Читать книгу Hard, Soft and Wet - Melanie McGrath - Страница 33

SUNDAY FOLLOWING

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The Big Chill. Daniel’s hair is plaited into embryonic dreads and stuffed into a multi-coloured woollen hat with woollen tube extensions running from its centre, giving him the appearance of a sprouted octopus at carnival.

Neo-hippies crash on sweaty mattresses caressed by the velvet pall of ganja smoke and Daniel’s ambient techno seepage. Chillin’. Overhead a video jock projects computer-generated images across the walls as Daniel mixes the Radio One Top 40 live into his set. The room so dark that, save for Hindu goddesses, mandalas dancing alongside dolphins, the sun rising in reverse, a tribe of faceless mannequins running through a perspectival tunnel, it might be a solitary cell or even a womb.

Across the corridor in another room technopagans flip through the World Wide Web and patrol the alternative spirituality channels in Internet Relay Chat, pondering the Jungian archetypes over leaden carrot cake.

And all this time Daniel is looming over his mixing desk, shaking his tentacles and mixing the Radio One Top 40 live.

Afterwards he says: ‘That was the first Radio One Top 40 ever mixed live into a set. Hahaha.’

I doubt anyone noticed Daniel making musical history, but that’s the way it goes.

Hard, Soft and Wet

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