Читать книгу A Popular Handbook to the National Gallery, Volume I, Foreign Schools - National Gallery (Great Britain) - Страница 129

Gaspard Poussin (French: 1613-1675). See 31.

Gaspard travelled largely in Italy in search of the picturesque, and this striking landscape may be a recollection of the mountain scenery in the North – possibly near Bergamo. The spray of foliage prominent on the left is characteristic of Gaspard's method: —

"One of the most remarkable characters of natural leafage is the constancy with which, while the leaves are arranged on the spray with exquisite regularity, that regularity is modified in their actual effect. For as in every group of leaves some are seen sideways, forming merely long lines, some foreshortened, some crossing each other, every one differently turned and placed from all the others, the forms of the leaves, though in themselves similar, give rise to a thousand strange and differing forms in the group… Now go to Gaspard Poussin and take one of his sprays, where they come against the sky; you may count it all round: one, two, three, four, one bunch; five, six, seven, eight, two bunches; nine, ten, eleven, twelve, three bunches; with four leaves each; and such leaves! every one precisely the same as its neighbour, blunt and round at the end (where every forest leaf is sharp, except that of the fig-tree), tied together by the stalks, and so fastened on to the demoniacal claws above described (see under 68), one bunch to each claw" (Modern Painters, vol. i. pt. ii. sec. vi. ch. i. §§ 16, 17).