Читать книгу Four Short Stories By Emile Zola - Эмиль Золя, Émile Zola, Еміль Золя - Страница 5

At the Varietes they were giving the thirty-fourth performance of the Blonde Venus. The first act had just finished, and in the greenroom Simonne, dressed as the little laundress, was standing in front of a console table, surmounted by a looking glass and situated between the two corner doors which opened obliquely on the end of the dressing-room passage. No one was with her, and she was scrutinizing her face and rubbing her finger up and down below her eyes with a view to putting the finishing touches to her make-up. The gas jets on either side of the mirror flooded her with warm, crude light.

“Has he arrived?” asked Prulliere, entering the room in his Alpine admiral’s costume, which was set off by a big sword, enormous top boots and a vast tuft of plumes.

“Who d’you mean?” said Simonne, taking no notice of him and laughing into the mirror in order to see how her lips looked.

“The prince.”

“I don’t know; I’ve just come down. Oh, he’s certainly due here tonight; he comes every time!”

Prulliere had drawn near the hearth opposite the console table, where a coke fire was blazing and two more gas jets were flaring brightly. He lifted his eyes and looked at the clock and the barometer on his right hand and on his left. They had gilded sphinxes by way of adornment in the style of the First Empire. Then he stretched himself out in a huge armchair with ears, the green velvet of which had been so worn by four generations of comedians that it looked yellow in places, and there he stayed, with moveless limbs and vacant eyes, in that weary and resigned attitude peculiar to actors who are used to long waits before their turn for going on the stage.

Old Bosc, too, had just made his appearance. He came in dragging one foot behind the other and coughing. He was wrapped in an old box coat, part of which had slipped from his shoulder in such a way as to uncover the gold-laced cloak of King Dagobert. He put his crown on the piano and for a moment or two stood moodily stamping his feet. His hands were trembling slightly with the first beginnings of alcoholism, but he looked a sterling old fellow for all that, and a long white beard lent that fiery tippler’s face of his a truly venerable appearance. Then in the silence of the room, while the shower of hail was whipping the panes of the great window that looked out on the courtyard, he shook himself disgustedly.

“What filthy weather!” he growled.

Simonne and Prulliere did not move. Four or five pictures – a landscape, a portrait of the actor Vernet – hung yellowing in the hot glare of the gas, and a bust of Potier, one of the bygone glories of the Varietes, stood gazing vacant-eyed from its pedestal. But just then there was a burst of voices outside. It was Fontan, dressed for the second act. He was a young dandy, and his habiliments, even to his gloves, were entirely yellow.

“Now say you don’t know!” he shouted, gesticulating. “Today’s my patron saint’s day!”

“What?” asked Simonne, coming up smilingly, as though attracted by the huge nose and the vast, comic mouth of the man. “D’you answer to the name of Achille?”

“Exactly so! And I’m going to get ‘em to tell Madame Bron to send up champagne after the second act.”

For some seconds a bell had been ringing in the distance. The long-drawn sound grew fainter, then louder, and when the bell ceased a shout ran up the stair and down it till it was lost along the passages. “All on the stage for the second act! All on the stage for the second act!” The sound drew near, and a little pale-faced man passed by the greenroom doors, outside each of which he yelled at the top of his shrill voice, “On the stage for the second act!”

“The deuce, it’s champagne!” said Prulliere without appearing to hear the din. “You’re prospering!”

“If I were you I should have it in from the cafe,” old Bosc slowly announced. He was sitting on a bench covered with green velvet, with his head against the wall.

But Simonne said that it was one’s duty to consider Mme Bron’s small perquisites. She clapped her hands excitedly and devoured Fontan with her gaze while his long goatlike visage kept up a continuous twitching of eyes and nose and mouth.

“Oh, that Fontan!” she murmured. “There’s no one like him, no one like him!”

The two greenroom doors stood wide open to the corridor leading to the wings. And along the yellow wall, which was brightly lit up by a gas lamp out of view, passed a string of rapidly moving shadows – men in costume, women with shawls over their scant attire, in a word, the whole of the characters in the second act, who would shortly make their appearance as masqeuraders in the ball at the Boule Noire. And at the end of the corridor became audible a shuffling of feet as these people clattered down the five wooden steps which led to the stage. As the big Clarisse went running by Simonne called to her, but she said she would be back directly. And, indeed, she reappeared almost at once, shivering in the thin tunic and scarf which she wore as Iris.

