Читать книгу Who’s That Girl?: A laugh-out-loud sparky romcom! - Mhairi McFarlane, Mhairi McFarlane - Страница 18

‘Whereabouts, love?’ said the taxi driver, as they both peered at deserted acres of not much at all, some ugly squat container buildings and trailers dotted about.

It seemed making dramas – the fictional sort – was less thrilling than Edie expected. When she got details of her first on-set meeting with Elliot Owen via his flunkies, she expected to be told to meet at somewhere like the Council House, which they were re-dressing as a haunted library, or something.

Instead she got the coordinates to an industrial estate at the south of the city, near a race track. A pile of churned mud. Oh.

Edie could see some vans in the distance, and possibly the odd human.

‘Just here, thanks,’ she said, doubtfully, wondering at the wisdom of having worn a small heel and her beloved tartan coat with brown fur hood. (Jack always asked if it was ‘real gerbil’. She HAD to stop thinking about Jack.)

She picked her way towards the vague signs of life in the distance, men in North Face jackets, holding walkie-talkies. If she squinted, beyond them she could see some arc lights and maybe cameras.

As Edie drew nearer, she realised what she thought was ‘someone telling a funny story, in a heightened excitable voice’ was in fact, a person having a massive rant. A wiry, bespectacled man in a long narrow beanie hat was having a meltdown, hopping around, gesticulating at a deeply dismayed looking member of the North Face team.

They were gathered round in a circle, staring at something. As the people shifted, Edie glimpsed the focus – a figure of a garden gnome, in a hat with a bell, holding a watering can at a jaunty angle.

Edie suspected, due to the sense of cowed deference, that the shouter was enfant terrible Archie Puce – being terrible if not enfant. The words faded in.

‘—back and get me what I FUCKING WELL ASKED FOR, THE FUCK IS THIS? Do you grasp the significance of Buddha, Clive? Do you realise why this scene where Garratt smashes up a statue of BUDDHA in ANGER is IRONIC? I mean should I even BOTHER MAKING ART, WITH THIS SORT OF CLOWN WORKSHOP OVERT COCK-ENDERY?’

Lots of shaking of heads and chewing of lips and shuffling of feet. Blimey, Edie didn’t think even divas did shit fits on day one at 10 a.m.

Archie waved a sheaf of paper in his hands and read from the page.

‘Garratt sees the terracotta figurine, and gripped by an unreasoning fury at its ironic juxtaposition in these war-torn surroundings, destroys the smiling round-bellied icon of peace as he hurls it at the fence, again and again. As it shatters, so does Garratt’s hope.’

Archie looked up at Clive.

‘Perhaps I should have been more explicit for the hard of thinking. He is committing an act of ICONOCLASM. What is iconoclasm, please?’

Clive looked pretty miserable and very pale. He scratched his cheek. ‘Smashing up … religious stuff?’

‘OH, A BREAKTHROUGH. Religious “stuff”. So, on the one hand, Buddha, an enlightened sage of the sixth century and figurehead of a faith. What do we have here as substitute?’

Archie picked it up.

‘A gnome. A small old cunt with a pointy beard found in suburban gardens. Do we see the difference? What does smashing a gnome up signify? GOOD TASTE?’

Edie was suddenly gripped by an urgent need to laugh and had to choke back a honk as it surfaced.

Archie read the lettering on the base. ‘Ninbert. So we have two options, Clive. Either we found a new religion based on THE CULT OF FUCKING NINBERT OR WE BUY THE RIGHT ITEM WHAT STRIKES YOU AS MORE FEASIBLE WITHIN OUR SHOOTING SCHEDULE?’

Clive was in that deeply unpleasant situation during a bollocking where you were required to explain the unacceptable and dig yourself in deeper.

‘Sorry it’s just B&Q didn’t have any garden statue Buddhas and then I … looking at comparative size …’

‘Size?’

Clive nodded.

‘My head is comparative in size to a large gourd. Should I replace my head with a large gourd, Clive?’

He shook his head.

Archie hurled Ninbert in the air, and booted him with the toe of his shoe, causing onlookers to duck.

‘What’s in there?’ Archie said, spotting another B&Q bag, beyond Clive’s legs.

‘Uh. Another one.’

‘Get it out!’ screeched Archie.

Clive miserably produced the second gnome, which was lying on its side, insouciantly smoking a bubble pipe, which seemed in the circumstances likely to inflame Archie. ‘Who’s this, Dildo Baggins?’ He inspected its name. ‘Boddywinkle.’

Archie kicked that gnome clear of the group too, with a menacing zeal.

‘This production,’ he pulled his hat from his head and threw it on the ground, ‘is a PROPER SHITTERS’ PICNIC.’

An obliging runner nervously ducked in and snatched the hat up.

‘LEAVE MY HAT WHERE I PUT IT, YOU ARSEFUCK!’ screamed Archie.

The runner darted in and threw it back down again.

A silence where no one said anything, for fear of being an arsefuck. Edie couldn’t back away without it being noticed. She stood very still, as if she was a small shivery mammal in an old wildlife programme and a tiger was prowling around nearby. Unfortunately, Archie’s boggling eyes swept over the company for fresh meat, and Edie had rather made herself stand out by being dressed as a cute librarian in an indie movie, instead of the regulation fleece.

‘Who the fuck are you?’

Edie cleared her throat as everyone turned and stared.

‘Edie Thompson. I’m a copywriter … I’m here to interview Elliot Owen.’

Archie ignored this.

‘Since you’ve decided to join us without invitation, let’s hear your thoughts on Buddha being substituted by Ninbert and or Boddywinkle.’

‘I haven’t read the scene.’

‘Well neither has Clive, clearly.’

‘Erm,’ Edie was sweating inside her coat. ‘… Why would there be a statue of Buddha lying around on an industrial estate in Colwick?’

There was a pause while Archie Puce went, well, even more puce. Then his features twisted in an unpleasant fashion, as if he’d thought of something cunning and done a sly fart at the same time.

‘Why is there a fucking gnome out here?’

‘… Because you sent Clive to B&Q?’

Edie couldn’t be sure but it seemed as if there was a beat of shock followed by some suppressed laughter-snorts. A harassed-looking woman at Archie’s elbow who’d previously stayed neutral stepped forward and said briskly:

‘Can I see some sort of ID?’

Edie dropped her bag to fumble for her wallet and the crowd dispersed, amid mumbling. When Edie looked up, Archie was stalking back towards the set and the air pressure had reduced considerably.

‘When did he say he’d see you?’ the woman said, handing Edie’s driving licence back to her in disgust.

‘Just to be here at ten.’

‘Alright, wait here.’

The woman turned on her heel and left Edie feeling like turning up at the appointed place and time had been the most presumptuous thing she could’ve done.

After ten minutes, the irascible woman with a walkie-talkie trudged back to Edie.

‘Elliot can’t see you today, sorry.’

‘Oh. Can I—’

‘That’s it. Sorry.’

‘OK …’ Edie tried to say more but the woman had already turned. She hit the taxi number on her mobile and tried not to feel stupid, as people milling nearby glanced at her.

Usually, Edie would be very pleased to find herself with what amounted to a paid day off. Time tooling around by herself felt a lot less appealing now she had huge anxieties and a guilty conscience, with no online rabbit hole to tumble into, either. She wanted to be busy-busy-busy to avoid all the bad thoughts.

Also, while she appreciated he was an important man, she suspected she’d had her first taste of the behaviour that caused the previous biographer to exit stage left from the Elliot Owen Story. Edie had a very nasty feeling she was going to fare no better, and be what Boddywinkle was to Ninbert.