Читать книгу Mezzaluna - Michele Leggott - Страница 9
Оглавлениеswimmers, dancers
Dear Heart
dear heart it was a coast road
long past lilac time and well out of town
the sea out of sight and driving north
in the far south the radio swelled
nostalgia
and I want you to know
that I remember it all the time
it was ‘just’ part of your afternoon repertoire
a dance-floor pick-up
kept on at you all those years the romance the real
life dance we were brought in to share
the sun and the son
you were making it true with a late-fifties step
up the coast into heaven
and some memorable parties
fishing trips
carnivals
a dog a truck a baby sister
a walk to the swing bridge
and back
and more . . .
then it was moving into town settling
down and later the piano
you were picking out Mancini arrangements
Nat King Cole My Fair Lady and the theme
from Mondo Cane
you sang them into the woodwork
and when it really was
a table for one and a single rose
that hard lost time
I heard Errol Garner play I only
have eyes for you in a winter house dancing
with knots in my throat past midnight
and your brave tra-la-la
half a world away
it’s a lonely thing to do
and you couldn’t get used to the cold
or the hole in the bed
the silence after you sang out
the songs that would never mean dancing again
oh my sentimental mother
you died
and I saw you in each other’s arms again
an hour from dawn
just as it should have been
my dear
I took your rings and came back to the real
life dance of these years
a song by songs and it seems I don’t know all the words
because you never did
but
here we are driving the coasts of our dreams and
bending again in time
over the precious cradle of the heart
Colloquy
virgins plus curtains minus dots claret and celestial blue
people still go to cottages in moody seaside weather
to read for a week how will we do it now?
when I go for walks words stalk along too
I’ll be travelling mid-February and can’t guarantee a lucid mind
what about a big table in a room with windows
looking over the wild and wavy event?
or good merganser fans unfolding folding thought out there
one of these days we’ll tend to them
those fair fictitious people the women
Oldest and Most Loyal American Friend
1
more to our liking—
the idea of a winged victory
headless to be sure
but lucidly and in good humor
she’ll answer our questions:
when did the line begin
to curve underwater like that?
why are the roses (which aren’t
even here) suddenly twisting
into circles? why are we drawn
to these figures? Samothrace
you’ve vanished
in your place, le juste milieu,
Gertrude stalks
the little lobsters of Perpignan
replaces the bright water with
a clear chablis she’ll drink
them with tonight
make a feast of tumult eat
its flesh crack the golden shell
and suck confusion’s juice
wet ankles tucked-up skirt
prismatic drops in the bucket
on the stolen stele
knock it off
fish it out
2
Common cheap and tender
the pleasure of a purely predatory
recipe, say crawfish étouffée
we were seduced at once by
the little town (no poetry) and thought
what a happy life it would be
only to cultivate white
raspberries (sea also) iced
champagne by the approved method
then go to the Lyric Restaurant
drink solstitial dazzle on the terrace
and order the house specialty
you’ll wait an hour but it will fly
hot dry white wine, bouquet and bouillon
the rifts and the tears are your own
in the interstices of the lobster meat
a rich dark roux from which the bouquet
may be removed They did not in Perpignan
Reading Zukofsky’s 80 Flowers
lavenders blue
roll your eleven weeks onto summer’s late belly and look out
at the world with your black olive eyes
this was promised under the apple tree at Christmas
when you swam in deep pools of picture space nine days out
among the dream polaroids jacaranda diamante
simulacra of before and after
the visceral rub of pōhutukawa in bloom
good established labour the sun going down the Carmel geese
shrieking and flocking the big movie of us coming apart then
waterboatmen on the lake at dawn
and we began the long haul from Recovery nine floors up
to Tranquility a sea a somer-séson
all the pretty little horses pretty things pretty soon
the goodnight fine art getting
the lullaby to work the baby to sleep merrigolds he smiles tell me
another one and the story remembers itself by rhyme settles easily
into songs he likes the made-up rock
and roll the stroller doing its stationary miles in the next room
the two of them the two of us too whacked to
(what??) read proof
quote dear one sweet heart lover unquote air of heaven
half hyphen moon bee time energy colon coffee colon
the feeds the changes the drinks of water the spiders on the cistern
nightlife Horace and Chick Corea at it again
in the lamplight heliotrope splash! mother of thyme stomma cock
mares nest and moonshine wakerobin oh yes
and again and again the all-night frogs go la-di-da-di-dah
to the tune of John Brown’s body
the household gets up at midnight and stirs about
paradise garden I would write you down he said
in a style of leaves growing
eyes curving
toward that question just where do the roses swing
are they pink and blown and warm as sleep
at the gate where lavender works the bees all year round
or red and sweet as tea grown cool because everyone went to check
some story about wind roses you already knew were lining the nest
with scent and bloom and two quarter-view profiles
flickering out of the frame
Boosey & Hawkes
Black & Decker where do we get to
slow nights when the book clears off to Baltimore unimaginable
in the time of tearwater tea and willpower cookies
Hobans Ahlbergs Lobel Wise Brown I Can Read
two wind-ups with outstretched arms and joined hands
dancing around and around the parameters
goor jaggery plums and palm sugar
dates with stratagems the minute hand sweeps away
some things have to be written in later some things
look like porcelain fingers on the coverlet unforgettable
inhabitation the moment hand-painted plaster of pearls
some things to be said for low orbit
cosmos nods
Hippolyte and Cornelia rumble over the picket
which line is his? which hers? moonbeam you smile around
then again it is not night when I see your face thefts modifying
or migrating winging along close to a shelving coast
where the expedition has wandered out of its hinterlands at last
whooping like kids walking on sand dollars at dead low tide
a stone’s throw from the lacewing villas way on out to the channel
sea biscuits cake urchins (placenta to you) walking on the sea bed
the rider in the backpack wants to bite them all
mouthfuls of breast and he doesn’t care if it’s salty
he cries out and when he gets what he wants we’ll be there
Mare Tranquilitum see horse the flowers
Merylyn or Tile Slide or Melete
Tigers