Читать книгу The Straw Men 3-Book Thriller Collection: The Straw Men, The Lonely Dead, Blood of Angels - Michael Marshall - Страница 21

The flight got in to Los Angeles at 22.05. Nina had nothing except her handbag and the file, and Zandt could carry all he owned with one hand and not look lopsided. There was a car waiting for them. Nothing sleek and official. Just a cab Nina had booked from the plane, to drop him in Santa Monica and then take her home.

Lights and signs in the darkness, half-seen faces, the rustle and honk of life on just another of those evenings in a city whose heart never seems to be quite where you are, but is always round a corner, or down that street, or the other side of hulking buildings in some new club whose glory nights will be over before you’ve even heard of it. Between there and here are a clutch of cheap hotels, dusty liquor stores, car lots selling vehicles of dubious provenance. A tatty herd of people waiting on street corners with nothing very positive in mind, in a veldt of concrete bunkers housing businesses that will swallow countless hollow lives without ever being quoted on NASDAQ. Gradually the change to residential streets, and then into Venice. From the outside, on the right streets, Venice can look like it’s trying to claw itself back upmarket. Some of the property is expensive, in a crappy International style. Every now and then you’ll see a tattered piece of 1950s signage, something exuberant that harks back to flash bulbs and frozen glamour. Most have been torn down now, replaced by brutal information boards stamped out in Helvetica, the official typeface of purgatory. Helvetica isn’t designed to make you feel anything good, to promise adventure or gladden the heart. Helvetica is for telling you that profits are down, that the photocopier needs servicing and by the way, you’ve been fired.

Finally, Santa Monica. Nicer houses, small offices, places to get Japanese food and the London Times. The sea, with a pier that was born in sepia but knows those days are over. The Palisades up above, busy Ocean Avenue, then the first line of hotels and restaurants. The sense, from somewhere, that this suburb had once been a town. Perhaps it’s the sea that makes it feel that way, that gives an impression that this community is here for a reason. In places it still is, still feels as if it has a relationship to its environment that goes beyond simply having flattened it. Stores and cafés and places to be, places to walk into and to buy from. You could live there and understand where you were, as the Becker family had until recently. It’s not a real place, but then so little of Los Angeles is real, and the parts that are real are the places you don’t want to be. Real is for people with guns and hangovers. Real is what you want to avoid. LA believes itself full of magic, and sometimes can even feel that way, but much of this is a mutually agreed upon sleight of hand. You can stand in one place and believe that one day you’ll be a movie star – stand somewhere else, and you’ll believe that you’ll soon be dead. You know that what you see is a trick, but still you want to believe. You can buy maps that tell you where the stars live, but not where to stand to become one: all you can do is walk the lots and prop up the bars, hoping that luck will come find you. LA is a city that has taken Fate to its heart, has bought her many drinks and scribbled her phone number down after long evenings making eyes: but to call Fate a harsh mistress is giving her the benefit of very many doubts. Fate is more like a malevolent little starlet on a downhill cocaine slide, doing a slightly good deed once a week just in case someone important is watching. Fate doesn’t always have your best interests in mind. Fate just doesn’t give a shit.

‘Good to be back?’ Nina asked. Zandt grunted.

The cab dropped him at The Fountain, a ten-storey tower of faded yellow stucco on Ocean, standing between the junctions where Wilshire and Santa Monica deliver people to the sea. The building has an Art Deco mien that makes it look a little classier than it is. Originally expensive apartments, it spent a while as a hotel before being converted back to short-term rentals again. The pool around the back was filled in, creating a large and somehow pointless seating area that is seldom used: despite the lanai, the plants, and the shaded chairs, it’s too obvious that something’s missing. The lobby was familiar to Zandt from a homicide he had worked back in 1993: a minor European actor and a young prostitute, a roleplay that got out of hand. The actor walked, of course. Zandt couldn’t remember which room it had been. It certainly wasn’t the suite he was given, which was large and well-furnished and had a good view of the sea. He dropped his bag in the living area, looked quietly around at the kitchenette. Empty cupboards, very little dust. He wasn’t hungry, and found it hard to imagine cooking anything. The Fountain didn’t have a bar or restaurant or room service. It wasn’t a destination, which is why he had chosen it as a place to stay. That, and its position.

He left the suite and went back down in the elevator, stood outside the building for a while. Nina had been taken off in the cab, and they were due to meet late the next morning. She’d already called the Bureau’s Westwood branch from the plane, and previously from Pimonta, but presumably she had to show her face in the office once in a while. Something made him wait a moment, however, watching the cars parked along the street. He wouldn’t put it past Nina to have gone round the block, then come back to watch what he did. Not because he was any kind of expert. Just so she knew. Nina liked knowing things.

