Читать книгу The Shoes of Fortune - Munro Neil - Страница 17

MY DEED ON THE MOOR OF MEARNS

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Next day I shot David Borland of the Driepps.

It was the seventh of March, the first day I heard the laverock that season, and it sang like to burst its heart above the spot where the lad fell with a cry among the rushes. It rose from somewhere in our neighbourhood, aspiring to the heavens, but chained to earth by its own song; and even yet I can recall the eerie influence of that strange conjunction of sin and song as I stood knee-deep in the tangle of the moor with the pistol smoking in my hand.

To go up to the victim of my jealousy as he lay ungainly on the ground, his writhing over, was an ordeal I could not face.

“Davie, Davie!” I cried to him over the thirty paces; but I got no reply from yon among the rushes. I tried to wet my cracking lips with a tongue like a cork, and “Davie, oh, Davie, are ye badly hurt?” I cried, in a voice I must have borrowed from ancient time when my forefathers fought with the forest terrors.

I listened and I better listened, but Borland still lay there at last, a thing insensate like a gangrel's pack, and in all the dreary land there was nothing living but the laverock and me.

The bird was high—a spot upon the blue; his song, I am sure, was the song of his kind, that has charmed lovers in summer fields from old time—a melody rapturous, a message like the message of the evening star that God no more fondly loves than that small warbler in desert places—and yet there and then it deaved me like a cry from hell. No heavenly message had the lark for me: he flew aloft there into the invisible, to tell of this deed of mine among the rushes. Not God alone would hear him tell his story: they might hear it, I knew, in shepherds' cots; they might hear it in an old house bowered dark among trees; the solitary witness of my crime might spread the hue and cry about the shire; already the law might be on the road for young Paul Greig.

I seemed to listen a thousand years to that telltale in the air; for a thousand years I scanned the blue for him in vain, yet when I looked at my pistol again the barrel was still warm.

It was the first time I had handled such a weapon.

A senseless tool it seemed, and yet the crooking of a finger made it the confederate of hate; though it, with its duty done, relapsed into a heedless silence, I, that owned it for my instrument, must be wailing in my breast, torn head to foot with thunders of remorse.

I raised the hammer, ran a thumb along the flint, seeing something fiendish in the jaws that held it; I lifted up the prime-cap, and it seemed some miracle of Satan that the dust I had put there in the peace of my room that morning in Hazel Den should have disappeared. “Truefitt” on the lock; a silver shield and an initial graven on it; a butt with a dragon's grin that had seemed ridiculous before, and now seemed to cry “Cain!” Lord! that an instrument like this in an unpractised hand should cut off all young Borland's earthly task, end his toil with plough and harrow, his laugh and story.

I looked again at the shapeless thing at thirty paces. “It cannot be,” I told myself; and I cried again, in the Scots that must make him cease his joke, “I ken ye're only lettin' on, Davie. Get up oot o' that and we'll cry quits.”

But there was no movement; there was no sound; the tell-tale had the heavens to himself.

All the poltroon in me came a-top and dragged my better man round about, let fall the pistol from my nerveless fingers and drove me away from that place. It was not the gallows I thought of (though that too was sometimes in my mind), but of the frightful responsibility I had made my burden, to send a human man before his Maker without a preparation, and my bullet hole upon his brow or breast, to tell for ever through the roaring ring of all eternity that this was the work of Paul Greig. The rushes of the moor hissed me as I ran blindly through them; the tufts of heather over Whiggit Knowe caught at me to stop me; the laverock seemed to follow overhead, a sergeant of provost determined on his victim.

My feet took me, not home to the home that was mine no more, but to Earn-side, where I felt the water crying in its linn would drown the sound of the noisy laverock; and the familiar scene would blot for a space the ugly sight from my eyes. I leant at the side to lave my brow, and could scarce believe that this haggard countenance I saw look up at me from the innocent waters was the Spoiled Horn who had been reflected in Isobel's eyes. Over and over again I wet my lips and bathed my temples; I washed my hands, and there was on the right forefinger a mark I bear to this day where the trigger guard of the pistol in the moments of my agony had cut me to the bone without my knowing it.

