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Acknowledgements

My work on Shakespeare and South Africa was first developed in South Africa, Shakespeare and Post-colonial Culture (Lampeter: Edwin Mellen Press, 2005).

I would like to gratefully acknowledge the anonymous peer reviewers for Wits University Press, whose rigorous engagement with the original version of this book helped to improve it immeasurably. I thank them for their time, input, knowledge, and collegiality.

Permission to publish reworked versions of the following journal articles is gratefully acknowledged:

Taylor and Francis Group for ‘The Mobile Inheritors of any Renaissance’ – English Studies in Africa 51.1 (2008): 138–144; ‘English and the African Renaissance’ – English Studies in Africa 47. 2 (2004): 109–124; ‘Begging the Questions: Shakespeare in Post-apartheid South Africa’ – Social Dynamics 35.1 (2009): 177–191.

University of Delaware Press for ‘“Through Shakespeare’s Africa”: “Terror and Murder?”’ – Shakespeare’s World/ World Shakespeares, eds Richard Fotheringham, Christa Jansohn, and R.S. White (Newark: University of Delaware Press, 2008), pp. 382–396.

Ashgate Publishing Group for ‘Tony’s Will: Titus Andronicus in South Africa 1995’ – Shakespearean International Yearbook, eds Graham Bradshaw, Tom Bishop and Laurence Wright (Farnham: Ashgate, 2009), pp. 152–170.

Cambridge University Press for ‘Shakespeare and the Coconuts’ – Shakespeare Survey 62 (2009): 211–221.

Thanks to Stephen Francis and Rico Schacherl for the Madam & Eve cartoon – Mail & Guardian 30 November – 6 December 2007, p. 33.

Grateful thanks to Ingrid de Kok for permission to use her poem ‘Merchants in Venice’ which was first published in Terrestrial Things (Kwela Books and Snailpress, Cape Town, 2002) and later re-published in Seasonal Fires: new and selected poems (Seven Stories Press, New York, 2006).

My thanks to Jennifer Poole for her sterling research and editorial assistance, to Julie Miller and Roshan Cader at Wits University Press, and to Inga Norenius for her editing.