“God bless me!” she said. “It isn’t warm, and I’ve left my furs in my dressing room!”

Then as she stood toasting her legs in their warm rose-colored tights in front of the fireplace she resumed:

“The prince has arrived.”

“Oh!” cried the rest with the utmost curiosity.

“Yes, that’s why I ran down: I wanted to see. He’s in the first stage box to the right, the same he was in on Thursday. It’s the third time he’s been this week, eh? That’s Nana; well, she’s in luck’s way! I was willing to wager he wouldn’t come again.”

Simonne opened her lips to speak, but her remarks were drowned by a fresh shout which arose close to the greenroom. In the passage the callboy was yelling at the top of his shrill voice, “They’ve knocked!”

“Three times!” said Simonne when she was again able to speak. “It’s getting exciting. You know, he won’t go to her place; he takes her to his. And it seems that he has to pay for it too!”

“Egad! It’s a case of when one ‘has to go out,’” muttered Prulliere wickedly, and he got up to have a last look at the mirror as became a handsome fellow whom the boxes adored.

“They’ve knocked! They’ve knocked!” the callboy kept repeating in tones that died gradually away in the distance as he passed through the various stories and corridors.

Fontan thereupon, knowing how it had all gone off on the first occasion the prince and Nana met, told the two women the whole story while they in their turn crowded against him and laughed at the tops of their voices whenever he stooped to whisper certain details in their ears. Old Bosc had never budged an inch – he was totally indifferent. That sort of thing no longer interested him now. He was stroking a great tortoise-shell cat which was lying curled up on the bench. He did so quite beautifully and ended by taking her in his arms with the tender good nature becoming a worn-out monarch. The cat arched its back and then, after a prolonged sniff at the big white beard, the gluey odor of which doubtless disgusted her, she turned and, curling herself up, went to sleep again on the bench beside him. Bosc remained grave and absorbed.

“That’s all right, but if I were you I should drink the champagne at the restaurant – its better there,” he said, suddenly addressing Fontan when he had finished his recital.

“The curtain’s up!” cried the callboy in cracked and long-drawn accents “The curtain’s up! The curtain’s up!”

The shout sounded for some moments, during which there had been a noise of rapid footsteps. Through the suddenly opened door of the passage came a burst of music and a far-off murmur of voices, and then the door shut to again and you could hear its dull thud as it wedged itself into position once more.

A heavy, peaceful, atmosphere again pervaded the greenroom, as though the place were situated a hundred leagues from the house where crowds were applauding. Simonne and Clarisse were still on the topic of Nana. There was a girl who never hurried herself! Why, yesterday she had again come on too late! But there was a silence, for a tall damsel had just craned her head in at the door and, seeing that she had made a mistake, had departed to the other end of the passage. It was Satin. Wearing a hat and a small veil for the nonce she was affecting the manner of a lady about to pay a call.

“A pretty trollop!” muttered Prulliere, who had been coming across her for a year past at the Cafe des Varietes. And at this Simonne told them how Nana had recognized in Satin an old schoolmate, had taken a vast fancy to her and was now plaguing Bordenave to let her make a first appearance on the stage.

“How d’ye do?” said Fontan, shaking hands with Mignon and Fauchery, who now came into the room.

Old Bosc himself gave them the tips of his fingers while the two women kissed Mignon.

“A good house this evening?” queried Fauchery.

“Oh, a splendid one!” replied Prulliere. “You should see ‘em gaping.”

“I say, my little dears,” remarked Mignon, “it must be your turn!”

Oh, all in good time! They were only at the fourth scene as yet, but Bosc got up in obedience to instinct, as became a rattling old actor who felt that his cue was coming. At that very moment the callboy was opening the door.

“Monsieur Bosc!” he called. “Mademoiselle Simonne!”

Simonne flung a fur-lined pelisse briskly over her shoulders and went out. Bosc, without hurrying at all, went and got his crown, which he settled on his brow with a rap. Then dragging himself unsteadily along in his greatcoat, he took his departure, grumbling and looking as annoyed as a man who has been rudely disturbed.