After five minutes he walked along to the corner, hung a right onto Arizona, and walked the couple of blocks to 3rd Street Promenade. Arizona Avenue was the street on which Michael Becker had dropped his daughter the night she had disappeared.

He turned left and walked up the west side of the Promenade, heading up to the end where Sarah Becker had last been seen. It was coming up for eleven, much later than the time the girl had been abducted. Virtually all of the stores were shut. The street performers and musicians had long packed up for the night, even the Frank Sinatra impersonator who put in longer hours than most. That didn’t matter. Without the presence of the abductor and the victim, the circumstances are irreproducible.

He kept half an eye on the other people walking up and down. Killers often come back, especially those for whom murder is something more than a momentary expedience. They revisit and rewind so they can watch the memory one more time. He didn’t expect to notice anyone in particular, but he kept watch anyway. When he passed the side street Nina had mentioned in her description, the place where a car had been seen parked illegally, he stood and looked down it for a while. Not trying to see anything. Just being there.

‘Waiting for someone?’

Zandt turned to see a young man, slim and pretty. Mid-teens, eighteen at the most. ‘No,’ he said.

The boy smiled. ‘You sure? I think you are. I wonder if you’re waiting for me.’

‘I’m not,’ Zandt said. ‘But someone will be. Not tonight, not here, but somewhere along the line.’

The smile faded. ‘You a cop?’

‘No. Just telling you the way it is. Go find yourself a date someplace light.’

He went into Starbucks and bought a coffee. He got it to go and went back out to sit on the bench from which Sarah had been abducted. The boy had gone.

You might think that such an event would leave a resonance. It doesn’t. The human mind is organized to recognize faces. Its understanding of space is more tenuous. With appearance, it’s simple: the more people who know your face, the more famous you are. We don’t have to search for credentials. You’re not a stranger, but instead part of our extended family: strong brothers and pretty sisters, kind parents, fake relatives to help us forget that our social groups have contracted down to nothing. With places, it’s a case of knowing what events this space has played a stage to. But when that’s stripped aside, when you’ve sat for long enough, you don’t feel anything at all. You go back to the place as it was before anything happened there, to the way it was on that night. This is as near as you can come to going back in time, to before, to being able to hold a knife as it was when it came from the kitchen drawer, before it had been slicked with blood; when potential was all it had.

He sat on the bench until it was just any place, and then he sat there some more.

In his time as a homicide detective, Zandt had dealt with an unusual number of serial killers. As a rule such matters are handled by the FBI. They have the Behavioral Science lab in Quantico, their Profiling Procedures, the Jodie Fosters and David Duchovnys with the suits and neat haircuts. Like the killers themselves, the Feds seem a cut above the usual. But in eight years Zandt, a lowly mortal, a homicide cop, had found himself involved in several sets of killings that had eventually turned out to be the handiwork of someone who might be termed a serial killer. Two of those men had been apprehended, and Zandt had played a significant role in both cases. He had a feel for it, and this was recognized. The first case concerned a man from Venice Beach responsible for the murder of four elderly women, and Zandt’s involvement had been accidental. On the second investigation he was working from the start with the FBI, which is how he had met Nina Baynam.

Over the summer of 1995 the remains of four young black boys were found half-buried in different areas of the city. The method of dismemberment, along with the leaving of a videotape with each victim, was enough to declare the killings the work of the same person. Each of the victims had been abducted from junk zips, and three were already acquainted with drugs and street prostitution. The first two deaths were largely ignored by the general population, dismissed as part of society’s tidal culling of the underclass. It was only with repetition that the murders began to fight their way up out of random noise into story. The videotapes left with the bodies contained between one and two hours of roughly edited camcorder footage that made it clear how unpleasant the victims’ last days had been. Each tape had a cover that featured a picture of the boy, his name, and the word ‘Showreel’.

The papers dubbed the killer ‘The Casting Agent’, which everyone agreed was very droll. Everyone apart from the parents, that is, but as their grief was embarrassing evidence of the underlying reality of these theatrical events, it was ignored except when required to hype public interest. The relatives were merely the audience to these deeds, not actors, and it’s the actor we like best. Someone we can get to know, a face back-lit through the papers and television. We want a personality. A star.

