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10

A SYRIAN 240 came over the Green Line, caught people running; a machine gun coughed, tracers darting among the runners. Three bodies lay in the street, one dragging itself backwards till the machine gun coughed again.

Rosa backed from the window. “Despite being surrounded, you seem to have lots to eat.”

One of the men crouched round the fire turned, mouth full of bread and lentils. “You've got plump enough yourself, on the outside.”

A round cracked across the ceiling. Mortars thudded, one, two, three, onto the roof.

“We're going to break out soon,” one said.

“He's got a plan,” another answered, chewing. “The people outside, they'll break in.”

“If you believe that,” Rosa said, “I've got another story for you.”

“And you think he'll listen to you?”

She returned to the window, edging her face round the frame, thought of a sniper's bullet hitting her head, how hard it would feel. Darkness had fallen on the Green Line, shrapnel wailing through the streets, sound of a chopper – no, two – beyond the Israeli lines, the metallic plaint of a buoy out to sea. Then she remembered that all the buoys had been sunk, and whatever the sound was it wasn't out there to save lives.

She heard a rush and patter in the street below. Fearing an attack she glanced down quickly and saw dark shapes, low, fast. She ducked back, against the wall, breathless. Dogs. The ones she'd seen – when? This morning?

She wanted to glance out again but it was too dangerous now; if there was someone out there with a night scope, next time she looked out he'd get her. That's how bad this situation had become, she realized; even an attack here seemed possible. While Mohammed awaited the word of God.

AN OLD MAN in a thin djellabah crouched on the cold concrete quay of Duisburg Station, selling cassettes from a packing crate, AC/DC on a black JVC beside him,

You're only young

but you're gonna die.

I won't take no prisoners,

won't spare no lives.

“Where do you get them?” Neill said.

The man glanced up, surprised by the Arabic, the European face. “Wholesale.”

“They're illegal copies.”

The man looked up and down the quay, shrugged. “Surely not.”

“Where you from?”

The man watched him. “Sidon.”

'"Poor Saida, so close to Israel, so far from God ..."'

Despite himself the man smiled. “There are many viewpoints.”

In a station café Neill ate steak and onions and drank Kaiser Pils till his train was called. A single compartment, first class, the window streaked with rain as the train meandered the bombed medieval memories of Cologne and followed the Rhine canyon south through the soft rolling Rheinisches Schiefergebirge, forests and castles on their crests, steep swathes of grapes below, past Koblenz, the ancient roots of European reason, the Odenwald, and he had again the sense he'd had in Inneka's bedroom, of the generations upon generations who had lived here. Like the sense of all the lives the rusted locomotive had towed across Europe. Here in these German hills, it seemed, was lost the ancient reason for man. Houses flitted by, singular and ephemeral as souls. There was no reason and no rule, no reason for man, falling in space, reaching for anything.

What was he reaching for, with Bev? With Inneka? They were going to die too, maybe before him. He was contorting his mind with worries about who to love, who to live with, for nothing. So that he didn't have to think about death.

He closed the window, took up the Arab newspapers he'd brought in Duisburg Station, and began to read them carefully.

PASTIS IS THE PARAS as much as the bullets themselves, André thought, watching its golden trickles down the inside of his father's glass. The hard friendships, the smoldering anger, the fun. “Michel!” his father roared. “Encore deux!”

“Got to go, Papa.”

“One more? Come on, mon fils, it does us good!” His father grinning his broad-jawed silvered teeth, chubby cheeks curling up into his eyes. “Leave these women alone, for God's sake!”

“Don't cast stones.”

His father tilted his pastis glass, contemplated it. André thought of the Red Indians, how supposedly they had learned the art of silence. How right his father had been to teach it, a soldier's gift. “I've known Haroun thirty years,” his father said. “Never had a reason not to trust him. But I've never learned who you can trust, for sure, until it's too late.”

“I don't trust anybody, Papa.”

“You saw your friend?”

“He's not my friend.”

“They're so in love with political solutions, those boys at Matignon.” His father drained the pastis, smacked his lips – it made him seem a huge gregarious bear with a silver crewcut, gray-bristly cheeks and merry little black eyes. “People who've never been to war, you never can tell what they'll do. How they'll decide to prove their courage.” He raised his glass and nodded at Michel. “No matter how many other people’s lives it takes.”

Michel refilled their glasses and laid a pack of Gauloises on the counter. André's father tore it open and lit one. “Such shit –”

“Don't smoke them then.”

“This pastis. Not like the old stuff,” he raised high his glass like a scientist examining a test tube. “The old stuff, it made your veins sing.” He put the glass down. “All those herbs crushed together – the essence of Provence, basil, rosemary, thyme, anise, sage – ah!” He smacked his lips. “This!” He raised the test tube again, downed it, wrinkling his lips. “La merde! Factory-made! La nouvelle France – Arabs, niggers, drug addicts, pederasts, thieves.”

André glanced down the bar. “See you, Papa.”

His father laid a fifty franc bill beside the empty yellow glass. “Coming with you.”

Outside the early darkness was damp and fresh, the pavements filled with people hurrying home with children and handbags and briefcases and bread and bags of vegetables and fruit and cheese and wine. “Nobody on the other side,” his father said, “is going to believe your story, once they tie you to Haroun.”

“He's just a point de départ.”

They came to Emile Zola, a taxi splashing through the crosswalk. “Start saving now for your burial expenses,” an electric sign said. “Spare your family.” His father was short of breath, hissing through his nostrils, trying not to show it. “I told your mama if there's one chance in a thousand of losing you, I wouldn't want to take it. And I don't.”

“It's not Oran, Papa. Not Hanoi. I know Beirut.”

“I knew Oran. That didn't keep me from losing two hundred men there. Each with a family and dreams. And another twelve hundred wounded. A lot of them ruined for life.”

André nodded. “And just like Beirut, we took a beating and ran away. When we were the stronger! Killing our own brave men for nothing.”

“Nobody wins all the time, even the strong. We're lucky to win at all.”

“You don't believe that.” André embraced him, his father's bristly cheeks against his own.

His father seemed to be chewing something far back inside his mouth. “Let me know, what happens.” He turned and walked toward the métro entrance, suddenly a bowed-over burly man who hesitated at the stairs, looked back and nodded, a wink perhaps, André couldn't see, and stepped down into the teeming maw as into a freshly turned mass grave.

Mike Bond Bound

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