“You were very amiable in your last notice,” continued Fontan, addressing Fauchery. “Only why do you say that comedians are vain?”

“Yes, my little man, why d’you say that?” shouted Mignon, bringing down his huge hands on the journalist’s slender shoulders with such force as almost to double him up.

Prulliere and Clarisse refrained from laughing aloud. For some time past the whole company had been deriving amusement from a comedy which was going on in the wings. Mignon, rendered frantic by his wife’s caprice and annoyed at the thought that this man Fauchery brought nothing but a certain doubtful notoriety to his household, had conceived the idea of revenging himself on the journalist by overwhelming him with tokens of friendship. Every evening, therefore, when he met him behind scenes he would shower friendly slaps on his back and shoulders, as though fairly carried away by an outburst of tenderness, and Fauchery, who was a frail, small man in comparison with such a giant, was fain to take the raps with a strained smile in order not to quarrel with Rose’s husband.

“Aha, my buck, you’ve insulted Fontan,” resumed Mignon, who was doing his best to force the joke. “Stand on guard! One – two – got him right in the middle of his chest!”

He lunged and struck the young man with such force that the latter grew very pale and could not speak for some seconds. With a wink Clarisse showed the others where Rose Mignon was standing on the threshold of the greenroom. Rose had witnessed the scene, and she marched straight up to the journalist, as though she had failed to notice her husband and, standing on tiptoe, bare-armed and in baby costume, she held her face up to him with a caressing, infantine pout.

“Good evening, baby,” said Fauchery, kissing her familiarly.

Thus he indemnified himself. Mignon, however, did not seem to have observed this kiss, for everybody kissed his wife at the theater. But he laughed and gave the journalist a keen little look. The latter would assurely have to pay for Rose’s bravado.

In the passage the tightly shutting door opened and closed again, and a tempest of applause was blown as far as the greenroom. Simonne came in after her scene.

“Oh, Father Bosc HAS just scored!” she cried. “The prince was writhing with laughter and applauded with the rest as though he had been paid to. I say, do you know the big man sitting beside the prince in the stage box? A handsome man, with a very sedate expression and splendid whiskers!”

“It’s Count Muffat,” replied Fauchery. “I know that the prince, when he was at the empress’s the day before yesterday, invited him to dinner for tonight. He’ll have corrupted him afterward!”

“So that’s Count Muffat! We know his father-in-law, eh, Auguste?” said Rose, addressing her remark to Mignon. “You know the Marquis de Chouard, at whose place I went to sing? Well, he’s in the house too. I noticed him at the back of a box. There’s an old boy for you!”

Prulliere, who had just put on his huge plume of feathers, turned round and called her.

“Hi, Rose! Let’s go now!”

She ran after him, leaving her sentence unfinished. At that moment Mme Bron, the portress of the theater, passed by the door with an immense bouquet in her arms. Simonne asked cheerfully if it was for her, but the porter woman did not vouchsafe an answer and only pointed her chin toward Nana’s dressing room at the end of the passage. Oh, that Nana! They were loading her with flowers! Then when Mme Bron returned she handed a letter to Clarisse, who allowed a smothered oath to escape her. That beggar La Faloise again! There was a fellow who wouldn’t let her alone! And when she learned the gentleman in question was waiting for her at the porter’s lodge she shrieked:

“Tell him I’m coming down after this act. I’m going to catch him one on the face.”

Fontan had rushed forward, shouting:

“Madame Bron, just listen. Please listen, Madame Bron. I want you to send up six bottles of champagne between the acts.”

But the callboy had again made his appearance. He was out of breath, and in a singsong voice he called out:

“All to go on the stage! It’s your turn, Monsieur Fontan. Make haste, make haste!”

“Yes, yes, I’m going, Father Barillot,” replied Fontan in a flurry.

And he ran after Mme Bron and continued:

“You understand, eh? Six bottles of champagne in the greenroom between the acts. It’s my patron saint’s day, and I’m standing the racket.”