Zandt worked the case of the first boy, and after the second victim the FBI became involved. Nina was a young agent with experience, having worked a long bad case in Texas and Louisiana the year before. Between them, through a combination of Zandt’s intuition and legwork, Nina’s analysis of the placings of the bodies, and a break relating to the fact that the perpetrator had registered the camcorder used to make the videos, the killer was found. He was a thirty-one-year-old white male, employed as a graphic designer on the fringes of the music video industry, previously a child extra in long-forgotten movies. In a series of interviews with Zandt he admitted the crimes, providing corollary information and revealing the whereabouts of his talismans, the right hand of each of the victims – which had been squeezed into jars previously holding the product of a prominent instant coffee manufacturer. He eventually led the police to the bodies of two earlier victims, experiments in killing during which he had developed his technique. He placed the blame for his behaviour on having been molested on set as a child, an allegation which fit nicely with the public’s desire for a beginning and a middle for every tale. The truth of the claim proved impossible to establish, and the end of the story was provided when the killer was sliced across the throat with a sharpened spoon by another inmate while awaiting trial. The food chain has victims at both ends: even rapists and murderers need someone to look down on, and kid killers will do nicely. Ultimately The Casting Agent’s story became immortal and endless, celebrated in one moderately successful hack book and innumerable Web sites. A piece of buggy video editing shareware called CastingAgent enjoyed a brief notoriety, as did a store in Atlanta that offered a couch, in a deep splotchy red, which it called The Casting Couch.

The investigation lasted thirteen weeks. For the last eight of those, John and Nina were sleeping with each other. The affair ended soon after the apprehension of the suspect. Nina had done much of the initial encouragement. Then she stopped doing so, and it came to an end. Zandt never spoke of it to his wife, with whom he had a relationship that was in general cordial and successful, but that had been going through an arid patch. He wanted to lose neither her nor their daughter, and was largely relieved when the affair ended.

He and Nina met occasionally for lunch over the next five years, while Zandt worked the usual slate of gang slayings, family feuds, and bullet-holed John Does found in alleyways gasping like landed fish and pronounced DOA to general apathy. Some he solved; some he didn’t. So it goes. Nina worked a well-publicized double murder in Yellowstone, a series of disappearances upstate and one more in Oregon, all of which remained unsolved and ongoing. Out in the real world, beyond the curtain of death and misdemeanour that law enforcers live behind, business continued as usual. Bosnia imploded; the President got in trouble with his cigars; we discovered the joys of email and Frasier, of Playstations and Sheryl Crow.

Then, on December 12th 1999, a teenage girl disappeared in Los Angeles. Josie Ferris, age sixteen, had been celebrating a friend’s birthday over a burger at the Hard Rock Café on Beverly Boulevard. At 9.45 p.m., having said goodbye on the pavement outside the restaurant, she walked alone down toward Ma Maison. She was intending to catch a cab from outside the hotel. Beverly Boulevard is not a back road or an alley. It is a wide and well-travelled street, and on this evening both the forecourt of the hotel and the foyer of the Beverly Center Mall opposite were busy. Nonetheless, somewhere along that three-hundred-yard stretch, she vanished.

Josie’s failure to return home was reported to the police by 12.50 a.m. On receiving what they considered to be a response of insufficient alacrity, her parents turned up in person to fill out the forms. Mr and Mrs Ferris were possessed of forceful demeanours, and the police were soon taking the incident more seriously, at least while the parents were within earshot. Sadly this made no difference. Their daughter was never seen alive again.

Two days later a sweater was left outside their house. The name Josie had been stitched into the front, using what was subsequently demonstrated to be the girl’s own hair. The sweater had been a sixteenth birthday present from the girl’s best friend, who had sewn the letters ‘FFE’ onto the sleeve: Friends For Ever. They had been. Eternity had merely turned out to be short. There was no demand for money with the garment. The police started taking the situation very seriously indeed, regardless of who was around to overhear. A task force was set up, coordinated through the FBI’s local SAC, Charles Monroe. The news of the garment’s delivery was eventually released to the press, but not the way in which it had been altered. A month later, no headway of any kind had been made in tracing the missing teenager.

In late January and early March of 2000, two other girls went missing. Elyse LeBlanc and Annette Mattison failed to return from the cinema and a friend’s house respectively. Both resembled Josie Ferris in trivial ways – they were of a similar age (fifteen and sixteen) and wore their hair long. The LeBlancs and Mattisons were comfortably well-off, and their daughters were attractive and of above-average intelligence. This was not enough to suggest a firm link between the three disappearances, occurring as they did in widely spread parts of the city.

The arrival of two more sweaters was, however. Again, they were delivered to the family homes, in broad daylight, and again they featured the girl’s name embroidered on the front with their own hair. No further communication was received. The seriousness of the situation led the FBI to keep the second and third disappearances quiet. Most serial kidnappers sought to hide the fact of their abductions. The selection of girls whose absence would be spotted immediately, and the further highlighting of the event through the delivery of the parcels, suggested they were dealing with an unusual individual. One who wanted attention right now.

