Читать книгу The Mating of Lydia - Mrs. Humphry Ward - Страница 5

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The day after the Melroses' arrival at the Tower was once more a day of rain—not now the tempestuous storm rain which had lashed the mill stream to fury, and blustered round the house as they stepped into it, but one of those steady, gray, and featureless downpours that Westmoreland and Cumbria know so well. The nearer mountains which were wholly blotted out, and of the far Helvellyn range and the Derwentwater hills not a trace emerged. All colour had gone from the grass and the autumn trees; a few sheep and a solitary pony in the fields near the house stood forlorn and patient under the deluge; heaven and earth met in one fusion of rain just beyond the neglected garden that filled the front court; while on three sides of the house, and penetrating through every nook and corner of it, there rose, from depths far below, the roar of the stream which circled the sandstone rock whereon the Tower was built.

Mrs. Melrose came down late. She descended the stairs slowly, rubbing her cold hands together, and looking forlornly about her. She wore a dress of some straw-coloured stuff, too thin for the climate of a Cumbria autumn, and round her singularly small and fleshless neck, a wisp of black velvet. The top of the head was rather flat, and the heavy dark hair, projecting stiffly on either side of the face, emphasized at once the sharpness of the little bony chin, the general sallowness of complexion, and the remarkable size and blackness of the eyes. There was something snakelike about the flat head, and the thin triangular face; an effect which certainly belied the little lady, for there was nothing malicious or sinister in her personality.

She had not yet set eyes on her husband, who had risen early, and could now be heard giving directions to some one in the library to her right—a carpenter apparently, since there was hammering going on. She supposed she must find out something about the kitchen and the servants. Anastasia had brought up her breakfast that morning, with a flushed face, muttering complaint against the woman downstairs. A terror struck through her. If Anastasia should desert her—should give notice!

Timidly she pushed open the door of the big kitchen, and prepared to play the mistress. Mrs. Dixon was standing at the kitchen table with a pastry-board before her, making a meat pie. She greeted her new mistress civilly, though guardedly, and went on with what she was doing.

"Are you going to cook for us?" asked Mrs. Melrose, helplessly.

"That's what I unnerstood fro' Muster Tyson, ma'am."

"Then I came to speak to you about dinner."

"Thank you, ma'am, but Muster Melrose gave me the orders a good while sen. There was a cart goin' into Pengarth."

Pengarth was the nearest country town, some eight miles away.

Mrs. Melrose coloured.

"I must tell you what the baby requires," she said, drawing herself up.

Mrs. Dixon looked at the speaker impassively, over her spectacles.

Mrs. Melrose hurriedly named a patent food—some special biscuits—bananas.

"Yo' can have the milk yo' want fro' t' farm," said Mrs. Dixon slowly, in reply; "but there's nowt of aw them things i' t' house as I knows on."

"Then we must send for them."

Mrs. Dixon shook her head.

"There won't be anoother cart goin' in till t' day after to-morrow."

"I can't have the baby neglected!" exclaimed Mrs. Melrose, with sudden shrillness, looking angrily at the rugged face and figure before her.

"Mebbe yo'd go an talk to t' master?" suggested Mrs. Dixon, not without, as it seemed to Netta, a touch of slyness in eyes and voice. Of course they all knew by now that she was a cipher—that she was not to count. Edmund had been giving all the orders—in his miserly cheese-paring way. No comforts!—no conveniences!—not even bare necessaries, for herself and the child. Yet she knew very well that her husband was a rich man.

She turned and went in search of him, making her way with difficulty through the piles of boxes. What could be in them all? Edmund must have been buying for years. Every now and then as she stooped to look at the labels pasted upon them, she caught names well known to her. Orbatelli, Via dei Bardi 13, Firenze; Bianchi, Via Mazzini 12, Lucca; Fratelli Masai, Via Manzoni, Pisa. And everywhere the recurrent word—Antichità.