Simonne and Clarisse had gone off with a great rustling of skirts. Everybody was swallowed up in the distance, and when the passage door had banged with its usual hollow sound a fresh hail shower was heard beating against the windows in the now-silent greenroom. Barillot, a small, pale-faced ancient, who for thirty years had been a servant in the theater, had advanced familiarly toward Mignon and had presented his open snuffbox to him. This proffer of a pinch and its acceptance allowed him a minute’s rest in his interminable career up and down stairs and along the dressing-room passage. He certainly had still to look up Mme Nana, as he called her, but she was one of those who followed her own sweet will and didn’t care a pin for penalties. Why, if she chose to be too late she was too late! But he stopped short and murmured in great surprise:

“Well, I never! She’s ready; here she is! She must know that the prince is here.”

Indeed, Nana appeared in the corridor. She was dressed as a fish hag: her arms and face were plastered with white paint, and she had a couple of red dabs under her eyes. Without entering the greenroom she contented herself by nodding to Mignon and Fauchery.

“How do? You’re all right?”

Only Mignon shook her outstretched hand, and she hied royally on her way, followed by her dresser, who almost trod on her heels while stooping to adjust the folds of her skirt. In the rear of the dresser came Satin, closing the procession and trying to look quite the lady, though she was already bored to death.

“And Steiner?” asked Mignon sharply.

“Monsieur Steiner has gone away to the Loiret,” said Barillot, preparing to return to the neighborhood of the stage. “I expect he’s gone to buy a country place in those parts.”

“Ah yes, I know, Nana’s country place.”

Mignon had grown suddenly serious. Oh, that Steiner! He had promised Rose a fine house in the old days! Well, well, it wouldn’t do to grow angry with anybody. Here was a position that would have to be won again. From fireplace to console table Mignon paced, sunk in thought yet still unconquered by circumstances. There was no one in the greenroom now save Fauchery and himself. The journalist was tired and had flung himself back into the recesses of the big armchair. There he stayed with half-closed eyes and as quiet as quiet could be, while the other glanced down at him as he passed. When they were alone Mignon scorned to slap him at every turn. What good would it have done, since nobody would have enjoyed the spectacle? He was far too disinterested to be personally entertained by the farcical scenes in which he figured as a bantering husband. Glad of this short-lived respite, Fauchery stretched his feet out languidly toward the fire and let his upturned eyes wander from the barometer to the clock. In the course of his march Mignon planted himself in front of Potier’s bust, looked at it without seeming to see it and then turned back to the window, outside which yawned the darkling gulf of the courtyard. The rain had ceased, and there was now a deep silence in the room, which the fierce heat of the coke fire and the flare of the gas jets rendered still more oppressive. Not a sound came from the wings: the staircase and the passages were deadly still.

That choking sensation of quiet, which behind the scenes immediately precedes the end of an act, had begun to pervade the empty greenroom. Indeed, the place seemed to be drowsing off through very breathlessness amid that faint murmur which the stage gives forth when the whole troupe are raising the deafening uproar of some grand finale.

“Oh, the cows!” Bordenave suddenly shouted in his hoarse voice.

He had only just come up, and he was already howling complaints about two chorus girls who had nearly fallen flat on the stage because they were playing the fool together. When his eye lit on Mignon and Fauchery he called them; he wanted to show them something. The prince had just notified a desire to compliment Nana in her dressing room during the next interval. But as he was leading them into the wings the stage manager passed.

“Just you find those hags Fernande and Maria!” cried Bordenave savagely.

Then calming down and endeavoring to assume the dignified expression worn by “heavy fathers,” he wiped his face with his pocket handkerchief and added:

“I am now going to receive His Highness.”

The curtain fell amid a long-drawn salvo of applause. Then across the twilight stage, which was no longer lit up by the footlights, there followed a disorderly retreat. Actors and supers and chorus made haste to get back to their dressing rooms while the sceneshifters rapidly changed the scenery. Simonne and Clarisse, however, had remained “at the top,” talking together in whispers. On the stage, in an interval between their lines, they had just settled a little matter. Clarisse, after viewing the thing in every light, found she preferred not to see La Faloise, who could never decide to leave her for Gaga, and so Simonne was simply to go and explain that a woman ought not to be palled up to in that fashion! At last she agreed to undertake the mission.

