Jeremiah's Scribes

Jeremiah's Scribes
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New England Puritan sermon culture was primarily an oral phenomenon, and yet its literary production has been understood mainly through a print legacy. In Jeremiah's Scribes , Meredith Marie Neuman turns to the notes taken by Puritan auditors in the meetinghouse in order to fill out our sense of the lived experience of the sermon. By reconstructing the aural culture of sermons, Neuman shifts our attention from the pulpit to the pew to demonstrate the many ways in which sermon auditors helped to shape this dominant genre of Puritan New England. Tracing the material transmission of sermon texts by readers and writers, hearers and notetakers, Jeremiah's Scribes challenges the notion of stable authorship by individual ministers. Instead, Neuman illuminates a mode of textual production that pervaded communities and occurred in the overlapping media of print, manuscript, and speech. Even printed sermons, she demonstrates, bore the traces of their roots in the oral culture of the meetinghouse. Bringing material considerations to bear on anxieties over the perceived relationship between divine and human language, Jeremiah's Scribes broadens our understanding of all Puritan literature. Neuman examines the controlling logic of the sermon in relation to nonsermonic writing—such as conversion narrative—ultimately suggesting the fundamental permeability among disparate genres of Puritan writing.

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Meredith Marie Neuman. Jeremiah's Scribes

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Jeremiah’s Scribes

MATERIAL TEXTS

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This type of “doctrine-use” structure of sermons, while typical of nonconformist preaching, was widely used by the early seventeenth century.30 Perkins’s rather ubiquitously cited directives are, in essence, a concise summary of trends in preaching, the roots of which go back to Calvin, if not Origen,31 and whose practical rhetorical evolution begins with Erasmus’s turn away from thematic preaching toward a more humanist model of classical oratory and Melancthon’s subsequent repudiation of varieties of classical oratory in favor of doctrinal and use-oriented preaching.32 No manual or theory of preaching, however, could instruct the would-be minister how to be an inspired instrument for the Holy Ghost but only how to explicate according to human ability. The best a minister might hope for, “if he have the gift,” is to offer application in persuasive but “simple and plaine” speech. Scholars have called the resulting sermons “formulaic” and “tedious.”33

One of the most immediately apparent features of this plain-style preaching was the rhetorical structure of Ramist branching—in which each point of explication might be subdivided into a multitude of subsequent numbered branching points for further explication.34 Ramist structure seems also to account for the remarkable fluency that auditors exhibited in recording, whether at the meetinghouse or at home after the sermon. Even more fundamentally, the method of Ramist logic is at the heart of sermon explication itself. Explanations of Ramist reaction to scholastic logic have suggested ways in which such rote configurations of prophesying might constitute innovative rhetorical change, yet such intellectual history approaches have failed to explain the exhilarating highs and lows of pulpit eloquence, especially for the auditor. Subsequent interventions into sermon literature scholarship—most notably, by Teresa Toulouse and Lisa Gordis—have tried to rescue sermon literature from its own apparent eye-glazing dictates by suggesting that the insufficiency of the guidelines requires fluidity and experimentation. Gordis, in particular, reframes the rhetorical problem as an exegetical issue, revealing not only how individual ministers interpreted preemptory directives such as Perkins’s but also how auditors took and adapted what ministers, with their virtuosity, rendered apparently straightforward.35

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