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MADAM'S ROOM

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Leading out of Mrs. Chattaway's dressing-room was a comfortable apartment, fitted up as a sitting-room, with chintz hangings and maple-wood furniture. It was called in the household "Madam's Room," and here Mrs. Chattaway frequently sat. Yes; the house and the neighbourhood accorded her readily the title which usage had long given to the mistress of Trevlyn Hold: but they would not give that of "Squire" to her husband. I wish particularly to repeat this. Strive for it as he would, force his personal servants to observe the title as he did, he could not get it recognised or adopted. When a written invitation came to the Hold—a rare event, for the old-fashioned custom of inviting verbally was chiefly followed there—it would be worded, "Mr. and Madam Chattaway," and Chattaway's face would turn green as he read it. No, never! He enjoyed the substantial good of being proprietor of Trevlyn Hold, he received its revenues, he held sway as its lord and master; but its honours were not given to him. It was so much gall and wormwood to Chattaway.

Mrs. Chattaway stood at this window on that dull morning in November mentioned in the last chapter, her eyes strained on the distance. What was she gazing at? Those lodge chimneys?—The dark, almost bare trees that waved to and fro in the wintry wind?—The extensive landscape stretching out in the distance, not fine to-day, but dull and cheerless?—Or on the shifting clouds in the grey skies? Not on any of these; her eyes, though apparently bent on all, in reality saw nothing. They were fixed on vacancy; buried, like her thoughts.

She wore a muslin gown, with dark purple spots upon it; her collar was fastened with a bow of black ribbon, her sleeves were confined with black ribbons at the wrist. She was passing a finger under one of these wrist-ribbons, round and round, as if the ribbon were tight; in point of fact, it was only a proof of her abstraction. Her smooth hair fell in curls on her fair face, and her blue eyes were bright as with a slight touch of inward fever.

Some one opened the door, and peeped in. It was Maude Trevlyn. Her frock was of the same material as Mrs. Chattaway's gown, and a sash of black ribbon encircled her waist. Mrs. Chattaway did not turn, and Maude came forward.

"Are you well to-day, Aunt Edith?"

"Not very, dear." Mrs. Chattaway took the pretty young head within her arm as she answered, and fondly stroked the bright curls. "You have been crying, Maude!"

Maude shook back her curls with a smile, as if she meant to be brave; make light of the accusation. "Cris and Octave went on so shamefully, Aunt Edith, ridiculing George Ryle; and when I took his part, Cris hit me a sharp blow. It was stupid of me to cry, though."

"Cris did?" exclaimed Mrs. Chattaway.

"I know I provoked him," candidly acknowledged Maude. "I'm afraid I flew into a passion; and you know, Aunt Edith, I don't mind what I say when I do that. I told Cris that he would be placed at something not half as good as a linen-draper's some time, for he'd want a living when Rupert came into Trevlyn Hold."

"Maude! Maude! hush!" exclaimed Mrs. Chattaway in tones of terror. "You must not say that."

"I know I must not, Aunt Edith; I know it is wrong; wrong to think it, and foolish to say it. It was my temper. I am very sorry."

She nestled close to Mrs. Chattaway, caressing and penitent. Mrs. Chattaway stooped and kissed her, a strangely marked expression of tribulation, shrinking and hopeless, upon her countenance.

"Oh, Maude! I am so ill!"

Maude felt awed; and somewhat puzzled. "Ill, Aunt Edith?"

"There is an illness of the mind worse than that of the body, Maude. I feel as though I should sink under my weight of care. Sometimes I wonder why I am kept on earth."

"Oh, Aunt Edith!"

A knock at the room door, followed by the entrance of a female servant. She did not observe Mrs. Chattaway; only Maude.

"Is Miss Diana here, Miss Maude?"

"No. Only Madam."

"What is it, Phœbe?" asked Mrs. Chattaway.

"Master Cris wants to know if he can take the gig out, ma'am?"

"I cannot tell anything about it. You must ask Miss Diana. Maude, see; that is your Aunt Diana's step on the stairs now."

Miss Trevlyn came in. "The gig?" she repeated. "No; Cris cannot take it. Go and tell him so, Maude. Phœbe, return to your work."

