Читать книгу A Popular Handbook to the National Gallery, Volume I, Foreign Schools - National Gallery (Great Britain) - Страница 105

NUMERICAL CATALOGUE, WITH BIOGRAPHICAL AND DESCRIPTIVE NOTES
97. THE RAPE OF EUROPA

Оглавление

Paolo Veronese (Veronese: 1528-1588). See 26 & p. xix.

(A study for a larger picture now at Vienna.) Jupiter, enamoured of Europa, a Phoenician princess, transformed himself into a white bull, and mingled with her father's herds whilst she was gathering flowers with her attendants. Europa, struck by the beauty and gentle nature of the beast, caressed him, and even mounted on his back. Two of her attendants are here assisting her, while a third remonstrates with her on her foolhardiness. Europa is replying that she has no fears. The amorous bull meanwhile is licking her foot. He is garlanded with a wreath of flowers, which is held by his master Cupid, forming thus the leading-string of Love. With the other hand Cupid has "taken the bull by the horn"; whilst above, two little winged loves are gathering fruit and scattering roses. In the middle distance Europa and the bull appear again, about to enter the sea; whilst farther on, the bull is swimming with her toward the land. For the story goes that as soon as Europa had seated herself on his back Jupiter crossed the sea and carried her safely to the island of Crete, and from this rape of Europa comes the name of the continent to which she was carried.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools

Подняться наверх