How she hated the word!—how she hated the associations linked with it, and with the names on the boxes. They were bound up with a score of humbling memories, the memories of her shabby, struggling youth. She thought of her father—the needy English artist, Robert Smeath, with just a streak, and no more than a streak, of talent, who had become rapidly "Italianate" in the Elizabethan sense—had dropped, that is, the English virtues, without ever acquiring the Italian. He had married her mother, a Florentine girl, the daughter of a small impiegato living in one of the dismal new streets leading out of Florence on the east, and had then pursued a shifting course between the two worlds, the English and the Italian, ordering his household and bringing up his children in Italian fashion, while he was earning his keep and theirs, not at all by the showy pictures in his studio which no one would buy, but as jackal in antichità, to the richer English and American tourists. He kept a greedy eye on the artistic possessions still remaining in the hands of impoverished native owners; he knew the exact moment of debt and difficulty in which to bring a foreign gold to bear; he was an adept in all the arts by which officials are bribed, and pictures are smuggled. And sometimes these accomplishments of his resulted in large accessions of cash, so that all the family lived on the fat of the land, bought gorgeous attire, and went to Livorno, or Viareggio, or the Adriatic coast, for the summer. And sometimes there was no luck, and therefore no money. Owners became unkindly patriotic and would not sell. Or some promising buyer, after nibbling for months, went off finally unhooked. Then the apartment in the Via Giugno showed the stress of hard times. The girls wore their old clothes to rags; the mother did all the work of the house in a bedgown and slippers; and the door of the apartment was never opened more than a few inches to any applicant, lest creditors should get in.

And the golden intervals got fewer, and the poverty more persistent, as the years went on. Till at last, by the providence—or malice—of the gods, a rich and apparently prodigal Englishman, Edmund Melrose, hungry for antichità of all sorts, arrived on the scene. Smeath became rapidly the bond-slave of Melrose, in the matter of works of art. The two made endless expeditions together to small provincial towns, to remote villas in the Apuan or Pisan Alps, to palazzi in Verona, or Lucca, or Siena. Melrose indeed had not been long in finding out that the little artist was both a poor judge and a bad agent. Netta's cheek always flamed when she thought of her father's boastings and blunderings, and of the way in which Edmund had come to treat him. And now the Smeath family were just as poor as ever again. Her little sisters had scarcely a dress to their backs; and she was certain her mother was both half-starved and over-worked. Edmund had not been at all kind to them since her marriage—not at all!

How had he come to marry her? She was well aware that it was an extraordinary proceeding on his part. He was well born on both sides, and, by common report among the English residents in Florence, enormously rich, though his miserly habits had been very evident even in the first days of their acquaintance. He might no doubt have married anybody he pleased; if he would only have taken the trouble. But nothing would induce him to take any trouble—socially. He resented the demands and standards of his equals; turned his back entirely on normal English society at home and abroad; and preferred, it seemed, to live with his inferiors, where his manners might be as casual, and his dress as careless as he pleased. The queer evenings and the queer people in their horrid little flat had really amused him. Then he had been ill, and mama had nursed him; and she, Netta, had taken him a pot of carnations while he was still laid up; and so on. She had been really pretty in those days; much prettier than she had ever been since the baby's birth. She had been attractive too, simply because she was young, healthy, talkative, and forthcoming; goaded always by the hope of marriage, and money, and escape from home. His wooing had been of the most despotical and patronizing kind; not the kind that a proud girl would have put up with. Still there had been wooing; a few presents; a frugal cheque for the trousseau; and a honeymoon fortnight at Sorrento.

Why had he done it?—just for a whim?—or to spite his English family, some member of which would occasionally turn up in Florence and try to put in claims upon him—claims which infuriated him? He was the most wilful and incalculable of men; caring nothing, apparently, one day for position and conventionality, and boasting extravagantly of his family and ancestors the next.

"He was rather fond of me—for a little," she thought to herself wearily, as she stood at the hall window, looking out into the rain. At the point which things had now reached she knew very well that she meant nothing at all to him. He would not beat her, or starve her, or even, perhaps, desert her. Such behaviour would disturb his existence as much as hers; and he did not mean to be disturbed. She might go her own way—she and the child; he would give her food and lodging and clothes, of a sort, so long as she did not interfere with his tastes, or spend his money.

Then, suddenly, while she stood wrathfully pondering, a gust of anger rose—childish anger, such as she had shown the night before, when she had tried to get out of the carriage. She turned, ran down the corridor to the door which she understood was the door of his study—and entered with a burst.

"Edmund!—I want to speak to you!"

Melrose, who was hanging, frowning and absorbed, over a carpenter who was freeing what seemed to be an old clock from the elaborate swathings of paper and straw in which it had been packed, looked up with annoyance.

"Can't you see, Netta, that I'm very busy?"

"I can't help it!—it's about baby."

With a muttered "D—n!" Melrose came toward her.

"What on earth do you want?"

Netta looked at him defiantly.

"I want to be told whenever the cart goes into Pengarth—there were lots of things to get for baby. And I must have something here that I can drive myself. We can't be cut off from everything."

"Give your orders to Mrs. Dixon then about the cart," said Melrose angrily. "What has it to do with me? As for a carriage, I have no money to spend on any nonsense of the kind. We can do perfectly well without it."

