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ACKNOWLEDGMENTS

First and foremost I want thank Natalie Moses, who has been my friend, supporter, and secret-keeper, and who has given me unconditional love since we were in the Brownies. Without her I would never have made it through the trials and tribulations of my life.

A special appreciation is due to the people in the screenplay-consulting field who have welcomed me with open arms and shared their knowledge, insights, information, and friendship. To Donie Nelson, Rona Edwards, Maddie DiMaggio, Michael Hauge, Paul Chitlik, Monika Skerbelis, Linda Seger, and Kathie Fong-Yoneda, thank you all from the bottom of my heart.

To the great Mollie Gregory, a terrific writer and former president of Women in Film, who taught me how to lead, how to write, and how to be patient, and who has always been so generous and kind.

A special thank you to the Writers Guild of America and Chuck Slocum for their cooperation in helping with this book.

Thank you to Dr. David Clark, whose wisdom and support brought me back into the light.

And, lastly, to all my former writing clients from my many years as a literary agent, I love you all and forgive the ones who need forgiving.