| Notes from Books:— |
| | Dr. Arnold | 198 |
| Niebuhr | 220 |
| Lord Bacon | 230 |
| Chateaubriand | 240 |
| Bishop Cumberland | 247 |
| Comte’s Philosophy | 250 |
| Goethe | 261 |
| Hazlitt’s “Liber Amoris” | 263 |
| Francis Horner, “The Nightingale” | 267 |
| Thackeray’s “English Humourists” | 271 |
| Notes on Art:— |
| | Analogies | 276 |
| Definition of Art | 279 |
| No Patriotic Art | 280 |
| Verse and Colour | 280 |
| Dutch Pictures | 281 |
| Morals in Art | 283 |
| Physiognomy of Hands | 288 |
| Mozart and Chopin | 289 |
| Music | 293 |
| Rachel, the Actress | 294 |
| English and German Actresses | 298 |
| Character of Imogen | 303 |
| Shakspeare Club | 305 |
| “Maria Maddalena” | 305 |
| The Artistic Nature | 307 |
| Woman’s Criticism | 309 |
| Artistic Influences | 310 |
| The Greek Aphrodite | 311 |
| Love, in the Greek Tragedy | 312 |
| Wilkie’s Life and Letters | 313 |
| Wilhelm Schadow | 317 |
| Artist Life | 321 |
| Materialism in Art | 323 |
| A Fragment on Sculpture, and on certain Characters in History and Poetry, considered as Subjects for Modern Art | 326 |
| | Helen of Troy | 332 |
| Penelope—Laodamia | 336 |
| Hippolytus | 339 |
| Iphigenia | 343 |
| Eve | 347 |
| Adam | 350 |
| Angels | 351 |
| Miriam—Ruth | 354 |
| Christ—Solomon—David | 355 |
| Hagar—Rebecca—Rachel—Queen of Sheba | 356 |
| Lady Godiva | 357 |
| Joan of Arc | 359 |
| Characters from Shakspeare | 364 |
| Characters from Spenser | 366 |
| From Milton. The Lady—Comus—Satan | 367 |
| From the Italian and Modern Poets | 370 |
