Читать книгу Summer Cruise in the Mediterranean on board an American frigate - Nathaniel Parker Willis - Страница 7

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The Fashionable World of Naples at the Races—Brilliant Show of Equipages—The King and his Brother—Rank and Character of the Jockeys—Description of the Races—The Public Burial Ground at Naples—Horrid and inhuman Spectacles—The Lazzaroni—The Museum at Naples—Ancient Relics from Pompeii—Forks not used by the Ancients—The Lamp lit at the time of our Saviour—The antique Chair of Sallust—The Villa of Cicero—The Balbi Family—Bacchus on the Shoulders of a Faun—Gallery of Dians, Cupids, Joves, Mercuries, and Apollos, Statue of Aristides, &c.

I have been all day at “the races.” The King of Naples, who has a great admiration for everything English, has abandoned the Italian custom of running horses without riders through the crowded street, and has laid out a magnificent course on the summit of a broad hill overlooking the city on the east. Here he astonishes his subjects with ridden races, and it was to see one of the best of the season, that the whole fashionable world of Naples poured out to the campo this morning. The show of equipages was very brilliant, the dashing liveries of the various ambassadors, and the court and nobles of the kingdom, showing on the bright greensward to great effect. I never saw a more even piece of turf, and it was fresh in the just-born vegetation of spring. The carriages were drawn up in two lines, nearly half round the course, and for an hour or two before the races, the king and his brother, Prince Carlo, rode up and down between with the royal suite, splendidly mounted, the monarch himself upon a fiery grey blood-horse, of uncommon power and beauty. The director was an Aragonese nobleman, cousin to the king, and as perfect a specimen of the Spanish cavalier as ever figured in the pages of romance. He was mounted on a Turkish horse, snow-white, and the finest animal I ever saw; and he carried all eyes with him, as he dashed up and down, like a meteor. I like to see a fine specimen of a man, as I do a fine picture, or an excellent horse, and I think I never saw a prettier spectacle of its kind, than this wild steed from the Balkan and his handsome rider.

The king is tall, very fat, but very erect, of a light complexion, and a good horseman, riding always in the English style, trotting and rising in his stirrup. (He is about twenty-three, and so surprisingly like a friend of mine in Albany, that the people would raise their hats to them indiscriminately I am sure.) Prince Charles is smaller and less kingly in his appearance, dresses carelessly and ill, and is surrounded always in public with half a dozen young Englishmen. He is said to have been refused lately by the niece of the wealthiest English nobleman in Italy, a very beautiful girl of eighteen, who was on the ground to-day in a chariot and four.

The horses were led up and down—a delicate, fine-limbed sorrel mare, and a dark chestnut horse, compact and wiry—both English. The bets were arranged, the riders weighed, and, at the beat of a bell, off they went like arrows. Oh what a beautiful sight! The course was about a mile round, and marked with red flags at short distances; and as the two flying creatures described the bright green circle, spread out like greyhounds, and running with an ease and grace that seemed entirely without effort, the king dashed across the field followed by the whole court; the Turkish steed of Don Giovanni restrained with difficulty in the rear, and leaping high in the air at every bound, his nostrils expanded, and his head thrown up with the peculiar action of his race, while his snow-white mane and tail flew with every hair free to the wind. I had, myself, a small bet upon the sorrel. It was nothing—a pair of gloves with a lady—but as the horses came round, the sorrel a whip’s length ahead, and both shot by like the wind, scarce touching the earth apparently, and so even in their speed that the rider in blue might have kept his hand on the other’s back, the excitement became breathless. Away they went again, past the starting-post, pattering, pattering on with their slender hoofs, the sorrel still keeping her ground, and a thousand bright lips wishing the graceful creature success. Half way round the blue jacket began to whip. The sorrel still held her way, and I felt my gloves to be beyond peril. The royal cortège within the ring spurred across at the top of their speed to the starting-post. The horses came on—their nostrils open and panting, bounding upon the way with the same measured leaps a little longer and more eager than before; the rider of the sorrel leaning over the neck of his horse with a loose rein, and his whip hanging untouched from his wrist. Twenty leaps more! With every one the rider of the chestnut gave the fine animal a blow. The sorrel sprang desperately on, every nerve strained to the jump, but at the instant that they passed the carriage in which I stood, the chestnut was developing his wiry frame in tremendous leaps, and had already gained on his opponent the length of his head. They were lost in the crowd that broke instantly into the course behind them, and in a moment after a small red flag was waved from the stand. My favourite had lost!

