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There wasn’t really the conventional phraseology to describe what had happened to Anna, in terms of her physical transformation. If she said something understated like ‘I used to be heavier’ or ‘I blossomed after university’ or ‘I was a bit of a duckling’ people nodded and said ‘oh me too, I didn’t really come into my own until my mid-twenties’, or similar.

But to end up looking like a completely different person, one born to a radically different genetic fortune? That journey was so rare as to only usually feature in saccharine films with makeover montages. Bonsai supermodels ‘disguised’ in dungarees, ready to remove the specs and shake their glossy Coke can-sized curls out of a barrette.

Anna had not been a plain child. Plain suggested unremarkable, average, easy to miss. She was very eye-catching. A combination of her inflatable size, oily complexion, orthodontics, heavy metal singer mop of untamed black curly hair and homemade outsize clothes (God how Anna came to hate her mother’s Singer sewing machine), made her stand out.

Seeing any glamorous potential in her future would’ve been deemed blind optimism, emphasis on the blind. Anna was, as her Rise Park peers often reminded her, fat and ugly.

She lost the weight when she was twenty-two. ‘The weight’ as opposed to just ‘weight’ seemed the right term, as her size had become a thing, an entity. Because Anna was A Big Girl. The fact followed her around and defined her. It was the monkey on her back that tipped the scales at an extra four stone.

The process of changing had been kick-started by a simple thought, after coming home in tears from a ‘Oy, Ozzy Osbourne – who ate all the bats’ heckle from a white van not long after she’d started her PhD.

She was intelligent and capable, and ran every other part of her life with rationalism and success. So why did adjusting the ‘calories in/calories used’ ratio to achieve an average BMI defeat her?

Like a lot of people who were overweight in childhood, by the time Anna fully awoke to the fact she was larger than other girls, it seemed incontrovertible.

Her younger sister Aggy was a whippet-thin livewire like their mother. Anna, they all said, was built like her dad. Their father Oliviero was a Central Casting roly-poly ‘baddabing geddoudamah kitchen’ Italian paterfamilias with a big broom of a moustache who advertisers would use to sell olive oil.

Anna’s mum made his native cuisine in trencherman portions as an apology to her father for not being in his sunny homeland, even though he had left under his own steam in 1973. And while he loved Tuscany and often complained about London, he never expressed any serious desire to return.

She extended the policy of indulgence to Anna and her sister, who managed to combine the most fattening elements of two cuisines. Cheese, pasta, ragus as nod to their Italian roots, Oompa Loompa orange chicken nuggets and oven chips in nod to their Barking surroundings. Plus Somerfield’s Neapolitan ice cream to notionally combine the two.

Anna was ten stone by the time she was ten years old.

Slimming was both mind-bendingly simple and psychologically complicated, all at once. Anna realised that seeing off a whole Marks and Spencer’s tiramisu in one sitting was not her reward for being exiled from the world of the normal-sized, it was what was keeping her there. She swapped the stodgy carbs for fish and salads, and began running, pounding the streets in flapping old tracksuit trousers.

And Anna joined WeightWatchers. She didn’t do it expecting results, she did it in the spirit of testing the hypothesis she was born to be hefty. If it didn’t work, she could cross ‘ever being slender’ off the Bucket List.

As she lost pounds, then stones, her former identity melted away and a strange thing happened. She discovered she was pretty. The possibility had never occurred to her and, she was fairly sure, anyone else.

Previously, her expressive dark eyes, neat nose and sardonically amused Cupid’s bow of a mouth had been completely lost in a pillowy face, like raisins and fruit peel in dough. But as her bones sharpened, indistinct features were revealed as the regular ones of the conventionally attractive.

‘Aureliana looks like an actress!’ trilled her aunty, on the first Boxing Day where Anna was not doing the ‘roast potato challenge’ with her Uncle Ted. For once in her life, when Anna pasted on a shaky smile, then ran away and cried, it was with happiness.

Initially, the wonders didn’t cease. Anna learned there was a whole secret world of coded glances and special treatment from the opposite sex that she never knew existed before. It was like joining the Masons, with arse-pinching in place of handshakes.

Even now, ten years on, when a student was sitting slightly too closely as she leafed through their work, or she got her coffee loyalty card peppered with stamps after one drink, she had to remind herself: they’re flirting with you.

Some larger people could never adjust to being smaller, kept picking up Brobdingnagian trousers and getting halfway to the till before they realised they weren’t the width of a doorway any more. Anna suffered the same perception shortfall. She couldn’t get used to being thought attractive. ‘Gorgeous and insecure, the chauvinist’s dream,’ Michelle said.

Having assumed she would only ever have the pick of serious young men of the kind she dated at Cambridge, with huge IQs, dour expressions and well-ironed shirts, suddenly, the doors to a kingdom of choice had swung open.

So who did she want? It turned out, she didn’t know.

At first, out of a sense of loyalty to her tribe and in some confusion, she dated the same kind of quiet, studious men as before, when she was bigger. These failed experiments had a pattern. At the start, she was worshipped like a goddess, as if they couldn’t believe their luck. Eventually, they decided they definitely didn’t believe it and the relationship collapsed, eroded by corrosive suspicion and buckling under the pressure of extreme possessiveness.

Anna had been completely committed to clever Joseph, her only long-term boyfriend to date, who understood jet propulsion but didn’t understand how it was possible for Anna to spend an evening out that wasn’t a hunt for his successor.

As for good-looking, confident men who sought a similar woman to be their matching bookend: Anna was too sardonic, too aware of their machinations to be suited as a partner. She bristled at any sense that it was beauty rather than her brain that had piqued their interest, and it manifested in prickly defensiveness.

And there were some negative consequences with women, too. There were rules of engagement when you were a ‘looker’ that she was very late to learning.

She didn’t recognise the signs of jealousy when they flared, and rush to douse them with buckets of self-deprecation. Or join in when females were enthusiastically listing their flaws, which had occasionally been taken to mean she didn’t think she had any. Anna had never needed to itemise her shortcomings, as it had always been done for her.

She never felt she fitted in, the same way she hadn’t before.

Anna was unusual, a one off, an awkward oddity, and thus finding what people blithely called their ‘other half’, someone who tessellated, seemed impossible.

It was no coincidence her best friends were Michelle and Daniel, two people for whom image meant little.

And as desperately as Anna didn’t want to be defined by those terrible younger years, she still felt much more like the girl who got called a hairy beast, than the woman who was wolf-whistled.

Here’s Looking At You

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