Then Simonne, in her theatrical laundress’s attire but with furs over her shoulders, ran down the greasy steps of the narrow, winding stairs which led between damp walls to the porter’s lodge. This lodge, situated between the actors’ staircase and that of the management, was shut in to right and left by large glass partitions and resembled a huge transparent lantern in which two gas jets were flaring.

There was a set of pigeonholes in the place in which were piled letters and newspapers, while on the table various bouquets lay awaiting their recipients in close proximity to neglected heaps of dirty plates and to an old pair of stays, the eyelets of which the portress was busy mending. And in the middle of this untidy, ill-kept storeroom sat four fashionable, white-gloved society men. They occupied as many ancient straw-bottomed chairs and, with an expression at once patient and submissive, kept sharply turning their heads in Mme Bron’s direction every time she came down from the theater overhead, for on such occasions she was the bearer of replies. Indeed, she had but now handed a note to a young man who had hurried out to open it beneath the gaslight in the vestibule, where he had grown slightly pale on reading the classic phrase – how often had others read it in that very place! – “Impossible tonight, my dearie! I’m booked!” La Faloise sat on one of these chairs at the back of the room, between the table and the stove. He seemed bent on passing the evening there, and yet he was not quite happy. Indeed, he kept tucking up his long legs in his endeavors to escape from a whole litter of black kittens who were gamboling wildly round them while the mother cat sat bolt upright, staring at him with yellow eyes.

“Ah, it’s you, Mademoiselle Simonne! What can I do for you?” asked the portress.

Simonne begged her to send La Faloise out to her. But Mme Bron was unable to comply with her wishes all at once. Under the stairs in a sort of deep cupboard she kept a little bar, whither the supers were wont to descend for drinks between the acts, and seeing that just at that moment there were five or six tall lubbers there who, still dressed as Boule Noire masqueraders, were dying of thirst and in a great hurry, she lost her head a bit. A gas jet was flaring in the cupboard, within which it was possible to descry a tin-covered table and some shelves garnished with half-emptied bottles. Whenever the door of this coalhole was opened a violent whiff of alcohol mingled with the scent of stale cooking in the lodge, as well as with the penetrating scent of the flowers upon the table.

“Well now,” continued the portress when she had served the supers, “is it the little dark chap out there you want?”

“No, no; don’t be silly!” said Simonne. “It’s the lanky one by the side of the stove. Your cat’s sniffing at his trouser legs!”

And with that she carried La Faloise off into the lobby, while the other gentlemen once more resigned themselves to their fate and to semisuffocation and the masqueraders drank on the stairs and indulged in rough horseplay and guttural drunken jests.

On the stage above Bordenave was wild with the sceneshifters, who seemed never to have done changing scenes. They appeared to be acting of set purpose – the prince would certainly have some set piece or other tumbling on his head.

“Up with it! Up with it!” shouted the foreman.

At length the canvas at the back of the stage was raised into position, and the stage was clear. Mignon, who had kept his eye on Fauchery, seized this opportunity in order to start his pummeling matches again. He hugged him in his long arms and cried:

“Oh, take care! That mast just missed crushing you!”

And he carried him off and shook him before setting him down again. In view of the sceneshifters’ exaggerated mirth, Fauchery grew white. His lips trembled, and he was ready to flare up in anger while Mignon, shamming good nature, was clapping him on the shoulder with such affectionate violence as nearly to pulverize him.

“I value your health, I do!” he kept repeating. “Egad! I should be in a pretty pickle if anything serious happened to you!”

But just then a whisper ran through their midst: “The prince! The prince!” And everybody turned and looked at the little door which opened out of the main body of the house. At first nothing was visible save Bordenave’s round back and beefy neck, which bobbed down and arched up in a series of obsequious obeisances. Then the prince made his appearance. Largely and strongly built, light of beard and rosy of hue, he was not lacking in the kind of distinction peculiar to a sturdy man of pleasure, the square contours of whose limbs are clearly defined by the irreproachable cut of a frock coat. Behind him walked Count Muffat and the Marquis de Chouard, but this particular corner of the theater being dark, the group were lost to view amid huge moving shadows.

