Читать книгу Addie's Husband; or, Through clouds to sunshine - Mrs. Gordon Smythies - Страница 7

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"Addie, where are you going?"

"Only up to the grove for a good long morning's study, auntie; don't wait for dinner for me if I'm not back at three. I have some bread and apple in my satchel."

"Why can't you study quietly in the house, like any other sensible girl?" says Aunt Jo querulously. "I never saw such children as you all are; you'd live like squirrels if you were allowed. People may say what they like about the grand Carlovingian dynasty of the Lefroys; it's my firm belief they're the descendants of Bedouins or gypsies—nothing else!"

"I couldn't study in the farm this morning, auntie dear," answers Addie, laughing; "there is such a heavy smell of cabbage-water and soap-suds all over the place; and then the baby, poor little dear, is teething, and not a very soothing companion. Will you tell Bob where I'm going, if he asks for me?"

It is a fortnight since Miss Lefroy confided her troubles to her old governess, and the first break in the family has taken place. Pauline is safely established at Greystones, and in ten days more Addie is to enter on her new duties as nursery-governess to the family of Mrs. Augustus Moggeridge Philpot, of Burlington Villa, Birmingham. That estimable lady, having been fascinated by Miss Rossitor's recommendation of her candidate, has accepted Addie's services without inconvenient questioning, and she is now busy storing her mind with knowledge, unencouraged by advice or assistance from her more experienced friend, who has gone to the seaside with her mother.

Addie stretches herself at full length on the scented sward, and honestly tries to occupy her powerful intellect solely with the dry pages of Noel and Chapsal, tries to banish the fleeting fancies of the summer hour and all the worries and sorrows crowding her life so heavily, tries—hardest task of all—to forget for the moment that this is her beloved Robert's last week on shore, that three days more will see him sailing down Channel with his sloppy cargo into the thundering Biscay waves.

"'Adjectives ending in x form their feminine in se—as, heureux, heureuse; jaloux, jalouse. But there are many exceptions to this rule—such as doux, douce; roux, rousse; faux, fausse.' Oh, dear me, what a language French is for exceptions! Poor Goggles was about right in her grumblings; it's a miserable language when you come to look into it," sighs Addie wearily. "I've had enough of it for one morning. I think I'll have a tussle now with the Tudors and those bothering Wars of the Roses. I wonder how long it will be before the Moggeridge Philpots—what an awful mouthful!—find me out! Not very long, I fear; and, after that, the Deluge!"

The drowsy hours creep by; Noel and Chapsal, Ince and Mangnall lie unheeded on the turf; crowds of ants, wood-lice, and earwigs are exploring their dry surfaces; Addie, her soft rosy cheek resting on a mossy bank, is fast asleep, dreaming that she is home again, helping old Sally to make gooseberry-jam in the big tiled kitchen, when an adventurous beetle, scampering sturdily across her nose, awakens her. She rises, yawning heavily, collects her property, and sets forth to refresh herself with a look at Nutsgrove. But the trees are too luxuriant in foliage; she walks up and down and stands on tiptoe without getting a glimpse of its brickwork. Near the high-road she comes to a stalwart tempting-looking oak, with giant blanches outstretched, inviting her into their waving shelter, promising her a delicious peep into the green dell they overhang. She climbs nimbly, firmly clutching her Mangnall, rests for a minute clinging to the trunk, and then, advancing cautiously out, balances herself most luxuriously on the swaying branch, an arm of which supports her back and shoulders in most obliging fashion.

"This is jolly, and no mistake!" she laughs delightedly, nibbling a wrinkled sapless apple. "If the aunt could see me now, there would be some sense in calling me a squirrel. How sweet and still the old place looks! Not a soul about hacking or hammering at anything to-day. I am in luck. Now to work steadily and conscientiously. 'For what was ancient Babylon famed?' Let me see—let me see. Oh, yes, I know! For its hanging gardens, lofty walls, and the luxurious effeminacy of its inhabitants. Hanging gardens! How funny! I wonder if they were as nice as mine! I wonder if ever a poor Babylonian girl came up and swung in one to have a peep at her dear lost home that she never—never—"

A sudden heavy swaying movement, an angry, cracking sound, and the next second, with a sounding thud, Miss Lefroy and her book are deposited side by side on the turf beneath.

"I think—I think I have broken something—something besides the branch," pants Addie, half-stunned with pain—"my—my ankle I suppose. Oh, oh, it is awful! I—I never felt anything like it before. Oh, what shall I do? I feel so queer—so faint—so—so—"

A cold perspiration breaks over her quivering face, she swerves from side to side, and then her head falls forward helplessly on the ground, on a line with her crippled foot.

