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Preface Michael Eissenhauer

Introduction: Tal Sterngast

The Museum as a Safe Space

Amor Vicint Omnia (1601–02) by Caravaggio

Body Painting

Susanna and the Elders (1647) by Rembrandt van Rijn

The Conspiracy of Painting

Joseph Accused by Potiphar’s Wife (1655) by Rembrandt van Rijn

Through a Glass Wall

Woman with a Pearl Necklace (1663–65) by Jan Vermeer

The Creativity of Women

Prince Heinrich Lubomirski as the Genius of Fame (1787–88) by Élisabeth Vigée-Lebrun

The Vertigo of Time

The Melun Diptych (ca. 1455) by Jean Fouquet

The Architecture of Heaven

The Madonna in the Church (ca. 1440) by Jan van Eyck

Zooming In

The Presentation at the Temple (ca. 1454) by Andrea Mantegna

Shadow of Existence

Self-Portrait I and II (1649 and 1650) by Nicolas Poussin

Nature’s Plan

Landscape with St. Matthew and the Angel (1640) by Nicolas Poussin

In Search of the Wild Man

Landscape with Satyr Family (1507) by Albrecht Altdorfer

The True Image

The Holy Face of Christ–Vera Icon (ca. 1420) by an unknown Westphalian artist

Acknowledgements

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