Maude ran away, and Phœbe went off grumbling, not aloud, but to herself; no one dared grumble in the hearing of Miss Trevlyn. She had spoken in sharp tones to Phœbe, and the girl did not like sharp tones. As Miss Trevlyn sat down opposite Mrs. Chattaway, the feverish state of that lady's countenance arrested her attention.

"What is the matter, Edith?"

Mrs. Chattaway buried her elbow on the sofa-cushion, and pressed her hand to her face, half covering it, before she spoke. "I cannot get over this business," she answered in low tones. "To-day—perhaps naturally—I am feeling it more than is good for me. It makes me ill, Diana."

"What business?" asked Miss Trevlyn.

"This apprenticing of George Ryle."

"Nonsense," said Miss Diana.

"It is not the proper thing for him, Diana; you admitted so yesterday. The boy says it is the blighting of his whole future life; and I feel that it is nothing less. I could not sleep last night for thinking about it. Once I dozed off, and fell into an ugly dream," she shivered. "I thought Mr. Ryle came to me, and asked whether it was not enough that we had heaped care upon him in life, and then sent him to his death, but must also pursue his son."

"You always were weak, you know, Edith," was the composed rejoinder of Miss Trevlyn. "Why Chattaway should be interfering with George Ryle, I cannot understand; but it surely need not give concern to you. The proper person to put a veto on his being placed at Barmester, as he is being placed, was Mrs. Ryle. If she did not think fit to do it, it is no business of ours."

"It seems to me as if he had no one to stand up for him. It seems," added Mrs. Chattaway, with more passion in her tone, "as if his father must be looking down at us, and condemning us."

"If you will worry yourself over it, you must," was the rejoinder of Miss Trevlyn. "It is very foolish, Edith, and it can do no earthly good. He is bound by this time, and the thing is irrevocable."

"Perhaps that is the reason—because it is irrevocable—that it presses upon me to-day with greater weight. It has made me think of the past, Diana," she added in a whisper. "Of that other wrong, which I cheat myself sometimes into forgetting; a wrong——"

"Be silent!" imperatively interrupted Miss Trevlyn, and the next moment Cris Chattaway bounded into the room.

"What's the reason I can't have the gig?" he began. "Who says I can't have it?"

"I do," said Miss Trevlyn.

Cris insolently turned from her, and walked up to Mrs. Chattaway. "May I not take the gig, mother?"

If there was one thing irritated the sweet temper of Mrs. Chattaway, it was being appealed to against any decision of Diana's. She knew that she possessed no power; was a nonentity in the house; and though she bowed to her dependency, and had no resource but to bow to it, she did not like it brought palpably before her.

"Don't apply to me, Cris. I know nothing about things downstairs; I cannot say one way or the other. The horses and vehicles are specially the things that your father will not have meddled with. Do you remember taking out the dog-cart without leave, and the result?"

Cris looked angry; perhaps the reminiscence was not agreeable. Miss Diana interfered.

"You will not take out the gig, Cris. I have said it."

"Then see if I don't walk! And if I am not home to dinner, Aunt Diana, you can just tell the Squire the thanks are due to you."

"Where do you wish to go?" asked Mrs. Chattaway.

"I am going to Barmester. I want to wish that fellow joy of his indentures," added Cris, a glow of triumph lighting up his face. "He is bound by this time. I wonder the Squire is not back again!"

The Squire was back again. As Cris spoke, his tread was heard on the stairs, and he came into the room. Cris was too full of his own concerns to note the expression of his face.

"Father, may I take out the gig? I want to go to Barmester, to pay a visit of congratulation to George Ryle."

"No, you will not take out the gig," said Mr. Chattaway, the allusion exciting his anger almost beyond bearing.

Cris thought he might have been misunderstood. Cris deemed that his proclaimed intention would find favour with Mr. Chattaway.

"I suppose you have been binding that fellow, father. I want to go and ask him how he likes it."

"No, sir, I have not been binding him," thundered Mr. Chattaway. "What's more, he is not going to be bound. He has left it, and is at home again."

Cris gave a blank stare of amazement, and Mrs. Chattaway let her hands fall silently upon her lap and heaved a gentle sigh, as though some great good had come to her.

Trevlyn Hold

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