The next race was ridden by a young Scotch nobleman, and the son of the former French ambassador, upon the horses with which they came to the ground. It was a match made up on the spot. The Frenchman was so palpably better mounted, that there was a general laugh when the ground was cleared and the two gentlemen spurred up and down to show themselves as antagonists. The Parisian himself stuffed his white handkerchief in his bosom, and jammed down his hat upon his head with a confident laugh, and among the ladies there was scarce a bet upon the grave Scotchman, who borrowed a stout whip, and rode his bony animal between the lines with a hard rein and his feet set firmly in the stirrups. The Frenchman generously gave him every advantage, beginning with the inside of the ring. The bell struck, and the Scotchman drove his spurs into his horse’s flanks and started away, laying on with his whip most industriously. His opponent followed, riding very gracefully, but apparently quite sure that he could overtake him at any moment, and content for the first round with merely showing himself off to the best advantage. Round came Sawney, twenty leaps ahead, whipping unmercifully still; the blood of his hired hack completely up, and himself as red in the face as an alderman, and with his eye fixed only on the road. The long-tailed bay of the Frenchman came after, in handsome style, his rider sitting complacently upright, and gathering up his reins for the first time to put his horse to his speed. The Scotchman flogged on. The Frenchman had disdained to take a whip, but he drove his heels hard into his horse’s sides soon after leaving the post, and leaned forward quite in earnest. The horses did remarkably well, both showing much more bottom than was expected. On they came, the latter gaining a little and working very hard. Sawney had lost his hat, and his red hair streamed back from his redder face; but flogging and spurring, with his teeth shut and his eyes steadily fixed on the road, he kept the most of his ground and rode away. They passed me a horse’s length apart, and the Scotchman’s whip flying to the last, disappeared beyond me. He won the race by a couple of good leaps at least. The king was very much amused, and rode off laughing heartily, and the discomfited Frenchman came back to his party with a very ill-concealed dissatisfaction.

A very amusing race followed between two midshipmen from an English corvette lying in the bay, and then the long lines of splendid equipages wheeled into train, and dashed off the ground. The road, after leaving the campo, runs along the edge of the range of hills, enclosing the city, and just below, within a high white wall, lies the public burial-place of Naples. I had read so many harrowing descriptions of this spot, that my curiosity rose as we drove along in sight of it, and requesting my friends to set me down, I joined an American of my acquaintance, and we started to visit it together.

An old man opened the iron door, and we entered a clean, spacious, and well-paved area, with long rows of iron rings in the heavy slabs of the pavement. Without asking a question, the old man walked across to the farther corner, where stood a moveable lever, and fastening the chain into the fixture, raised the massive stone cover of a pit. He requested us to stand back for a few minutes to give the effluvia time to escape, and then, sheltering our eyes with our hats, we looked in. You have read, of course, that there are three hundred and sixty-five pits in this place, one of which is opened every day for the dead of the city. They are thrown in without shroud or coffin, and the pit is sealed up at night for a year. They are thirty or forty feet deep, and each would contain perhaps two hundred bodies. Lime is thrown upon the daily heap, and it soon melts into a mass of garbage, and by the end of the year the bottom of the pit is covered with dry white bones.

