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In the following day the three sisters who lived in the house called the fox farm were gathered about a round table eating their evening meal. The house had once been occupied by people who bred silver foxes, and though that had been years ago the name still clung. The three Griffiths had lived here since the first year of the war. Their stepsister had brought them out from Wales that she might better provide for them. Though they were grown-up they were helpless as children when it came to looking after themselves. Before coming to Canada they had lived on a remote farm in the heart of the Welsh hills. They had seen almost no one outside their own family. Then their father had died, and their brother had been killed in an aeroplane accident. They had been helpless, like frightened children, and had obediently and eagerly journeyed to this new world to which their stepsister, herself only a young girl, had urged them to come. She was an actress whose occasional appearances on the screen made it possible for her to provide for them. Yet her heart was with the legitimate stage and it was there she hoped to make her name.

The three about the table showed little physical resemblance to each other, but there was a resemblance that was visible to the most casual observer. It was the likeness of people who have lived identical lives since birth. The thought of being separated, one from the other, would have been terrible to them even while they were filled with curiosity for the outer world. The journey from Wales to the fox farm had been their one adventure.

Though the table was round, the dignity of a place at its head was given by the presence of the teapot in front of Althea, the eldest, a silvery-fair girl in her middle twenties. At first sight she looked very thin till it was seen that her bones were unusually small. She wore an attractive dress of a light green colour which was in contrast to the careless, almost shabby attire of her sisters, both of whom were eating much more heartily than she.

Gemmel, the one next to her in age, had a pale, pointed face, wide at the temples, with large greenish-blue eyes and lively dark hair. The dominant expression of her face was an almost ruthless interest in those about her. The circle of her activity was small, for she had been unable to walk since early childhood because of a fall. Her hands were supple and very strong. By means of them, half sitting, half kneeling, she propelled herself about the house.

Garda, the youngest, was a sturdy girl of twenty, with rosy cheeks and childlike eyes, but she had a temper. She was by far the strongest of the three and took it as a matter of course that she should do the rough work. Between times of working she was indolent, loved her bed, and had to be routed out in the morning. In the early hours Althea wandered through woods and fields, secure in the thought that she ran little risk at that time of meeting her neighbours, for she was restrained by an unconquerable shyness.

Now Garda exclaimed—“It does seem unfair, Althea, that you should be the only one of us who can wear Molly’s clothes. Look at that lovely dress you have on and no one to see you!”

“If you weren’t so greedy,” returned Althea, “you mightn’t be so fat.”

“I’m not fat! It’s you and Molly who are so tall and thin.” She buttered another piece of bread.

“I’d gladly give you the dress if you could get into it.”

“I know you would but it’s hopeless. Nothing that Molly casts off will fit me. I might as well eat and be merry.”

Gemmel broke in impatiently—“Do let’s stop talking about clothes and talk about the Whiteoaks. To think that you’ve had three encounters with them to-day, Garda! Now begin at the beginning and tell all over again.”

“Goodness, I shall be tired of the very name of Whiteoak!”

“Rubbish! Now which was it you met first?”

Garda, with an air of resignation that did not conceal her gusto for the recital, began—“It was Mrs. Piers Whiteoak. I was coming from the village with my arms full of packages when she overtook me in her car. She was on her way from the railway station. She’d been seeing about a large shipment of apples. She had her eldest son with her. He’s home from Ireland, you know.”

“We ought to,” laughed Althea. “We’ve heard of him a dozen times in the past month.”

“Oh, I wish I might see him!” Gemmel drew a long sigh. “He must be sweet. How old do you say he is?”

“Seventeen. But he seems older. He has what I call polished manners.”

“And they gave you a lift?”

“Yes. Oh, she’s so happy to have him home again! And she’s heard that next spring there will be an interchange of prisoners and her husband may be returned. Her eyes shone when she told me that. I asked Maurice where he was going to school and he said they were looking about for a tutor to prepare him for the university. He is to be in Canada till he is twenty-one and then he is going back to Ireland.”

“He has lots of money,” said Gemmel. “Owns a mansion and large estate.”

“Don’t interrupt. When he goes back his mother is to go with him for a long visit. She’s dying to see his place. You can see that she adores him.”

“What a pity he’s so young!” exclaimed Gemmel. “You might marry him, Garda.”

“I’m not so old as all that.”

“Seventeen and twenty! Let’s see! When he goes back to Ireland he’ll be twenty-one and you twenty-four. No, it wouldn’t be impossible. Especially as he is old for his years and you young for yours.”