They denied him it.

A week after the disappearance of Annette Mattison, the clothed body of a young woman was found by picnickers in Griffith Park. Though bald, badly burned and deteriorated through the activities of local wildlife, the body was quickly identified through recent dental work and a distinctive piece of jewellery. It was Elyse LeBlanc. It was estimated that she had been dead for approximately half of the period since her abduction, though only recently moved to the location at which she was found. She was discovered to have suffered a number of minor head traumas prior to death, though none had led to her demise. Although the body was immediately forwarded to the federal lab in Washington, no physical evidence of the killer was gained from her clothes or remains. A search of the remainder of the park by local police and the FBI evidence team from Sacramento failed to discover either Josie Ferris’s or Annette Mattison’s body in whole or in part.

The press embargo was dropped. A call for witnesses garnered nothing more than the usual hoaxes, lunatics, and misinformation. Parents arranged for their teenage daughters to travel in groups.

Josie’s body turned up ten days later. It was found lying in bushes by the side of a road in Laurel Canyon, in a similar state to that of the LeBlanc girl. Unlike the previous victim, there was evidence of a period of gross sexual abuse.

By then the killer had a nickname. The media called him The Delivery Boy. This had been suggested unofficially by Special Agent Monroe, who believed that by minimizing him in this way, reducing his status by using the word ‘boy’, some kind of investigative advantage might be gained. That someone who had managed to snatch three bright and worldly young women from busy streets, murder them, and dump their bodies in public places, all without being seen or leaving a single piece of evidence, would be somehow thrown by this taunt.

That he might get all offended, and just go right to pieces.

Nina had disagreed. For this and other reasons she had been discussing the case with John Zandt, despite the fact that he was not involved in the official investigation. They’d worked together well on The Casting Agent case. She wanted to know what he thought.

Zandt proffered his views, but without much enthusiasm. Nina worked these cases with an intensity and zeal that he found he could no longer match. His marriage was back on firm ground, and his daughter had grown, transforming from a child into a young person, consolidating their family. She had her mother’s hair, a rich, almost auburn, dark brown – but her father’s eyes, brown flecked with green. She played music too loud and her room was a mess and she spent too long on the Net and smelled of cigarette smoke every now and then. There were arguments. But she went grocery shopping with her mother, even though it was super-boring, because she knew Jennifer enjoyed having her along. She would mainly listen to her father when he talked, and stifle any yawn that came. Her parents didn’t know she had smoked dope on several occasions, tried coke, and once stolen a pair of quite expensive earrings. If they had, they’d have grounded her ass to kingdom come but otherwise wouldn’t have been too worried. All of this was within the acceptable range of errant behaviour in her place and time.

As much as anything, Zandt had simply grown a little older, and wanted to spend no longer than necessary thinking about the dark things the world could bring into being. He got on with his job, and then he went home and got on with his life. After two earlier investigations into the deeds of multiple murderers, he’d lost interest in the workings of their minds. It was something you could only take so much of before you started feeling sick inside.

Once you got behind the glamour of their celebrity, Zandt knew that serial killers were not the way they were portrayed in the movies: charming geniuses, slick with evil, charismatic crusaders of a bloody art. They were more like drunkards or the slightly mad. Impossible to talk to, or to get sense out of, sealed off from the world behind a viewpoint that could never be expressed or made accessible to those who lived outside it. They came in all shapes, sizes, and types. Some were monstrous, others were fairly decent individuals – aside, that is, from the propensity to kill other people and ruin the lives of those who had loved them. Jeffrey Dahmer had initially made every effort not to yield to urges that he knew placed his desires well outside normal life. He failed, big-time. He did not ask for clemency when caught, did not play games with the police, did nothing except admit his guilt and express sorrow at what he had done. Within the confines of being a murderous sociopath, he behaved as well as he could. The fact remained that he had ended the lives of at least sixteen young men in circumstances almost too horrendous to believe.

