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At the end of the year 1882 I attracted the attention of the manager of the Dramatic Festival which was to be held at Cincinnati and was engaged to play the grave digger in "Hamlet" and Modus in "The Hunchback." Neither of these parts had ever been assumed by me prior to his engagement. It had always been my desire to appear in Shakespearean rôles and other legitimate characters.

The Dramatic Festival was a splendid success, artistically and financially. We began April 30, 1883, the first performance being "Julius Caesar." My associates were John McCullough, Lawrence Barrett, James E. Murdoch, Mary Anderson, Mlle. Rhea, Clara Morris and Kate Forsythe. The other plays given were "The Hunchback," "Much Ado About Nothing," "Othello," "Hamlet" and "Romeo and Juliet." The enterprise was managed by R. E. J. Miles and stage-managed by William H. Daly. The receipts for the week were in the neighborhood of a hundred thousand dollars. It was a happy time, marred only by our discovering that poor John McCullough was a doomed man, his mind showing a gradual decay. It was the beginning of the end, for in a few months the curtain rang down on dear John and he walked the stage no more.

A great, big-hearted, genial soul was lovable John McCullough! Everybody loved him and who could help it? Broad-minded and equally broad-shouldered, his companions ranged from prize-fighters to senators, wantons to duchesses. He was a splendid player and many suggestions have I received from him. He was a tragedian on the stage, a comedian off. I knew him for twenty years and in all that time, as intimate as we were, I always addressed him as "Mr." McCullough—and it annoyed him greatly.

One night at the old St. James (New York) bar I greeted him with the usual salutation. He replied, "Damn it, my name is John!" I answered, "I don't care whether it is or not, I can't say it"—and I never did. To me he was a Roman senator and oh, how simple, how kind! I was always awed when in his presence. When we met and he slapped me on the back by way of comradeship my spine would open and shut. Maybe it was the vehemence of the attack, but I always attributed it to my admiration of the man.

One noon I went into Delmonico's after a long siege of poker with the late Billy Scanlon, actor (and clever chap by the way), William Sinn, proprietor of the Park Theatre, Brooklyn, Billy Barry, Henry Watterson and John R. Fellows, District Attorney of New York City. I wanted a bracer badly, I can tell you, for we had participated in a very strenuous evening. As we entered, there was dear old McCullough having luncheon.

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John McCullough and Associate Players in the Dramatic Festival

"Mr." McCullough and the rest of us

I stopped, transfixed. He saw me and beckoned me to a seat at the table. I was terribly self conscious. He said, "Son, have a drink." I replied, rather timidly, "No, thank you." (I was slowly passing away.) He continued, "Well, you do drink, don't you?" "Yes," I replied, "once in awhile." "I mean you get drunk!" he insisted. I replied in the affirmative. "Good for you! I wouldn't give a damn for a man who didn't, occasionally!" he commented. "Is that right?" I queried. "Certainly," he replied. "Well, then," and I yelled to the waiter, "Give me an absinthe frappé!" "That's right, my boy; and, waiter, make it two," he quietly remarked.

We sat there for some time and soon I forgot all about my losses, listening to his fascinating stories of Edwin Forrest and the palmy days.

He was a most entertaining man and my memory often returns to the many happy hours passed in the company of my good friend, "Mr." McCullough—"John" for short—and sweet—now.