“So you want to be rid of me!”

“No, but it would be fun.”

“Well,” Garda went on, “she let me out of the car at our gate and I was just turning in through it when who should appear but Finch, with two dogs at his heels. He arrived only yesterday.”

“To think,” cried Gemmel, “that I wasn’t looking out of the window!”

“Never mind. He’s coming to see us.”

Althea flushed. “I’ll not see him.”

“You’re the one he wants to see. He asked after you at once.”

“Not after me?” Gemmel’s eyes were tragic.

“Yes. After you too. But he likes Althea best. It’s easy to see that. Well, we talked for a bit and he told me quite simply that he’s divorced.”

“Good heavens!” exclaimed Gemmel. “Would you marry a divorced man, Althea?”

“I would marry no one.”

“But you do admire him?”

“Yes.”

“He has such an interesting face,” said Garda. “He looks as though he’d experienced every emotion.”

“I should like to give him a new one,” said Gemmel boldly.

“It’s shocking to hear you, Gemmel,” Althea protested. “You sound positively brazen.”

Garda spoke soothingly. “She doesn’t mean it.”

Gemmel hunched her flexible shoulders and gave her reckless laugh. “Offer me the chance,” she said. She took a cigarette from her pocket, where she carried them loose, and lighted it. There was something impudent about her that caused her sisters to look at her half disapprovingly, half admiringly.

“I pity him,” said Althea, “for I think I’ve never seen a more selfish face than his wife’s.”

“She’s not his wife now.”

“People don’t forget cruel experiences, Garda.”

“But it makes them appreciate kindness all the more.”

“What else did he say?” asked Gemmel.

“He said he was very tired and so glad to be at Jalna again. He’s going to help with the work. They are filling the silos to-morrow. They have tables set out in the old carriage-house. Quite a feast, he said. I can’t see him working. He’s every inch an artist.”

“Now then, tell us of the third encounter,” demanded Gemmel.

“Oh, how persistent you are!” exclaimed Althea.

“You enjoy gossip just as much as I do.”

“I know I do but I’m ashamed of myself for it.”

Garda continued—“The third encounter was with Mrs. Vaughan. I do like her. She’s so unaffected and so friendly. Finch had just left me when she came down the road. She was on her way to see her uncles and she was taking a jar of apple jelly to them. She seemed to think it would ease the blow she had in store for them. I’ve already told you what it is.”

“Yes, yes, but tell us again.”

“It is simply that she has sold Vaughanlands. The entire property. And to a Mr. Clapperton—a widower.”

“How marvellous!” cried Gemmel.

Althea gave a small derisive smile. “That she has sold Vaughanlands or that she’s sold it to a widower?”

“Both. A new neighbour to watch.”

“She has known for some time that she must sell it,” went on Garda. “She simply cannot run that big place alone. It’s going to ruin. But at the last she settled everything quickly. The papers are signed, the first payment made. She moves out at the end of the month.”

“Where to, I wonder.”

“She would have liked to go to Jalna till the end of the war but she practically said that her sister-in-law, Mrs. Renny, is very difficult to get on with. Mrs. Piers tried to live there with her two little boys in the early part of the war but she had to give up and go back to her own house. So Mrs. Vaughan is buying a house on the road where the church is. It will be a sad change for her, she says.”

“Tell us about the widower,” said Gemmel.

“He’s a retired business man who has always wanted to live in the country—work in a garden, read books—that sort of man. Very nice, she says. Would it be proper for us to call on him, Althea?”

“Heavens, no.” She rose and began to collect the plates.

Gemmel watched her admiringly. “You are exactly like the drawings in fashion advertisements,” she said. “Impossibly slim and tall, with an impossibly lovely face. It’s a pity you’re so—whatever you are that makes you hate people.”

“I don’t hate people. I only ask to be let alone.” She carried the dishes to the kitchen. As though in defiance she began to sing.

“How that song takes me back to Wales!” exclaimed Gemmel. “Oh, we were happy there, weren’t we—when Father and Christopher were alive?”

“Be careful,” said Garda, “or you’ll make me cry.”

“You’re pretty too. You can do anything you want to do. I am the only one who has need to cry.”

Garda patted her on the back. “You are the happiest person I know, Gemmel. I often wonder why. And when it comes to faces, you have the most interesting one of the three of us. You could do anything—if you weren’t handicapped.”

Gemmel looked straight ahead of her, inhaling the smoke from her cigarette.

“I do very well,” she said.