"I only want a little pony-cart—you could get it second-hand for ten or twelve pounds—and the farmer has got a pony."

She looked at him—sallow, and frowning.

Melrose pushed her into the passage and drew the door to, behind him, so that the carpenter might not hear.

"Ten or twelve pounds! Do you expect I get money off the hedges? Can't you be content here like a reasonable woman, without getting me into debt?"

Netta laughed and tossed her head.

"You shouldn't leave your business letters about!"

"What do you mean?"

"There was a cheque among your papers one day last week!—I saw it before you could hide it away. It was for £3,000—a dividend from something—a coal mine, I think. And the week before you had another—"

Her husband's eyes shed lightnings.

"I'll not have you prying into my affairs!" he said violently. "All I have is wanted—and more."

"And nothing of course—to give me—your wife!—for any comforts or pleasures! That never enters into your head!"

Her voice came thickly already. Her chest began to heave.

"There now—crying again!" said Melrose, turning on his heel. "Can't you sometimes thank your stars you're not starving in Florence, and just put up with things a little?"

Netta restrained herself.

"So I would"—she said, choking—"if—"

"If what—"

For all answer, she turned and hurried away toward the hall. Melrose looked after her with what appeared like exasperation, then suddenly recaptured himself, smoothed his brow, and, returning to the study, gave himself with unruffled zest and composure to the task of unpacking the Boule clock.

Netta repaired to the drawing-room, and threw herself on to the uncomfortable sofa, struggling with her tears. For about a fortnight after her marriage she had imagined herself in love with Melrose; then when the personal illusion was gone, the illusion of position and wealth persisted. He might be queer, and behave queerly in Italy. But when they returned to England she would find herself the wife of a rich English gentleman, and the gingerbread would once more be gilt. Alack! a few weeks in a poor London Lodging with no money to spend on the shops which tempted her woman's cupidity at every step; Edmund's final refusal, first laughing, then stubborn, to present her to "my devilish relations"; the complete indifference shown to her wishes as to the furnishings of the Tower; these various happenings had at last brought her to an unwelcome commerce with the bare truth. She had married a selfish eccentric, who had chosen her for a caprice and was now tired of her. She had not a farthing, nor any art or skill by which to earn one. Her family was as penniless as herself. There was nothing for it but to submit. But her temper and spirits had begun steadily to give way.

Firenze! As she sat in her cheerless drawing-room, hating its ugly shabbiness, and penetrated with the damp chill of the house, there swept through her a vision of the Piazza del Duomo, as she had last seen it on a hot September evening. A blaze of light—delicious all-prevailing warmth—the moist bronzed faces of the men—the girls with the look of physical content that comes in hot countries with the evening—the sun flooding with its last gold, now the new marbles of the facciata, now the alabaster and bronze of the Baptistery, and now the moving crowds—the flowers-baskets—the pigeons—

She lifted her eyes with a sobbing breath, and saw the gray cloud-curtain—the neglected garden—the solitary pony in the field—with the shafts of rain striking across it. Despair stirred in her—the physical nostalgia of the south. A happy heart might have silenced the craving nerves; but hers was far from happy.

The door opened. A head was thrust in—the head of a fair-haired girl.

There was a pause.

"What do you want?" said Mrs. Melrose, haughtily, determined to assert herself.

Thyrza came in slowly. She held a bunch of dripping Michaelmas daisies.

"Shall I get a glass for them? I thowt mebbe you'd like 'em in here."

Netta thanked her ungraciously. She remembered having seen the girl the night before, and Anastasia had mentioned her as the daughter of the Contadino.

Thyrza put the flowers in water, Netta watching her in silence; then going into the hall, she returned with a pair of white lace curtains.

"Shall I put 'em up? It 'ud mebbe be more cheerful."

Netta looked at them languidly.

"Where do they come from?"

"Mr. Tyson brought 'em from Pengarth. He thowt you might like 'em for the drawing-room."

Mrs. Melrose nodded, and Thyrza mounted a chair, and proceeded to put up the curtains, turning an observant eye now and then on the thin-faced lady sitting on the sofa, her long fingers clasped round her knees, and her eyes—so large and staring as to be rather ugly than beautiful in Thyrza's opinion—wandering absently round the room.

"It's a clashy day," Thyrza ventured at last.

"It's a dreadful day," said Mrs. Melrose sharply. "Does it always rain like this?"

"Well, it do rain," was Thyrza's cautious reply. "But there that's better than snowin'—for t' shepherds."

Mrs. Melrose found the girl's voice pleasant, and could not deny that she was pretty, in her rustic way.

"Has your father many sheep?"