How long she lies thus she does not know; but, after a time, she is dimly conscious of a man's arm raising her head, and forcing some strong spirit through her lips, which, after reviving her for a moment, sends her into a pleasant painless dream, from which she at last awakens to find herself lying on a soft couch, her foot firmly bandaged, a pile of cushions supporting her head, and a picture of a Dutch fishing-scene which hung between the drawing room windows at Nutsgrove facing her. She can not be mistaken; there is the same "soapsuddy" sea, the same fat grimy boat all over on one side, the same lovely gamboge sunset behind the distant pier, the same massive molded frame, only well dusted and regilt.

She glances round and quickly recognizes other friends of her childhood—an old Chippendale cupboard, a Louis Quatorze table, a tapestried screen, and a pair of large Dresden vases.

"Why, it is Nutsgrove! I am in the drawing-room!" she cries, rubbing her startled eyes. "The chairs, the carpet, the curtains, are different; but the room—the room is the same. What does it mean? Who brought me here?"

A buxom housekeeper who has been bandaging her foot answers at once,

"The master, Mr. Armstrong, brought you here, miss, in his dog-cart about twenty minutes ago. He saw you lying in a dead faint under a tree in the grove as he was driving home from Kelvick. I hope you feel better now; I bathed your foot in hot water according to his directions, and the swelling went down a good deal. The doctor will be here in a minute. Ah, here he is already!"

Dr. Newton, after a hurried inspection, says that the ankle is only slightly sprained, bandages it up again, orders an embrocation to be applied twice a day, and then speeds off to a dying patient.

"You are looking much better, Miss Lefroy; are you quite free from pain now?"

Addie turns with a start and finds the new master of Nutsgrove standing behind her.

He is a tall heavily-built man of about thirty-eight, keen-eyed, rugged-featured, with a dark strong face, the lower part of which is entirely concealed by a tawny brown beard hanging low on his broad chest. A decidedly powerful looking plebeian is Tom Armstrong of Kelvick.

"Thank you—almost," she answers, a little flurried by his massive incongruous appearance in that well-known room. "I feel quite restored now; and I have to thank you, Mr. Armstrong, very much for your prompt and kindly rescue."

"Pray don't mention it, Miss Lefroy; I was only too glad to have been of assistance to you. You quite startled me at first, you looked so still and white lying on the ground."

"I wish he'd sit down, or move away, or do something," thinks Addie impatiently; "he's so big, he oppresses me and spoils the room." Aloud she says, with a slightly nervous laugh, "I fell from the tree, you know, and broke your lovely branch. It was so—so funny! I had just been reading about the hanging gardens of—of—what's its name?"

"Babylon."

"Yes, Babylon—when down I came with such a thud! I suppose I must have fainted then, or something, though I can't understand how I did such a silly thing; it's the first time in my life it ever happened."

"You must have had a very heavy fall."

"Oh, but I've had much worse falls than that! I've come through trap doors in lofts no end of times. I crashed through a glass-house once and cut myself horribly. I've been bitten by dogs, had my hands squeezed in doors and wedged in machinery—all sorts of accidents, in fact—and I certainly never fainted after them. I'm sure I don't know what the boys will say when they hear of it." She stops suddenly, with an air of startled dignity, seeing the ghost of a smile hover round her host's bearded mouth. "But I am detaining you, Mr. Armstrong; pray—"

"You are not indeed, Miss Lefroy," he answers easily. "I am free from business in the afternoon. Would you not like me to send a message to your aunt to let her know where you are, as the doctor thinks it advisable that you should rest here for an hour before moving again?"

"It is not necessary, thank you. I told her I should probably not return until the evening, so she won't be uneasy. I'm very sorry to have to trespass so long on your hospitality," she says stiffly.

He waves aside the apology without comment.

"You must have found it very strange to awake and discover yourself in this room, Miss Lefroy. Did you know where you were at once?"

"Yes, and—no. It was such a surprise, I could not tell whether I was asleep or awake at first," she answers more naturally. "You—you have not changed the room so much, Mr. Armstrong; the tone of the paintings, of the carpet and curtains, is much as it was, and you have many of the old things too. That's mother's old screen by the fireplace, just as it always stood. She worked it when she was a girl at school. But that corner over there by the second window is quite different—where that jardinière stands, I mean. That used to be my special little parlor. I kept my old work-box there, papier-mâché desk, and two little padded baskets for Andrew Jackson and the Widow Malone."