In order fittingly to address the son of a queen, who would someday occupy a throne, Bordenave had assumed the tone of a man exhibiting a bear in the street. In a voice tremulous with false emotion he kept repeating:

“If His Highness will have the goodness to follow me – would His Highness deign to come this way? His Highness will take care!”

The prince did not hurry in the least. On the contrary, he was greatly interested and kept pausing in order to look at the sceneshifters’ maneuvers. A batten had just been lowered, and the group of gaslights high up among its iron crossbars illuminated the stage with a wide beam of light. Muffat, who had never yet been behind scenes at a theater, was even more astonished than the rest. An uneasy feeling of mingled fear and vague repugnance took possession of him. He looked up into the heights above him, where more battens, the gas jets on which were burning low, gleamed like galaxies of little bluish stars amid a chaos of iron rods, connecting lines of all sizes, hanging stages and canvases spread out in space, like huge cloths hung out to dry.

“Lower away!” shouted the foreman unexpectedly.

And the prince himself had to warn the count, for a canvas was descending. They were setting the scenery for the third act, which was the grotto on Mount Etna. Men were busy planting masts in the sockets, while others went and took frames which were leaning against the walls of the stage and proceeded to lash them with strong cords to the poles already in position. At the back of the stage, with a view to producing the bright rays thrown by Vulcan’s glowing forge, a stand had been fixed by a limelight man, who was now lighting various burners under red glasses. The scene was one of confusion, verging to all appearances on absolute chaos, but every little move had been prearranged. Nay, amid all the scurry the whistle blower even took a few turns, stepping short as he did so, in order to rest his legs.

“His Highness overwhelms me,” said Bordenave, still bowing low. “The theater is not large, but we do what we can. Now if His Highness deigns to follow me – ”

Count Muffat was already making for the dressing-room passage. The really sharp downward slope of the stage had surprised him disagreeably, and he owed no small part of his present anxiety to a feeling that its boards were moving under his feet. Through the open sockets gas was descried burning in the “dock.” Human voices and blasts of air, as from a vault, came up thence, and, looking down into the depths of gloom, one became aware of a whole subterranean existence. But just as the count was going up the stage a small incident occurred to stop him. Two little women, dressed for the third act, were chatting by the peephole in the curtain. One of them, straining forward and widening the hole with her fingers in order the better to observe things, was scanning the house beyond.

“I see him,” said she sharply. “Oh, what a mug!”

Horrified, Bordenave had much ado not to give her a kick. But the prince smiled and looked pleased and excited by the remark. He gazed warmly at the little woman who did not care a button for His Highness, and she, on her part, laughed unblushingly. Bordenave, however, persuaded the prince to follow him. Muffat was beginning to perspire; he had taken his hat off. What inconvenienced him most was the stuffy, dense, overheated air of the place with its strong, haunting smell, a smell peculiar to this part of a theater, and, as such, compact of the reek of gas, of the glue used in the manufacture of the scenery, of dirty dark nooks and corners and of questionably clean chorus girls. In the passage the air was still more suffocating, and one seemed to breathe a poisoned atmosphere, which was occasionally relieved by the acid scents of toilet waters and the perfumes of various soaps emanating from the dressing rooms. The count lifted his eyes as he passed and glanced up the staircase, for he was well-nigh startled by the keen flood of light and warmth which flowed down upon his back and shoulders. High up above him there was a clicking of ewers and basins, a sound of laughter and of people calling to one another, a banging of doors, which in their continual opening and shutting allowed an odor of womankind to escape – a musky scent of oils and essences mingling with the natural pungency exhaled from human tresses. He did not stop. Nay, he hastened his walk: he almost ran, his skin tingling with the breath of that fiery approach to a world he knew nothing of.

“A theater’s a curious sight, eh?” said the Marquis de Chouard with the enchanted expression of a man who once more finds himself amid familiar surroundings.

But Bordenave had at length reached Nana’s dressing room at the end of the passage. He quietly turned the door handle; then, cringing again:

“If His Highness will have the goodness to enter – ”

They heard the cry of a startled woman and caught sight of Nana as, stripped to the waist, she slipped behind a curtain while her dresser, who had been in the act of drying her, stood, towel in air, before them.

“Oh, it IS silly to come in that way!” cried Nana from her hiding place. “Don’t come in; you see you mustn’t come in!”