"Aye, but they're all gone up to t' fells for t' winter. We had a grand time here in September—at t' dippin'. Yo'd never ha' thowt there was so mony folk about"—the girl went on, civilly, making talk.

"I never saw a single house, or a single light, on the drive from the station last night," said Mrs. Melrose, in her fretful voice. "Where are all the people?"

"Well, there ain't many!" laughed Thyrza. "It's a lonesome place this is. But when it's a shearin', or a dippin', yo' unnerstand, farmin' folk'll coom a long way to help yan anuther."

"Are they all farmers about here?"

"Mostly. Well, there's Duddon Castle!" Thyrza's voice, a little muffled by the tin-tacks in the mouth, came from somewhere near the top of a tall window—"Oh—an' I forgot!—"

In a great hurry the speaker jumped down from her perch, and to Netta's astonishment ran out of the room.

"What is she about?" thought Mrs. Melrose irritably. But the question was hardly framed before Thyrza reappeared, holding out her hand, in which lay some visiting-cards.

"I should ha' given them yo' before."

Mrs. Melrose took them with surprise, and read the name.

"Countess Tatham—who is she?"

"Why it's she that lives at Duddon Castle." Then the girl looked uncertainly at her companion—"Mr. Tyson did tell me she was a relation of Mr. Melrose."

"A relation? I don't know anything about her," said Netta decidedly. "Did she come to call upon me?"

The girl nodded—"She come over—it was last Tuesday—from Duddon, wi' two lovely horses—my, they were beauties! She said she'd come again."

Netta asked questions. Lady Tatham, it seemed, was the great lady of the neighbourhood, and Duddon Castle was a splendid old place, that all the visitors went to see. And there were her cards. Netta's thoughts began to hurry thither and thither, and possibilities began to rise. A relation of Edmund's? She made Thyrza tell her all she knew about Duddon and the Tathams. Visions of being received there, of meeting rich and aristocratic people, of taking her place at last in society, the place that belonged to her as Edmund's wife, in spite of his queer miserly ways, ran again lightly through a mind that often harboured such dreams before—in vain. Her brow cleared. She made Thyrza leave the curtains, and sit down to gossip with her. And Thyrza, though perfectly conscious, as the daughter of a hard-working race, that to sit gossiping at midday was a sinful thing, was none the less willing to sin; and she chattered on in a Westmoreland dialect that grew steadily broader as she felt herself more at ease, till Mrs. Melrose could scarcely follow her.

But she managed to seize on the facts that concerned her. Lady Tatham, it seemed, was a widow, with an only boy, a lad of seven, who was the heir to Duddon Castle, and its great estates. The Castle was ten miles from the Tower.

"How shall I ever get there?" thought Mrs. Melrose, despairingly.

As to other neighbours, they seemed to consist entirely of an old bachelor doctor, about three miles away, and the clergyman of Gimmers Wick and his wife. She was sure to come. But most people were "glad to see the back on her." She had such a poor spirit, and was always complaining.

In the midst of this conversation, the door of the room, which was ajar, slowly opened. Thyrza looked round and saw in the aperture a tiny white figure. It was the Melrose baby, standing silent, wide-eyed, with its fingers in its mouth, and Anastasia behind it. Anastasia, whose look was still thunderous, explained that she was unpacking and could not do with it. The child toddled in to its mother, and Thyrza exclaimed in admiration:

"Oh, you are a little beauty!"

And she caught up one of the brass curtain rings lying on the table, and tried to attract the baby with it. But the little thing took not the smallest notice of the lure. She went straight to her mother, and, leaning against Netta's knee, she turned to stare at Thyrza with an intensity of expression, rare in a child so young. Thyrza, kneeling on the floor, stared back—fascinated. She thought she had never seen anything so lovely. The child had her father's features, etherealized; and great eyes, like her mother, but far more subtly beautiful. Her skin was pale, but of such a texture that Thyrza's roses-and-milk looked rough and common beside it. Every inch of the proud little head was covered with close short curls leaving the white neck free, and the hand lifted to her mouth was of a waxen delicacy.

Netta opened a picture-book that Anastasia had brought down with her. Felicia pushed it away. Netta opened it again. Then the child, snatching it from her, sat down on the floor, and, before Netta could prevent her, tore one of the pages across with a quick, vindictive movement—her eyes sparkling.

"Naughty—! naughty!" said Netta in a scolding voice.

But Thyrza dropped her hand hastily into a gray calico pocket tied round her waist, and again held out something.

"It is only a pear-drop," she said apologetically to Netta. "It won't hurt her."