When my face looked less like clay and my plans were clear, I rose and went home.

My father and mother were just sitting to supper, and I joined them. They talked of a cousin to be married in Drymen at Michaelmas, of an income in the leg of our mare, of Sabbath's sermon, of things that were as far from me as I from heaven, and I heard them as one in a dream, far-off. What I was hearing most of the time was the laverock setting the hue and cry of Paul Greig's crime around the world and up to the Throne itself, and what I was seeing was the vacant moor, now in the dusk, and a lad's remains awaiting their discovery. The victuals choked me as I pretended to eat; my father noticed nothing, my mother gave a glance, and a fright was in her face.

I went up to my room and searched a desk for some verses that had been gathering there in my twelve months' degradation, and particularly for one no more than a day old with Isobel Fortune for its theme. It was all bye with that! I was bound to be glancing at some of the lines as I furiously tore them up and threw them out of the window into the bleaching-green; and oh! but the black sorrows and glooms that were there recorded seemed a mockery in the light of this my terrible experience. They went by the window, every scrap: then I felt cut off from every innocent day of my youth, the past clean gone from me for ever.

The evening worship came.

“If I take the wings of the morning and dwell in the uttermost ends of the sea.”

My father, peering close at the Book through his spectacles, gave out the words as if he stood upon a pulpit, deliberate—too deliberate for Cain his son, that sat with his back to the window shading his face from a mother's eyes. They were always on me, her eyes, throughout that last service; they searched me like a torch in a pit, and wae, wae was her face!

When we came to pray and knelt upon the floor, I felt as through my shut eyes that hers were on me even then, exceeding sad and troubled. They followed me like that when I went up, as they were to think, to my bed, and I was sitting at my window in the dark half an hour later when she came up after me. She had never done the like before since I was a child.

“Are ye bedded, Paul?” she whispered in the dark.

I could not answer her in words, but I stood to my feet and lit a candle, and she saw that I was dressed.

“What ails ye to-night?” she asked trembling. “I'm going away, mother,” I answered. “There's something wrong?” she queried in great distress.

“There's all that!” I confessed. “It'll be time for you to ken about that in the morning, but I must be off this night.”

“Oh, Paul, Paul!” she cried, “I did not like to see you going out in these shoes this afternoon, and I ken't that something ailed ye.”

“The road to hell suits one shoe as well's another,” said I bitterly; “where the sorrow lies is that ye never saw me go out with a different heart. Mother, mother, the worst ye can guess is no' so bad as the worst ye've yet to hear of your son.”

I was in a storm of roaring emotions, yet her next words startled me.

“It's Isobel Fortune of the Kirkillstane,” she said, trying hard to smile with a wan face in the candle light.

“It was—poor dear! Am I not in torment when I think that she must know it?”

“I thought it was that that ailed ye, Paul,” said she, as if she were relieved. “Look; I got this a little ago on the bleaching-green—this scrap of paper in your write and her name upon it. Maybe I should not have read it.” And she handed me part of that ardent ballad I had torn less than an hour ago.

I held it in the flame of her candle till it was gone, our hands all trembling, and “That's the end appointed for Paul Greig,” said I.

“Oh, Paul, Paul, it cannot be so unco'!” she cried in terror, and clutched me at the arm.

“It is—it is the worst.”

“And yet—and yet—you're my son, Paul. Tell me.”

She looked so like a reed in the winter wind, so frail and little and shivering in my room, that I dared not tell her there and then. I said it was better that both father and she should hear my tale together, and we went into the room where already he was bedded but not asleep. He sat up staring at our entry, a night-cowl tassel dangling on his brow.

“There's a man dead—” I began, when he checked me with a shout.

“Stop, stop!” he cried, and put my mother in a chair. “I have heard the tale before with my brother Andy, and the end was not for women's ears.”

“I must know, Quentin,” said his wife, blanched to the lip but determined, and then he put his arm about her waist. It seemed like a second murder to wrench those tender hearts that loved me, but the thing was bound to do.

I poured out my tale at one breath and in one sentence, and when it ended my mother was in her swound.

“Oh, Paul!” cried the poor man, his face like a clout; “black was the day she gave you birth!”




The Shoes of Fortune

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