It was some time before we could distinguish anything in the darkness of the abyss. Fixing my eyes on one spot, however, the outlines of a body became defined gradually, and in a few minutes, sheltering my eyes completely from the sun above, I could see all the horrors of the scene but too distinctly. Eight corpses, all of grown persons, lay in a confused heap together, as they had been thrown in one after another in the course of the day. The last was a powerfully made, gray old man, who had fallen flat on his back, with his right hand lying across and half covering the face of a woman. By his full limbs and chest, and the darker colour of his legs below the knee, he was probably one of the lazzaroni, and had met with a sudden death. His right heel lay on the forehead of a young man, emaciated to the last degree, his chest thrown up as he lay, and his ribs showing like a skeleton covered with skin. The close black curls of the latter, as his head rested on another body, were in such strong relief that I could have counted them. Off to the right, quite distinct from the heap, lay, in a beautiful attitude, a girl, as well as I could judge, of not more than nineteen or twenty. She had fallen on the pile and rolled or slid away. Her hair was very long, and covered her left shoulder and bosom; her arm was across her body, and if her mother had laid her down to sleep, she could not have disposed her limbs more decently. The head had fallen a little away to the right, and the feet, which were small, even for a lady, were pressed one against the other, as if she were about turning on her side. The sexton said that a young man had come with the body, and was very ill for some time after it was thrown in. We asked him if respectable people were brought here. “Yes,” he said, “many. None but the rich would go to the expense of a separate grave for their relations. People were often brought in handsome grave-clothes, but they were always stripped before they were left. The shroud, whenever there was one, was the perquisite of the undertakers.” And thus are flung into this noisome pit, like beasts, the greater part of the population of this vast city—the young and the old, the vicious and the virtuous together, without the decency even of a rag to keep up the distinctions of life! Can human beings thus be thrown away?—men like ourselves—women, children, like our sisters and brothers? I never was so humiliated in my life as by this horrid spectacle. I did not think a man—a felon even, or a leper—what you will that is guilty or debased—I did not think anything that had been human could be so recklessly abandoned. Pah! It makes one sick at heart! God grant I may never die at Naples!

While we were recovering from our disgust, the old man lifted the stone from the pit destined to receive the dead on the following day. We looked in. The bottom was strewn with bones, already fleshless and dry. He wished us to see the dead of several previous days, but my stomach was already tried to its utmost. We paid our gratuity, and hurried away. A few steps from the gate, we met a man bearing a coffin on his head. Seeing that we came from the cemetery, he asked us if we wished to look into it. He set it down, and the lid opening with a hinge, we were horror-struck with the sight of seven dead infants! The youngest was at least three months old, the eldest perhaps a year; and they lay heaped together like so many puppies, one or two of them spotted with disease, and all wasted to baby-skeletons. While we were looking at them, six or seven noisy children ran out from a small house at the road-side and surrounded the coffin. One was a fine girl of twelve years of age, and instead of being at all shocked at the sight, she lifted the whitest of the dead things, and looked at its face very earnestly, loading it with all the tenderest diminutives of the language. The others were busy in pointing to those they thought had been prettiest, and none of them betrayed fear or disgust. In answer to a question of my friend about the marks of disease, the man rudely pulled out one by the foot that lay below the rest, and holding it up to show the marks upon it, tossed it again carelessly into the coffin. He had brought them from the hospital for infants, and they had died that morning. The coffin was worn with use. He shut down the lid, and lifting it again upon his head, went on to the cemetery, to empty it like so much offal upon the heap we had seen!

I have been struck repeatedly with the little value attached to human life in Italy. I have seen several of these houseless lazzaroni literally dying in the streets, and no one curious enough to look at them. The most dreadful sufferings, the most despairing cries, in the open squares, are passed as unnoticed as the howling of a dog. The day before yesterday, a woman fell in the Toledo, in a fit, frothing at the mouth, and livid with pain; and though the street was so crowded that one could make his way with difficulty, three or four ragged children were the only persons even looking at her.

I have devoted a week to the museum at Naples. It is a world! Anything like a full description of it would tire even an antiquary. It is one of those things (and there are many in Europe) that fortunately compel travel. You must come abroad to get an idea of it.

The first day I buried myself among the curiosities found at Pompeii. After walking through the chambers and streets where they were found, I came to them naturally with an intense interest. I had visited a disentombed city, buried for seventeen centuries—had trodden in their wheel-tracks—had wandered through their dining-rooms, their chambers, their baths, their theatres, their market-places. And here were gathered in one place, their pictures, their statues, their cooking utensils, their ornaments, the very food as it was found on their tables! I am puzzled, in looking over my note-book, to know what to mention. The catalogue fills a printed volume.

A curious corner in one of the cases was that containing the articles found on the toilet of the wealthiest Pompeian’s wife. Here were pots of rouge, ivory pins, necklaces, ear-rings, bracelets, small silver mirrors, combs, ear-pickers, &c. &c. In the next case were two loaves of bread, found in a baker’s oven, and stamped with his name. Two large cases of precious gems, cameos and intaglios of all descriptions, stand in the centre of this room (among which, by the way, the most exquisitely done are two which one cannot look at without a blush). Another case is filled with eatables, found upon the tables—eggs, fish-bones, honey-comb, grain, fruits, &c. In the repository for ancient glass are several cinerary urns, in which the ashes of the dead are perfectly preserved; and numerous small glass lachrymatories, in which the tears of the survivors were deposited in the tombs.