Felicia snatched at it at once, and sucked it, still flushed with passion. Her mother smiled faintly.

"You like sweets?" she said, childishly, to her companion; "give me one?"

Thyrza eagerly brought out a paper bag from her pocket and Netta put out a pair of thin fingers. She and her sisters had been great consumers of sweet stuff in the small dark Florentine shops. The shared greediness promoted friendship; and by the time Mrs. Dixon put in a reproachful face with a loud—"Thyrza, what be you a doin'?"—Mrs. Melrose knew as much of the Tower, the estate, the farm, and the persons connected with them, as Thyrza's chattering tongue could tell her in the time.

There was nothing, however, very consoling in the information. When

Thyrza departed, Mrs. Melrose was left to fret and sigh much as before.

The place was odious; she could never endure it. But yet the possible

advent of "Countess Tatham" cast a faint ray on the future.

A few days later Lady Tatham appeared. Melrose had been particularly perverse and uncommunicative on the subject. "Like her audacity!"—so Netta had understood his muttered comment, when she took him the cards. He admitted that the lady and he were cousins—the children of first cousins; and that he had once seen a good deal of her. He called her "an audacious woman"; but Mrs. Melrose noticed that he did not forbid her the house; nay, rather that he listened with some attention to Thyrza's report that the lady had promised to call again.

On the afternoon of the call, the skies were clear of rain, though not of cloud. The great gashed mountain to the north which Dixon called Saddleback, while a little Cumbria "guide," produced by Tyson, called it Blencathra, showed sombrely in a gray light; and a November wind was busy stripping what leaves still remained from the woods by the stream and in the hollows of the mountain. Landscape and heavens were of an iron bracingness and bareness; and the beauty in them was not for eyes like Netta's. She had wandered out forlornly on the dank paths descending to the stream. Edmund as usual was interminably busy fitting up one of the lower rooms for some of his minor bric-à-brac—ironwork, small bronzes, watches, and clocks. Anastasia and the baby were out.

Would Anastasia stay? Already she looked ill; she complained of her chest. She had made up her mind to come with the Melroses for the sake of her mother and sister in Rome, who were so miserably poor. Netta felt that she—the mistress—had some security against losing her, in the mere length and cost of the journey. To go home now, before the end of her three months, would swallow up all the nurse had earned; for Edmund would never contribute a farthing. Poor Anastasia! And yet Netta felt angrily toward her for wishing to desert them.

"For of course I shall take her home—in March. We shall all be going then," she said to herself with an emphasis, almost a passion, which yet was full of misgiving.

Suddenly, just as she had returned by a steep path to the dilapidated terrace on the north side of the house—a sound of horses' feet and wheels. Evidently a carriage—a caller. Netta's pulse fluttered. She ran into the house by a side door, and up to her room, where she smoothed her hair anxiously, and lightly powdered her face. There was no time to change her dress, but she took out a feather boa which she kept for great occasions, and prepared to descend with dignity. Oh the stairs she met Mrs. Dixon, who announced "Lady Tatham."

"Find Mr. Melrose, please."

"Oh, he's there, Ma'am, awready."

Netta entered the drawing-room to see her husband pacing up and-down before a strange lady, who sat in one of the crimson armchairs, entirely at her ease.

"So this is your wife, Edmund," said Lady Tatham, as she rose.

"It is. You'll make mock of her no doubt—as you do of me."

"Nonsense! I never make mock of anybody," said a musical voice, rich however through all its music in a rather formidable significance. The owner of it turned toward Netta.

"I hope, Mrs. Melrose, that you will like Cumbria?"

Netta, accustomed to Edmund's "queerness," and determined to hold her own, settled herself deliberately opposite her visitor, and was soon complaining in her shrill voice of the loneliness of the place and the damp of the climate. Melrose never once looked at his wife. He was paler than usual, with an eager combative aspect, quite new to Netta. He seemed for once to be unsure of his ground—both to expect attack, even to provoke it—and to shrink from it. His eyes were fixed upon Lady Tatham, and followed her every movement.

Attention was certainly that lady's due; and it failed her rarely. She had beauty—great beauty; and a personality that refused to be overlooked. Her dress showed in equal measure contempt for mere fashion, and a close study of effect. The lines of her long cloak of dull blue cloth, with its garnishings of sable, matched her stately slenderness well; and the close-fitting cap over the coiled hair conveyed the same impression of something perfectly contrived and wholly successful. Netta thought at first that she was "made up," so dazzling was the white and pink, and then doubted. The beauty of the face reminded one, perhaps, of the beauty of a boy—of some clear-eyed, long-chinned athlete—masterfully simple—a careless conqueror.