"For whom?"

"My dog and cat; we had one each. I gave Andrew to Mr. Rossitor, but the poor Widow disappeared two days before the—the—auction, and I have never seen her since."

There is a short uncomfortable pause.

"You—you were fond of your old home, were you not, Miss Lefroy?" he asks presently.

The girl's gray eyes flash angrily, her cheeks deepen to a dusky glow; she answers not a word. He looks at her seriously, a little sadly, in no whit abashed by the eloquent rebuke of her silence. She glances at the clock and half rises.

"I—I really must be going now, Mr. Armstrong; my aunt will be getting uneasy, and my foot feels much better."

"Won't you at least wait to take a cup of tea, Miss Lefroy? The carriage is not round yet—let me persuade you."

She hesitates; her eyes fall on the tea-tray that is being brought that minute into the room, bearing most appetizing fare—a pile of hot-buttered toast, a jug of delicious cream, home-made plum-cake, a few dishes of fresh fruit resting on cool green leaves.

The servant lays his burden on a side-table, preparing to officiate, when he is interrupted by a shrill cry from Miss Lefroy.

"Our old Crown Derby set! Our dear old set! Oh, have you got it—have you really got it? Mr. Armstrong, Mr. Armstrong, let me pour out the tea; do—just for this once! I always did it—always since I was seven years old—and I never broke anything. Let me—do!"

Mr. Armstrong laughs outright at this impulsive appeal, at the eager, childish face and outstretched hands. He motions to the butler to bring the table to Miss Lefroy's couch. Blushing somewhat at the effect of her outburst, and heedless of medical advice, she struggles into an upright position and softly caresses the delicate surface of the sugar-basin.

"There was a chip on the lip of the cream-jug. Yes, it's there still. Hal did it when he was a baby. I see you've had a handle put on to this cup. How neatly it is done!" sighs Addie, discontentedly acknowledging to herself that even during his short tenancy the bachelor-master of Nutsgrove has made some marked efforts to remove the stains, rents, seams of their untidy reckless childhood, to purify his orderly household from all trace of their damaging footprints, as Bob said he would. What wonderful penetration, what knowledge of the world the dear boy had! Yes, all would come to pass as he had prophesied; a few years more and she would not know the old home again. This was her last glimpse, her farewell view; that handle to the cup was the beginning of the end, the key-note to the reign of paint, of varnish, of vandalic renovation and commercial "improvements" that were to wreck the home she loved.

But Addie does not linger long over these somber forebodings, for the urn is hissing at her elbow, and duty and instinct claim her undivided attention for the moment. In virtue of her twelve years' office she has arrived at a pitch of perfection in the art of tea-making which commands the family respect. Before the tea-pot she reigns supreme; no one ever questions her authority or presumes to criticise the quality of her brew, and her sarcastic information in reply to a request for a fourth cup—"Certainly; as long as there's water there's tea"—is always received in meek silence, from fear lest she, being a hot-tempered and ofttimes hopelessly huffy young person, might throw up office and leave the family at the mercy of either Pauline or Aunt Jo, both of whom have been tried and found dismally wanting during her temporary illnesses. She knows to a grain the quantity of sugar each member requires, to a drop the cream; she knows who likes "mustard," whose nerves and tender years exact "wash," who requires a sensible and palatable "go between."

Therefore, Addie unable to throw aside the patronizing attitude of years, more or less overcome by the beloved familiarity of her surroundings, rattles the enemy's rich-toned crockery with the same freedom and brisk importance as if she were handling Ellen Higgins's coarse "chaney" in the farm parlor.

"Do you take cream and sugar, Mr. Armstrong?"

"Cream and sugar," he repeats stupidly, as if half asleep—"cream and sugar? How? Where?"

"Where?" Addie answers, a touch of elder-sisterly impatience in her voice. "Where? In your tea, of course!"

"I beg your pardon, I'm sure. How dull I am! Yes, both, please."

This is the first time in his thirty-eight years of life that a lady has presided at Tom Armstrong's tea-board, and the strangeness of the circumstance has for the moment paralyzed his attention. He has had a motherless, sisterless, almost homeless childhood; no woman's gentle influence and refining contact have smoothed the rugged upward path that he has been climbing for more than a quarter of a century. In his springtide, when men's fancies are apt to "lightly turn to thoughts of love," he was too absorbed in prosaic business and ambitious dreams of wealth and power to have time for sweethearting like most young fellows of his age and position. He has never strolled down country lanes on soft Sabbath morns, his arm encircling the plump waist of some apple-cheeked Mary Jane or Susan Ann; he has never picnicked with her under scented hawthorn-hedges, or drunk tea with her, seasoned with shrimps and radishes, at rustic inns or in beer-tainted summer-houses. So to him the unusual position is unmarred by even shadow-clouds of dead joys and by-gone pleasures. Addie's fresh flower face awakes no ghost of fevered memory to taunt him with the sweets of lost youth.

