Читать книгу Outside Looking In: A darkly compelling crime novel with a shocking twist - Michael Wood - Страница 12

Matilda entered the pathology suite and was met immediately by a team of police officers milling around. It was imperative the body of Kevin Hardaker was not left alone at any time for fear of evidence tampering.

‘Morning Adele,’ Matilda said. ‘I see you’ve got a full house.’

‘We certainly have. The coroner has given the go-ahead for the Digital Autopsy.’

‘I’ve never seen one before. What are they like?’

‘It’s just looking at scans on a computer screen,’ she said, folding her arms.

‘You don’t seem impressed. Worried it might make you redundant?’

Three years before, Sheffield had become the first city in the country to open a state-of-the-art, non-invasive Digital Autopsy Facility. Its aim was to establish the cause of an unnatural death using sophisticated visualization software and a scanner rather than a scalpel. With the results available almost immediately, it was a huge step forward for the Sheffield police force, but Matilda could see why Adele might be concerned.

‘No, of course not. It actually makes my job a whole lot easier. You can rotate a body 360º without getting your hands dirty. I’m all for that.’

The doors opened and the radiologist, Claire Alexander, stepped out. She was a small woman in her mid-thirties, with long brown hair, tied back in a severe ponytail. She was wearing hospital scrubs that were a size too big for her.

‘Morning Claire, happy birthday,’ Adele said.

‘Thank you. I see you’ve got me a present.’ She nodded towards the black body bag containing Kevin Hardaker.

‘I certainly have. No peeking.’

‘We’re all set next door if you are.’

Victoria Pinder, Adele’s Assistant Technical Officer, led the way with the trolley. It was a short narrow corridor leading into the Digital Autopsy suite and the trolley banged loudly against the walls and door.

‘Mind my paintwork. It’s just been redone,’ Claire said.

The mood as everyone entered the suite quickly changed from one of levity to sombre professionalism. They were all here because of a dead man: a person whose life had been brutally cut short. He deserved respect and dignity.

The machine was simple in design. It reminded Matilda of the many times she accompanied her husband to the hospital in the early days of his diagnosis and the many scans he had to endure. This scanner didn’t seem as bulky as the one at the Northern General; it was obviously a newer model. It looked less daunting and not as claustrophobic.

Victoria and Claire lifted Kevin, still in the bag, onto the scanner and secured him in place using Velcro straps. Everyone then made their way into the control room.

The small room, with a bank of five large computer screens, was packed with police officers and technical staff. Claire squeezed her way through and seated herself behind a computer in front of the window looking out into the main room. She clicked a few buttons and the scan began.

‘What’s happening now?’ Matilda whispered to Adele.

‘You know those annoying Slinky things that go down stairs on their own?’

‘Yes.’

‘Well, imagine you’re standing in the middle of a large Slinky. The scan circles around the body from top to toe. Claire can adjust the thickness of the spirals to get a more detailed view of the body. The smaller the gap, the more detail we can pick up.’

‘So why is Claire doing this and not you, if you’re a pathologist?’

‘The scan works like an X-ray and you have radiographers for that. That’s what Claire is. All I do is interpret the results.’

‘It’s not noisy is it?’ Matilda whispered. ‘I remember going to an MRI with James and I could have done with earplugs.’

‘Everything is less noisy these days; with the exception of a Dyson vacuum cleaner.’

A ghost image of Kevin’s body appeared on the screen and looked like an X-ray. Leaning forward, Matilda frowned at the bright white objects on the body, but didn’t ask any questions. She’d save that for later.

Claire singled out the head and rescanned to get a better image. A full 3D picture of Kevin’s head filled the screen. She rotated it several times to get a good look at it from all angles; something that wouldn’t be possible in a traditional post-mortem without physically turning the body over.

‘The entry wound of the bullet was just below the left eye. You can see the bevelling of the bone as it enters. The exit wound,’ Claire said as she tilted the 3D image to view the back of the head, ‘is here. Just above the base of the skull. Those white specks are metal fragments from the bullet.’

Matilda’s question was answered.

‘What about the second bullet?’

Going back to the full body scan, Claire selected a second region of interest, the chest, and looked closer. The impact the bullet had on the body was shocking to see in glorious technicolour. The ribs and organs were easily identifiable but were in a condition Matilda had never seen before.

‘The bullet entered the chest just below the heart.’ Claire pointed to a bright white object the exact shape of a bullet, which was firmly lodged in Kevin Hardaker’s body. ‘It shattered the ribs, as you can see. The rib fragment has punctured his left lung, which is why it’s deflated. He suffered a pneumothorax.’

‘Is that what killed him?’

‘It depends which bullet came first. Either one was enough to kill him.’

‘What about the beating he received? Would that have led to his death?’

‘It’s not easy to pick up bruising on these scans but we can see where blood has settled. Look here,’ she said, pointing to the screen, ‘on the right side of his ribcage there are several fractures in the ribs. This doesn’t follow the trajectory of the bullet in his chest, so must have come from where he was kicked or beaten with something.’

‘So the killer was standing over Kevin while he was on the ground, and shot him?’

‘It wasn’t at point-blank range,’ Adele said. ‘There were no burns on the skin.’

‘My point is the beating came first. He’s given a kicking, fractured ribs, bruising, the works. Then, when he’s down, the killer fires into his chest and face, finishing him off.’

‘That’s about the shape and size of it, yes,’ Claire said.

Matilda gave the nod to Adele and they left the room. The scanner room was hot and Matilda had a sheen of sweat on her face. Neither of them said a word until they were in Adele’s office.

‘Bloody hell, how do you stand it in there?’ She picked up some tissues from Adele’s desk and wiped her face.

‘It does get a tad warm. Are you OK? You look flushed.’

‘I’m fine. Poor bloke. He wasn’t shown an ounce of mercy was he?’

‘Not in the slightest. I don’t envy your job at all. Whoever did it sounds like a nasty piece of work. What do you think of our new equipment?’

‘It’s very impressive. It’s a bit ghoulish watching a floating head rotate a full three-sixty but I can’t believe how clear everything is. You can actually see the path the bullet takes in the body. Frightening, but fascinating.’

‘I’m pleased you think so.’

‘So you won’t have to cut him open now?’

‘No. Well, not for a post-mortem. We’ll need to get the bullet out of him, obviously, so your forensic people can find out what kind of gun was used. We’ll get a report and I’ll read it and the coroner will read it but I think it’s pretty self-explanatory how he died. There should be no need to go in with a scalpel.’

‘It’s a bit more dignified isn’t it?’

‘Absolutely. It’s not nice for the family knowing their loved ones are naked on a slab having their insides removed.’

‘It depends if you like them or not,’ Matilda laughed. ‘Is anyone working on developing a scan that will reveal the name of the killer?’

‘I think for that you’ll need a doctor more qualified than I am. Preferably one with a sonic screwdriver.’