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3 Anna

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7 a.m., Sunday 14 August, Royal London Hospital

When Dex finally emerges from the cubicle in Minors, Anna has been calming herself with some mindful belly breathing exercises for over half an hour and is able to greet him with what she hopes is her normal face.

Since the events of earlier – she’ll say events because it makes what they saw seem less real – she’s been a bit of a mess. Can’t get her mind to engage. Something inside her head is making a sound like a slipped gearbox. The whole evening feels like an odd dream, although she is wide awake and as sober as a judge now. She’ll wake up tomorrow hung-over and wonder if any of it really happened.

Dex is still drunk. She can tell by the way he’s walking towards her. That’s good too. The more everyone’s mind is scrambled the easier it will be for all of them to get through this. Dex is unlikely to remember many of the details. Bo might but he’s less easily shaken than the others. Cassie will do whatever Dex does. Anyway, the worst has been averted. She rises from the plastic chair in the waiting area and spots on the seat beside her a small still wet nugget of gum. Shaking off her disgust, she sets her mouth into a smile and waits, arms outstretched, for Dex to approach.

‘Dex, darling, ouch, oh poor you.’ A bandage is wound over the right fist, a plaster on the right cheek, right eye as burst as a stewed plum. She leans up and plants a kiss on his lips. He gives her his forlorn look. A bit little boy lost.

‘You should see the other guy,’ he says, playing hanging tough. He means the guy at the festival, of course. Some arsehole over by the beer tent, apparently. You looking at my girlfriend? As if. Anna had noticed his war wounds as soon as Dex had got back to the main stage earlier but, honestly, it hadn’t looked particularly bad. Now it’s been a few hours and the injury has had time to swell and fester.

‘Is Bo still in there?’ she asks.

‘I guess so. He got called just before me, but maybe he’s had to have an x-ray or something.’

‘He’s not badly hurt, is he?’ Not long after what happened in the alley Anna had received a message from Dex to say that Bo, too, had got into a skirmish – this time with a couple of guys, something to do with a spilt beer, and they were going to A&E to get him sorted.

‘He’ll live. Where’s Cass? I thought she’d be with you.’ Dex checks his phone and runs a hand over bedraggled hair.

‘We got separated in the churchyard. My phone’s croaked. She’s probably back home by now though. What a horrid birthday celebration it’s turned out to be, poor darling.’

Dex cocks his head, presses his lips together and nods at the truth of this. He’s so easily placated, so much less demanding than Bo. She watches him frown then peer at her neck.

‘That looks like a nasty bruise.’

Anna taps the dark spot then dismisses it with a wave of her left hand. ‘Oh, it’s nothing, darling, I got shoved in that scrum. To be honest I’m more pissed off about my jumpsuit.’ She points to the tears in the fabric, pre-empting any awkward questions. ‘Speaking of, what happened in the churchyard?’

Dex closes his eyes, trying to summon a memory, opens them again and blinks. ‘Oh, you mean that couple?’

‘Is that what they were?’

‘What I saw, a couple of randos having a quickie.’ He seems anxious to change the subject. Good, thinks Anna. In that case, he’ll be cooperative. ‘I thought that arsehole was about to come at me so I decided to take off.’

This is not how Anna remembers it. What Anna recalls is that Dex switched off his phone light and ran away into the night, leaving the woman in the alleyway to her fate. Lowering her voice, Anna says, ‘I honestly don’t think we should talk about it any more, darling. Why get involved? God, it’s a madhouse in here. Let’s find somewhere else to sit.’ She picks up the Diet Coke she left as a placeholder and holds it out to Dex. There’s nothing she wants more than to put this whole awful night to bed. ‘You want some?’

‘Thanks.’

While Dex drains the can, Anna scouts for a more genial spot to wait, not easy in a London A&E during the early hours of a Sunday morning. The place is a heaving mosh pit of drunks and wasters, most, by the looks of them, walking wounded from the fight that kicked off after the festival. A name is called and one of the anxious parents stands up and offers a hand to his son, leaving a couple of plastic chairs empty near the triage station. Anna points and lets Dex lead.