"Here is your tea, Mr. Armstrong; you must tell me if it is right. I don't know your tastes yet."

"It is delicious," he answers slowly, while a sudden thought strikes his musing brain, flooding it with a stream of sunshine—a thought he has never entertained before. What a pleasant thing it would be to have a woman, a young, fresh-faced, gray-eyed woman like Miss Lefroy, to sit by his fireside every night and hand him his tea, just as she does that moment, with that quaint inimitable little air of business-like patronage, of half-matronly, half-childish, yet wholly graceful self-possession! Yes; how very pleasant it would be! He has a house now, a rapidly-growing estate—he has a position of unimpeached respectability, if not of aristocratic quality—he has a clear future, a clean past, a goodly name at his banker's—why should he not take a wife to himself at last, and create ties to dispel the gloom of coming age—a wife just like Addie Lefroy—who would grace his hearth as she does, who would refine and enliven with her graceful youth the atmosphere of the heavily-draped room, which already he has begun to find so still and wearisome after the bustling life outside his den at the factory in Kelvick?

A wife just like Addie Lefroy—not one whit more elegant, more beautiful, more fascinating, but just as she is—soft-faced, irregular-featured, simple-mannered, gentle-voiced, yet with a suggestion of hot-breathed, breezy youth about her every movement, her every gesture. Yes; if ever he marries, it will be some one like her, very like her—her exact counterpart, in fact; and where is he to find that? That is the question. Rapidly, while he sips his tea, he runs his eye, as he would down a stiff column of figures, over the many eligible young ladies whose acquaintance he owns in his native town; but none of them suits his prejudiced eye. One is too handsome, another too tall, another too fashionable, another too affected—all of them are everything that is not Addie Lefroy. Addie Lefroy, Addie Lefroy! Softly he repeats her name again and again, as if the words themselves tickle his palate and season his tea pleasantly, fragrantly. Addie Lefroy! How the name suits her! It has a sort of liquid, swinging sound. If ever she changes it, will she get another to suit her as well? For instance, Addie—Addie—Arm—

With a start he "pulls himself together," and swallows a big lump of cake that he loathes, which he hopes will act as a sort of break in the dangerous current of his imagination.

Meanwhile Miss Addie, quite unconscious of the agreeable turmoil that her presence is awaking in the breast of her massive middle-aged host, sips her tea and munches cake in blissful unconcern.

"I suppose," she muses, with a little ruefulness, "if the boys and Polly knew, they would think it awfully mean of me, feeding on the enemy like this; but—but—I really can not help it—I'm half famished. Perhaps, if they hadn't eaten anything from seven A.M. until five P.M. but half a moldy apple, they wouldn't be so particular. I don't know about Bob, though; I think his pride would stomach a longer fast than that. I don't believe any strait of body would induce him to eat a crumb under this roof now—and yet Mr. Armstrong hasn't behaved so badly. I might have been lying in the wood but for him. Oh, dear, how horrible! I've actually cleared the whole plate of toast alone! I—I hope he won't notice; I'll shove the dish behind the urn. Yes; he can't see it there. How did I do it? I never felt myself eating. That cake is delicious too—better than any of Sally's. I feel so much better now; I suppose it must have been hunger that helped me to go off in that ridiculous fashion in the grove."

Her head sinks back pleasantly on the soft cushions; she looks out on the sunny lawn and the timbered wealth she knows so well. Both the windows are wide open, and a faint evening breeze brings to her couch a breath of mignonette from a parterre outside, which her mother laid out with her own hands when she came to Nutsgrove, a happy bride, twenty-two years before. A thrush that has yearly built his nest in the heart of the gloire de Dijon, the shining leaves of which are fluttering against the casement, bursts into song. Addie closes her eyes, and she is at home once more, living over again the sweet spring evenings of her blissful neglected youth. Armstrong of Kelvick and his trim purified apartments vanish into space; the notched and rickety chairs are back again, the threadbare carpet with its sprays of dim ghostly terns, the dusky curtains. Her work-box is standing in its old place, she hears Pauline's light footsteps flying down the stairs, the boys are calling the dogs