Other killers basked in their notoriety, bartered for publicity or privileges through manipulation of the media and police, toying with the grief of the people from whom they had amputated something irreplaceable. They revelled in what they had done, in their rich secrets. They devoured the newspaper coverage of their trials, profoundly content that they had finally achieved the attention they had always felt they deserved. This did not necessarily make them worse. It simply made them different. Ted Bundy. The Casting Agent. John Wayne Gacy. Philippe Gomez. The Yorkshire Ripper. Andrei Chikatilo. Some were better looking, some were more efficient; some intelligent, some border-line or even demonstrably subnormal. Some came across like regular guys; others you would have thought could have been spotted as wackos from across a busy street. None were special humans or touched with evil except in the most superficial sense. All were simply men with a craving to take the lives of other people, to augment their sexual experience with the torture and degradation of others. They were not demons. They were just men – and women, very occasionally – who did unacceptable things, as a factor of neurotic obsession. It was not a binary of good or evil, but a spectrum also inhabited by people who had to check their locks ten times at night, or who could not rest until the kitchen was tidy after each meal. Serial killers were not chilling in and of themselves. The chill was in the realization that it is possible to be human without feeling as other humans do.

Zandt knew the factors that could produce a serial killer. A violent and domineering mother, an abusive or weak father. Early and conflictive sexual experience, especially with parents, siblings, or animals. Being a native of America, the former Soviet Union, or Germany, areas that produce multiple murderers out of all proportion to their populations. Exposure to dead bodies at a formative age. Head injuries, or juvenile heavy metal poisoning – the elements, not the music. A trigger event, something that caused the potential to be actualized. None were necessary or sufficient conditions, merely part of a syndrome that sometimes provided a soil dark enough to yield a sickly flower of urges: an anxious, neurotic and violent individual who could not live as others did. The shadow in our streets. The bogeyman.

He’d seen enough of them. He didn’t want to know any more. In his private thoughts, he always referred to The Casting Agent as just that: The Casting Agent. He went to some trouble not to think of him by his real name, but to assign to him the same cartoonish unreality that the killer had evidently believed his victims to possess. If he had been unable to credit the six young boys with the dignity of their individuality, then Zandt felt it was the least he could do to consign The Casting Agent to the same fate.

In the meantime he worked the usual drug-, love-, and profit-related murders. He drank with colleagues, listened to Nina talk about her attempts to connect Josie Ferris, Elyse LeBlanc, and Annette Mattison’s disappearances. He had dinner with his wife, drove his daughter places, went to the gym.

On May 15th 2000, Karen Zandt left school at the end of the day. She didn’t come home.

At first her parents assumed the best. Then the worst. A sweater was delivered three endless weeks later.

Zandt called Nina. She arrived very quickly with two colleagues. The parcel was unwrapped. This time there was no name embroidered on the sweater inside, and it was not Karen’s sweater. Hers had been peach in colour; this was black.

There was a note tucked into it, laser-printed in Courier on a paper stock used in offices and homes across the country.

Mr Zandt,

A ‘delivery’. You’ll have to

wait for the rest.

I have seen thy affliction and

the work of thine hands, and

rebuked thee.

The Upright Man

A month after that, the body of Annette Mattison was found in a canyon in the Hollywood Hills. Same condition as Elyse LeBlanc, same lack of forensic evidence. No other girls were abducted, at least none whose disappearance was subsequently marked by the delivery of a garment.

No other bodies were ever found.

After two hours the Promenade was nearly deserted. Barnes and Noble and Starbucks were shut. People shuffled past the bench periodically, winos on their way to the Palisades for the night, pulling neat little trolleys with their belongings. They saw a man who sat with his hands lying open by his sides, eyes staring straight down the street. No one pulled over to ask for money. They steered clear.

Eventually Zandt stood up and dropped his empty cup in the trash. He realized that he could have gone into the bookstore and established what points within it could have given The Upright Man a vantage from which to watch for Sarah Becker. Though there was no physical evidence for this, Zandt believed he staked out his victims carefully before striking. A few didn’t, most did. It could have been that Karen had been a special case; The Upright Man making a point. Zandt didn’t think so. The girls were too similar, the disappearances too immaculately wrought.

Barnes and Noble could wait, possibly for ever. He had allowed Nina to convince him to come back. He had wanted to believe that this time it would be different, that he would be able to do more than run around the city, chasing his tail, shouting in the night, never finding the man who had taken his daughter from him. Who had taken Zandt’s life in the palm of his hidden, rabid hand, and crushed it to death. Tonight he didn’t believe it any more.

He walked back to The Fountain, picking up a few groceries on the way. The lobby of the apartment building was empty, with nobody behind the desk. There was no Muzak, and little reason to believe that there was anyone apart from him inside. The elevator ascended slowly and fitfully, letting him know that its was a difficult task.

While he waited for water to boil he stood and watched the television, as CNN did its best to reduce the world’s complexity to bullet points a businessman could parrot over lunch. After a few minutes it cut back to a breaking story. A middle-aged man had walked down the high street of a small town in England, late in the morning. He’d had a rifle, with which he’d killed eight adults and wounded fourteen others.

Nobody knew why.