Bordenave did not seem to relish this sudden flight.

“Do stay where you were, my dear. Why, it doesn’t matter,” he said. “It’s His Highness. Come, come, don’t be childish.”

And when she still refused to make her appearance – for she was startled as yet, though she had begun to laugh – he added in peevish, paternal tones:

“Good heavens, these gentlemen know perfectly well what a woman looks like. They won’t eat you.”

“I’m not so sure of that,” said the prince wittily.

With that the whole company began laughing in an exaggerated manner in order to pay him proper court.

“An exquisitely witty speech – an altogether Parisian speech,” as Bordenave remarked.

Nana vouchsafed no further reply, but the curtain began moving. Doubtless she was making up her mind. Then Count Muffat, with glowing cheeks, began to take stock of the dressing room. It was a square room with a very low ceiling, and it was entirely hung with a light-colored Havana stuff. A curtain of the same material depended from a copper rod and formed a sort of recess at the end of the room, while two large windows opened on the courtyard of the theater and were faced, at a distance of three yards at most, by a leprous-looking wall against which the panes cast squares of yellow light amid the surrounding darkness. A large dressing glass faced a white marble toilet table, which was garnished with a disorderly array of flasks and glass boxes containing oils, essences and powders. The count went up to the dressing glass and discovered that he was looking very flushed and had small drops of perspiration on his forehead. He dropped his eyes and came and took up a position in front of the toilet table, where the basin, full of soapy water, the small, scattered, ivory toilet utensils and the damp sponges, appeared for some moments to absorb his attention. The feeling of dizziness which he had experienced when he first visited Nana in the Boulevard Haussmann once more overcame him. He felt the thick carpet soften under foot, and the gasjets burning by the dressing table and by the glass seemed to shoot whistling flames about his temples. For one moment, being afraid of fainting away under the influence of those feminine odors which he now re-encountered, intensified by the heat under the low-pitched ceiling, he sat down on the edge of a softly padded divan between the two windows. But he got up again almost directly and, returning to the dressing table, seemed to gaze with vacant eyes into space, for he was thinking of a bouquet of tuberoses which had once faded in his bedroom and had nearly killed him in their death. When tuberoses are turning brown they have a human smell.

“Make haste!” Bordenave whispered, putting his head in behind the curtain.

The prince, however, was listening complaisantly to the Marquis de Chouard, who had taken up a hare’s-foot on the dressing table and had begun explaining the way grease paint is put on. In a corner of the room Satin, with her pure, virginal face, was scanning the gentlemen keenly, while the dresser, Mme Jules by name, was getting ready Venus’ tights and tunic. Mme Jules was a woman of no age. She had the parchment skin and changeless features peculiar to old maids whom no one ever knew in their younger years. She had indeed shriveled up in the burning atmosphere of the dressing rooms and amid the most famous thighs and bosoms in all Paris. She wore everlastingly a faded black dress, and on her flat and sexless chest a perfect forest of pins clustered above the spot where her heart should have been.

“I beg your pardon, gentlemen,” said Nana, drawing aside the curtain, “but you took me by surprise.”

They all turned round. She had not clothed herself at all, had, in fact, only buttoned on a little pair of linen stays which half revealed her bosom. When the gentlemen had put her to flight she had scarcely begun undressing and was rapidly taking off her fishwife’s costume. Through the opening in her drawers behind a corner of her shift was even now visible. There she stood, bare-armed, bare-shouldered, bare-breasted, in all the adorable glory of her youth and plump, fair beauty, but she still held the curtain with one hand, as though ready to draw it to again upon the slightest provocation.

“Yes, you took me by surprise! I never shall dare – ” she stammered in pretty, mock confusion, while rosy blushes crossed her neck and shoulders and smiles of embarrassment played about her lips.

“Oh, don’t apologize,” cried Bordenave, “since these gentlemen approve of your good looks!”

But she still tried the hesitating, innocent, girlish game, and, shivering as though someone were tickling her, she continued:

“His Highness does me too great an honor. I beg His Highness will excuse my receiving him thus – ”

“It is I who am importunate,” said the prince, “but, madame, I could not resist the desire of complimenting you.”