while hands shiftily finger a pencil, a bit of paper. Not an unaccustomed word or gesture. Clammy expectation sits motionless. For this is the place of voiceless pantomime, of stifled fighting, of unblinking despair, of tragedy masked in silence, of dumb destiny sinking in an atmosphere of lies that swallows up every sound.