The brazen furniture of Pompeii, the lamps particularly, are of the most curious and beautiful models. Trees, to which the lamps were suspended like fruit, vines, statues holding them in their hands, and numerous other contrivances, were among them, exceeding far in beauty any similar furniture of our time. It appears that the ancients did not know the use of the fork, as every other article of table service except this has been found here.

To conceive the interest attached to the thousand things in this museum, one must imagine a modern city, Boston for example, completely buried by an unexpected and terrific convulsion of nature. Its inhabitants mostly escape, but from various causes leave their city entombed, and in a hundred years the grass grows over it, and its very locality is forgotten. Near two thousand years elapse, and then a peasant, digging in the field, strikes upon some of its ruins, and it is unearthed just as it stands at this moment, with all its utensils, books, pictures, houses, and streets, in untouched preservation. What a subject for speculation! What food for curiosity! What a living and breathing chapter of history were this! Far more interesting is Pompeii. For the age in which it flourished and the characters who trod its streets, are among the most remarkable in history. This brazen lamp, shown to me to-day as a curiosity, was lit every evening in the time of Christ. The handsome chambers through which I wandered a day or two ago, and from which were brought this antique chair, were the home of Sallust, and doubtless had been honoured by the visits of Cicero (whose villa, half-excavated, is near by,) and by all the poets and scholars and statesmen of his time. One might speculate endlessly thus! And it is that which makes these lands of forgotten empires so delightful to the traveller. His mind is fed by the very air. He needs no amusements, no company, no books except the history of the place. The spot is peopled wherever he may stray, and the common necessities of life seem to pluck him from a far-reaching dream, in which he had summoned back receding ages, and was communing, face to face, with philosophers and poets and emperors, like a magician before his mirror. Pompeii and Herculaneum seem to me visions. I cannot shake myself and wake to their reality. My mind refuses to go back so far. Seventeen hundred years!

I followed the cicerone on, listening to his astonishing enumeration, and looking at everything as he pointed to it, in a kind of stupor. One has but a certain capacity. We may be over-astonished. Still he went on in the same every-day tone, talking as indifferently of this and that surprising antiquity as a pedlar of his two-penny wares. We went from the bronzes to the hall of the papyri—thence to the hall of the frescoes, and beautiful they were. Their very number makes them indescribable. The next morning we devoted to the statuary—and of this, if I knew where to begin, I should like to say a word or two.

First of all comes the Balbi family—father, mother, sons, and daughters. He was pro-consul of Herculaneum, and by the excellence of the statues, which are life itself for nature, he and his family were worth the artist’s best effort. He is a fine old Roman himself, and his wife is a tall, handsome woman, much better-looking than her daughters. The two Misses Balbi are modest-looking girls, and that is all. They were the high-born damsels of Herculaneum, however; and, if human nature has not changed in seventeen centuries, they did not want admirers who compared them to the Venuses who have descended with them to the “Museo Borbonico.” The eldest son is on horseback in armour. It is one of the finest equestrian statues in the world. He is a noble youth, of grave and handsome features, and sits the superb animal with the freedom of an Arab and the dignity of a Roman. It is a beautiful thing. If one had visited these Balbis, warm and living, in the time of Augustus, he could scarcely feel more acquainted with them than after having seen their statues as they stand before him here.

Come a little farther on! Bacchus on the shoulders of a faun—a child delighted with a grown-up playfellow. I have given the same pleasure to just such another bright “picture in little” of human beauty. It moves one’s heart to see it.

Pass now a whole gallery of Dians, Cupids, Joves, Mercuries, and Apollos, and come to the presence of Aristides—him whom the Athenians exiled because they were tired of hearing him called The Just. Canova has marked three spots upon the floor where the spectator should place himself to see to the best advantage this renowned statue. He stands wrapped in his toga, with his head a little inclined, as if in reflection, and in his face there is a mixture of firmness and goodness from which you read his character as clearly as if it were written across his forehead. It was found at Herculaneum, and is, perhaps, the simplest and most expressive statue in the world.