A nurse glides by, smiling, followed by two policemen. All three disappear through swing doors into another part of the hospital. Anna jams her hands in her lap and watches them go with mounting relief. They’ll have other things on their minds. ‘Want another Coke, darling?’

‘Not really.’

The guy opposite is doing his best to remove an Egg McMuffin from its paper bag with one hand. A sickening, sulphurous smell drifts over. Anna flaps her hand and wrinkles her nose. The Egg McMuffin guy gets up and obligingly moves off. A moment later the swing doors part and the two coppers reappear. Anna sits on her hands while they go past. A nurse walks by. A man’s name is called. The Egg McMuffin guy sinks into a more distant chair.

‘When did you get here?’ Anna says. She needs to be careful about the timeline. Doesn’t want to get caught out.

Dex checks his watch. ‘Ages ago. Not sure, to be honest. They kept me waiting in the cubicle for what seemed like forever. Man, I’m wrecked.’

At that moment a figure emerges from behind the swing doors, eyes unfocused, a bit staggery, evidently still high, a couple of nasty-looking abrasions on his face and a puffy nose. Anna feels herself stiffen then soften then stiffen and then, putting her feelings aside, rises up and goes towards him, with Dex following on behind.

‘That looks sore.’ In the circumstances, it hurts her to have to take him in her arms and give him a hug but it’s necessary. Men have to be managed. His body is electric and uncoordinated, like a cheap firework display. He doesn’t notice the bruise on her neck.

‘I’m fine,’ he says, shrugging her off. His pupils are a single grain of lumpfish roe floating on a tissue of blood. What the hell has he taken this time? Whatever it is, the nurse has discharged him so it’s clearly not life-threatening, thank God. ‘Nurse said some bastard must have gone at me with their house keys. I don’t know about you lot, but I need a fry-up.’

‘You need to go home, like now,’ Anna says. She throws him a steady look which he returns, very briefly, the only focus he can manage right now. He’s understood her, though. He’s picked up something serious in the tone. ‘Make sure he gets to bed, Dex, won’t you? I have to get back for Ralphie,’ Anna says.

Slowly, they lead Bo through the corridor towards the exit. As they pass the lifts, the doors open and the two coppers appear from within, solemn-faced, as if they’ve just come from dealing with some hard business. Anna looks away. Thank God they’re about to be rid of the stale air, the smell of vomit and egg and antiseptic, the tang of fear and adrenaline. What an unspeakably difficult night. She’s within whispering distance of being able to put it all behind her. This night, at least. There might be repercussions, though, God knows. But she’ll think about that later. She’s exhausted, at breaking point. If only she could just run home to her parents. If only she had the kind of parents you could run home to. Hers would only make everything worse. Mummy would find a way to make it all about her and Daddy would dump her off on her stepmother.

‘Ordering the Uber right now,’ Dex says, pulling his phone from his pocket.

Anna leans against the retaining wall of the municipal flower bed beside the entrance and waits with them, overwhelmed by the effort of seeming so normal when she’s feeling as if she might at any moment crack open and the separate pieces of her heart fly out into what remains of the night.

‘Anna, gorgeous girl, you’re shaking!’

She brushes this off with a smile. Why does it always have to be Dex who notices these things? ‘Just tired.’

The cab arrives and takes the problem back to the flat with the river view from where he came. And oh, the relief! The instant the vehicle is out of sight her legs go from under her and she has to sit back against the flower bed and recompose herself.

She takes a deep breath and holds it until her face feels as if it might explode then lets it out in one, in the hope that it might take all the guilt and the trauma of the night with it. Adjusting her jumpsuit and smoothing her hair she goes back through the hospital swing doors and picks up the taxi phone.

A voice asks, ‘Where to?’

Home, she thinks. Back to Ralphie.

The Guilty Party: A new gripping thriller from the 2018 bestselling author Mel McGrath

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